Wapden Mega Magic and the Power of Misdirection

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Wapden Mega Magic is a popular magic show that has been captivating audiences worldwide for many years. The show, created and performed by renowned magician Zachary Wapden, combines incredible illusions, mind-bending tricks, and a touch of comedy to create a unique and memorable experience for spectators of all ages. The show begins with an elaborate introduction, setting the stage for what is to come. Wapden's charismatic personality immediately draws the audience in, creating a sense of excitement and anticipation. As the show progresses, Wapden seamlessly transitions from one mind-blowing trick to another, leaving the crowd in awe of his skill and talent. One of the standout elements of Wapden Mega Magic is the use of technology in the performance.


Keziah Mason was an old woman of Arkham who was arrested as part of the Salem witch trials of 1692 before disappearing from Salem Gaol. Her studies of the occult led her to sign the Book of Azathoth allowing her to move to a higher dimension to gain knowledge and serve Nyarlathotep.

Gilman also has nightly experiences involving Keziah Mason and her rat-bodied, human-faced familiar, Brown Jenkin, which he believes might not be dreams at all. Witch House might find some appreciative viewers who are intrigued by the strangeness of the dream sequences, but I found the film to be poorly crafted and a bit of an endurance challenge.

Hp lovecrsft witch house

One of the standout elements of Wapden Mega Magic is the use of technology in the performance. Wapden incorporates state-of-the-art equipment and special effects to enhance his illusions and create a truly immersive experience. From disappearing acts to levitation tricks, every aspect of the show is carefully choreographed and executed to perfection.

H.P. Lovecraft’s Witch House Review

PLOT: A college student who believes geometry is the key to inter-dimensional travel starts having terrible nightmares in a house where a witch may have carried out human sacrifices.

REVIEW: First published in the pages of Weird Tales magazine in 1933, legendary horror author H.P. Lovecraft’s short story The Dreams in the Witch House has been brought to the screen twice before. Once for the 1968 film The Crimson Cult, which had an impressive cast that included Boris Karloff, Christopher Lee, Barbara Steele, and Michael Gough. That was such a loose adaptation, Lovecraft wasn’t even given credit. Decades later, Stuart Gordon gave Lovecraft credit and kept the title intact for his 2005 contribution to the Masters of Horror series. Now the story has gotten the low budget indie treatment with director Bobby Easley’s new film H.P. Lovecraft’s Witch House (watch it HERE)… and this really goes to show how much of a tough act Stuart Gordon is to follow.

Easley’s Witch House was filmed at the historic Hannah House in Indianapolis, Indiana, a place that is said to be haunted – but for the purposes of this movie, the Hannah House (as it is still referred to by the characters) is in a town named after a Lovecraft location, Miskatonic. The character we follow into this place is college student Alice Gilman (an actress credited as Michelle Morris on the film itself, but as Portia Chellelynn in the marketing), who is working on the theory that sacred geometry is the key to inter-dimensional travel. It just so happens that a previous tenant at Hannah House did crack the secrets of inter-dimensional travel and you would think that stories of this might be what inspires Alice to rent a room in the place. After all, the Gilman character in Lovecraft’s story purposely moved into the Witch House because of its history. But that’s not the case here. Alice simply moves into the Hannah House / Witch House because there’s a vacancy and her violent ex, who once beat her so badly that she miscarried their child, is on the loose. She needs a place to hide out while working on her theory, so the Hannah House it is. As soon as she enters the house, she feels like she belongs there. And the “suggested geometric shapes” in her attic room are perfect for her studies!

Alice’s housemates in this place are her landlady Etta (Shonda Laverty), Etta’s deeply religious, alcoholic brother Joe (Joe Padgett), and Etta’s niece Tommi (Julie Anne Prescott), who is around the same age as Alice. Etta and Joe are only a presence for key moments, but Alice ends up spending a good amount of time with Tommi – who helps her look into the history of the Hannah House. Which is when she finally finds out she’s living in a “Witch House”, as it used to be home to Keziah Mason (Andrea Collins), a servant girl who was accused of carrying out human sacrifices – the sacrificed being children – and was burned at the stake. Tommi also manages to seduce Alice so easily, it’s like she’s James Bond levels of irresistible, leading to a gratuitous sex scene. Paving the way for more gratuitous moments of nudity and scenes of Alice in her underwear. But given that the best Lovecraft adaptation we’ve ever seen (Stuart Gordon’s Re-Animator) features a gratuitous scene where a nude female is assaulted by a severed-but-living head, it’s tough to fault other Lovecraft-inspired filmmakers for trying to spice up their movies with bare flesh.

