"The Love Witch" is a 2016 film directed by Anna Biller. The film tells the story of Elaine, a modern-day witch who uses magic to make men fall in love with her. However, her spells often have unintended consequences and lead to tragic outcomes. The film is heavily inspired by 1960s and 1970s exploitation films, and pays tribute to the aesthetics and storytelling techniques of that era. It features vibrant colors, elaborate costumes, and sets that recreate the look and feel of that time period. The film embraces a campy and stylized approach, which adds to its overall charm.
"Some men go their entire lives without seeing a tampon"
*moments later*
Men not knowing what a tampon is. this is a technicolor feminist masterpiece
Say hello to your new obsession A spellbinding homage to old pulp paperbacks and the Technicolor melodramas of the 1960s, Anna Biller s The Love Witch is a throwback that s told with a degree of perverse conviction and studied expertise that would make Quentin Tarantino blush. 러브 위치, Вещица на любовта, לב קרוע, ラブ ウィッチ, 사랑의 마녀, Czarownica miłości, A Feiticeira do Amor, Vrăjitoarea dragostei, Ведьма любви, Aşk Cadısı, Відьма кохання, Phù Thủy Tình Yêu, 爱之女巫, 偷心女巫.
The film embraces a campy and stylized approach, which adds to its overall charm. "The Love Witch" explores themes of love, power, and female empowerment. Elaine, played by Samantha Robinson, is a complex and intriguing character who challenges traditional gender roles.
The Love Witch
Elaine, a beautiful young witch, is determined to find a man to love her. In her gothic Victorian apartment she makes spells and potions, and then picks up men and seduces them. However her spells work too well, and she ends up with a string of hapless victims. When she finally meets the man of her dreams, her desperation to be loved will drive her to the brink of insanity and murder.
Cast
Director Director
Additional Directing Add. Directing
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Executive Producer Exec. Producer
Writer Writer
Editor Editor
Cinematography Cinematography
Additional Photography Add. Photography
Production Design Production Design
Art Direction Art Direction
Set Decoration Set Decoration
Stunts Stunts
Composer Composer
Songs Songs
Sound Sound
Costume Design Costume Design
Makeup Makeup
Hairstyling Hairstyling
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Alternative Titles
러브 위치, Вещица на любовта, לב קרוע, ラブ・ウィッチ, 사랑의 마녀, Czarownica miłości, A Feiticeira do Amor, Vrăjitoarea dragostei, Ведьма любви, Aşk Cadısı, Відьма кохання, Phù Thủy Tình Yêu, 爱之女巫, 偷心女巫
Genres
Themes
Releases by Date
Sort byPremiere
31 Jan 2016
- Netherlands International Film Festival Rotterdam
19 Jun 2016
- UK 15 Edinburgh International Film Festival
16 Jul 2016
- Canada Fantasia International Film Festival
Theatrical limited
11 Nov 2016
Theatrical
10 Mar 2017
- Ireland 15
- UK 15
07 Jul 2017
10 Oct 2017
26 Oct 2017
- Portugal M/16
Digital
10 Mar 2017
Physical
13 Mar 2017
- Singapore
Releases by Country
Sort byBrazil
10 Oct 2017
- Theatrical
Canada
16 Jul 2016
- Premiere Fantasia International Film Festival
Ireland
10 Mar 2017
- Theatrical 15
Netherlands
31 Jan 2016
- Premiere International Film Festival Rotterdam
Portugal
26 Oct 2017
- Theatrical M/16
Singapore
13 Mar 2017
- Physical Blu-ray
Spain
07 Jul 2017
- Theatrical
UK
19 Jun 2016
- Premiere 15 Edinburgh International Film Festival
10 Mar 2017
- Theatrical 15
10 Mar 2017
- Digital 15
USA
11 Nov 2016
- Theatrical limited NR
She uses her sexuality and feminine charm to manipulate men, but she also desires to be loved genuinely. Through Elaine's journey, the film comments on society's expectations of women and the pressures they face to conform. It critiques the ways in which women are often objectified and reduced to their physical appearances. In doing so, it offers a feminist perspective on the portrayal of women in film. While the film embraces a retro aesthetic, its themes and ideas are relevant and thought-provoking. It raises questions about gender dynamics, agency, and the potentially destructive effects of love. It also comments on the power dynamics in relationships and the consequences of playing with people's emotions. "The Love Witch" received critical acclaim for its unique style, beautiful cinematography, and strong performances. It has been praised for its attention to detail and its ability to recreate the look and feel of classic films from the past. The film is a visual feast that transports viewers into a mesmerizing and sensual world. In conclusion, "The Love Witch" is a visually stunning film that explores themes of love, power, and female empowerment. Its retro aesthetics and provocative approach make it a captivating and thought-provoking cinematic experience..
Reviews for "The Art of the Witch: Visual Design and Set Decoration in "The Love Witch" (2016)"
1. John - 2 stars
I found "The Love Witch" to be a pretentious and convoluted mess. The film tries too hard to be an homage to the 1960s horror genre, but it falls flat on its face. The acting is wooden and forced, and the dialogue is cringeworthy. The story is slow-paced and fails to build any genuine suspense or tension. Overall, I was extremely disappointed with "The Love Witch" and would not recommend it to anyone.
2. Sarah - 1 star
"The Love Witch" is a complete waste of time. The film seems to have been made solely for style over substance. The overly bright and artificial color palette becomes grating after a while, and the excessive use of nudity and sex feels gratuitous and unnecessary. The plot is so thin and uninteresting that it's hard to care about anything that happens on screen. I would advise anyone considering watching this film to save their time and watch something else.
3. Mike - 2 stars
I have to admit that the visuals in "The Love Witch" are stunning, with its 1960s-inspired costumes and set design. However, beyond the attractive aesthetics, the film offers little else. The story lacks any real depth or originality, and the characters are one-dimensional and unengaging. The constant stream of monologues delivered by the protagonist becomes tiresome and repetitive. Overall, "The Love Witch" is a style-over-substance film that fails to deliver on its promising premise.