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The Winter Solstice is a significant event in Wiccan traditions and beliefs. Wicca is a modern pagan witchcraft religion that celebrates the changing seasons and the cycles of nature. Winter Solstice, also known as Yule, is the shortest day and longest night of the year. It falls on or around December 21st in the Northern Hemisphere, marking the official beginning of winter. In Wiccan practices, this day holds great spiritual significance as it represents the rebirth of the sun and the return of light after the longest night. Wiccans view the Winter Solstice as a time of introspection, reflection, and spiritual awakening.

Many of the legendary athletes in Black Magic say they hope it has a positive effect on young African-American basketball players, some of whom seem to have forgotten their roots, the athletes say. Ben Jobe, 75, who played at Tennessee's Fisk University and coached at several schools, says reminding players about the past is invaluable for the game's future.

Many of the legendary athletes in Black Magic say they hope it has a positive effect on young African-American basketball players, some of whom seem to have forgotten their roots, the athletes say. In March 1944, basketball players from the North Carolina College for Negroes played a secret game against military medical students from Duke University.

Wiccans view the Winter Solstice as a time of introspection, reflection, and spiritual awakening. It is a time to honor the darkness and embrace the potential for growth and transformation. Many Wiccans perform rituals and ceremonies during this time to connect with the energies of the season and manifest their intentions for the coming year.

BLACK MAGIC

Although about top Aboriginal sportsmen, BLACK MAGIC is more than a film about sport. It is an account of the creative use of sport made by the Noongar people of Western Australia's south-west to advance their people's standing.

Denied access to other areas of social life like most Aboriginal communities at the time, the Noongars, from as early as 1920, channelled the natural talent of their young people into the arena of competitive sport, notably running, boxing and football. Competitive sport, as filmmaker Paul Roberts notes, is 'an open gate, a universal rite of passage, an opportunity to achieve recognition and acceptance.'

Although football was a segregated sport up until the 1930s [the right to attend school and to vote were many years way], boxing and foot-racing at country shows were open to all. Beaufort Dinah, 'King of the Blackfellows', and Ernie Cockie became champion fighters, with the former becoming WA State Champion in the 1920s.

Like show tent boxing, professional foot-racing was an integral part of country shows up until the advent of television in the late 1950s. Stakes were high at these 'gifts', as race finals were called, and Noongars often won. Archie Jones, a brilliant runner, was undefeated until his promoter, betting against Jones, drugged him in WA's richest country race, the York Gift. Demoralised, Archive Jones returned to the reserve.

In national football, the Hayward Brothers broke into the WA league in the 1930s, about the same time Doug Nicolls pioneered Aboriginal involvement in the Victorian Football League. They were followed by Graham Farmer and Ted Kilmurray [1950s] to more current players such as Nicky Winmar, Jim and Phillip Krakouer and Derek Kickett, all considered to be top sportsmen. Graham Farmer is regarded by most experts as among the two or three greatest footballers of all time.

Through the narrative of these sportsmen, their relatives and friends, the film establishes that the motivation to succeed in sport arises from a more general desire to be accepted and recognised. The close kinship bonds that link Noongar families, the quality of interaction between the generations, and an Aboriginal value system that Noongars would like others to understand and share are revealed through personal stories told with pathos and wry humour.

The background music and artwork in the film have been produced from within the community, creating a rich, cohesive picture of Noongar life and culture.

The concept for this film was developed by Aboriginal people from the South West of Western Australia.

Presenter – Merlene Mead

Directed by Frank Rijavec and Paul Roberts
Produced by Paul Roberts, in association with Southern Aboriginal Corporation
Script – Les Eades, Paul Roberts, Frank Rijavec
Camera – Peter Strain
Editor – Andrew Ogilvie
Country Music by "Country Touch" (Les Penney, Bass, and Johnny Hill and Aden Eades (both Guitar)
Theme Music – Phil Doughty (Didgeridoo and Percussion) and Martin Teschke (Guitar and Harp)
Produced with assistance from the Department of Aboriginal Affairs

© 1988, Southern Aboriginal Corporation & others

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Due to contractual obligations, some films may not be available in your territory.

"In order to have a future you have to embrace your history, and we are paying a dear price because we don't know our history," Jobe says.

One common ritual observed during the Winter Solstice is the lighting of a Yule log. The log, typically made of oak or pine, is burned from dusk until the next morning to symbolize the victory of light over darkness. It is believed that the energy released by the burning log cleanses and purifies the space, marking a fresh start for the coming year. Another important aspect of Winter Solstice celebrations in Wicca is the gathering of loved ones and community. It is a time to come together, share food, exchange gifts, and express gratitude for the blessings in life. Wiccans believe in the importance of connection and unity, and the Winter Solstice serves as a reminder to foster these bonds with others. In addition to these rituals, Wiccans may also engage in meditation, spellwork, or divination during the Winter Solstice to gain insight and guidance for the future. Many Wiccan traditions incorporate symbols such as evergreen trees, holly, mistletoe, and candles in their observances to represent fertility, protection, and the eternal cycle of life. Overall, the Winter Solstice holds immense significance in Wiccan practices as a time of celebration, reflection, and spiritual renewal. It is a moment to honor the darkness and embrace the returning light, to connect with loved ones, and to set intentions for the coming year..

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