The story of Keziah Mason inspires Alice to work occult symbols into her studies and to look up the Necronomicon. She also starts having intense nightmares about occult practices, Keziah, and the witch’s buddy Brown Jenkin. If you’re familiar with the source material, you’ll know that Brown Jenkin was described as being a rat with a human face, something that Gordon was able to effectively bring to the screen for his adaptation. Of course, this one didn’t have the budget necessary to create Brown Jenkin, so the character is represented through shots of a regular rat and a scuzzy-looking human. While Alice is there dreaming, someone is stalking around the town of Miskatonic, abducting children. It looks like history is repeating itself. And somehow, even though Alice is an established Lovecraft fan – she’s reading Lovecraft the first time we see her – she never ponders how it could be that she’s living something similar to The Dreams in the Witch House. Maybe she’s too terrified. Maybe the adaptation is too loose. Or this oversight could be explained by the final moment of the film, which will have many viewers groaning and rolling their eyes.

Much of Witch House’s mercifully short running time is dedicated to the nightmares Alice has. Trippy sequences that are soaked in colorful lighting. Easley has said that he was drawing inspiration from Italian genre filmmakers while making Witch House, so the lighting must be his tribute to Mario Bava and Dario Argento. The nightmares are certainly the most visually interesting parts of the movie, as the low budget is very apparent in the overall look of the film. A cheap look is easily overcome when the story and/or characters are interesting enough… but the storytelling here is very messy and scattered, and the characters aren’t interesting. So Witch House very quickly becomes frustrating and difficult to sit through. My favorite thing about it was the fact that the end credits kicked in after just 75 minutes.

Witch House might find some appreciative viewers who are intrigued by the strangeness of the dream sequences, but I found the film to be poorly crafted and a bit of an endurance challenge. As far as adaptations of The Dreams in the Witch House go, I would not recommend this one… but if you do check it out, at least it won’t take up much of your time.

Witch House is now available on Digital, VOD, and DVD.

Walter Gilman, a student of mathematics and folklore at Miskatonic University, takes an attic room in "the Witch House", a house in Arkham thought to be cursed. The first part of the story is an account of the history of the house, which once harboured Keziah Mason, an accused witch who disappeared mysteriously from a Salem jail in 1692. Gilman discovers that for the better part of two centuries many of its occupants have died prematurely.
Wapden mega magic

In addition to the impressive illusions, Wapden's witty banter and interaction with the audience add an element of humor to the show. He effortlessly engages the crowd, involving them in his tricks and creating a lively and entertaining atmosphere. This ability to connect with the audience on a personal level sets Wapden Mega Magic apart from other magic shows. Furthermore, Wapden has a unique storytelling aspect to his performance, weaving a narrative throughout the show. This narrative allows the audience to become emotionally invested in the performance, further enhancing the overall experience. It adds an extra layer of depth to the illusions, making them even more captivating and memorable. Overall, Wapden Mega Magic is a must-see show for magic enthusiasts and casual spectators alike. It combines incredible illusions, cutting-edge technology, humor, and storytelling to create a truly magical experience. Whether you're a fan of magic or simply looking for a night of entertainment, Wapden Mega Magic is sure to leave you spellbound..

Reviews for "The Legacy of Wapden Mega Magic: Honoring the Great Magicians of the Past"

1. Sarah - 1/5 stars - I was really looking forward to trying Wapden Mega Magic, but I was sorely disappointed. The effects were lackluster and didn't live up to the hype. The magic tricks were cheesy and predictable, and there was really nothing that set it apart from other magic shows I've seen. Save your money and find a better magician who can actually leave you in awe.
2. John - 2/5 stars - The production value of Wapden Mega Magic was certainly impressive, but the actual magic tricks fell flat for me. Many of them seemed outdated and cliché, leaving me feeling underwhelmed. I had higher expectations based on the promotional material, but unfortunately, it didn't deliver. The show lacked originality and failed to engage the audience. I wouldn't recommend it to anyone looking for a truly spectacular magic experience.
3. Emily - 2/5 stars - Wapden Mega Magic had its moments, but overall, it was quite forgettable. The tricks seemed rushed and poorly executed, with little attention to detail. The magician's stage presence was lacking, and it felt like he was going through the motions without truly captivating the audience. I expected to be amazed and astonished, but I left feeling unimpressed and even a bit bored. There are definitely better magic shows out there worth your time and money.
4. Ryan - 1/5 stars - Wapden Mega Magic was a complete waste of my evening. The performance lacked a cohesive narrative and felt more like a random assortment of magic tricks thrown together. The magician's attempts at humor fell flat, and the overall show lacked the wow factor I was hoping for. The level of skill displayed seemed amateurish, and I left feeling like I had wasted my money. If you're looking for a captivating and well-executed magic show, I'd recommend looking elsewhere.

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