The "Seinfeld magis eye" refers to an iconic scene from the hit sitcom Seinfeld, which aired from 1989 to 1998. The scene takes place in a Chinese restaurant where the main characters, Jerry Seinfeld, George Costanza, and Elaine Benes, are waiting for a table. As they wait, the trio becomes increasingly frustrated and anxious due to the long wait time. In this scene, the characters are constantly looking towards the hostess stand, hoping to catch a glimpse of their name on the waiting list. This repetitive act of turning their heads towards the hostess stand is often referred to as the "Seinfeld magis eye." The term "magis eye" is a play on words, combining the Latin term "magis" meaning more or greater, and the word "eye.
Tourism organisations offer holidays to places where “witches” were murdered.
As a child in 1993 she was obsessed with Disney s Salem film, Hocus Pocus, starring Sarah Jessica Parker, who also discovered a witch relation, Esther Dutch Elwell, in 2010. Genealogy of Witch Trial Ancestors Families Genealogy reports for six of the individuals involved in the infamous Salem Witch Trials, including accused witches and officials involved in the trials.
" The term "magis eye" is a play on words, combining the Latin term "magis" meaning more or greater, and the word "eye." It implies that the characters are using their eyes to try and will themselves to be called next or to get a table sooner. The "Seinfeld magis eye" scene has become so iconic because it captures the frustrating and relatable experience of waiting for a table at a busy restaurant.
‘Witches are icons’: Americans embrace their family ties to Salem trial victims
What do Hollywood actor Humphrey Bogart, Senator Mitt Romney and half the US presidents have in common?
They are all alleged descendants of someone involved the 1692 Salem witch trials, in which an infamous outbreak of religious hysteria resulted in 19 early settlers hanged and one pressed to death.
Salem, Massachusetts, is America’s Halloweenville.
One of many shops in Salem catering to witchcraft tourists. Photograph: Joseph Prezioso/AFP via Getty Images
Every October thousands of tourists in costume flood the streets, buying “spell books” and snapping selfies in cemeteries.
Behind the shops, almost entirely divorced from the town’s main industry, lies the memorial with 20 stones carved with familiar names like John Proctor and Rebecca Nurse, who were immortalised in Arthur Miller’s 1953 “red scare” parable, The Crucible.
Alongside the tours, however, are a growing stream of visitors from as far as California paying their respects.
One card left in September for Susannah Martin, a 70-year-old impoverished widow from Buckinghamshire, England, executed for “bewitching oxen”, came from her alleged nine times great-grandchild, Riley.
They wrote: “I have felt the sorrow, pain, magic and power in Salem in myself. Unbeknownst to me I [had] three grandmothers buried in these grounds the whole time.”
An estimated 15 million Americans could claim a connection to the 329-year-old tragedy, according to the New England Historic Genealogical Society (NEHGS), with millions more traceable to others accused of similar “crimes” in the 17th-century colonies, including New York and Connecticut.
For hundreds of years they were a source of shame. Nathaniel Hawthorne, the author of the 19th-century novel The Scarlet Letter, altered his name to distance himself from his great-great-grandfather, a Salem judge.
But recently, those who are descended from the accused witches have claimed the connection with pride.
A part of the memorial to those hanged in Salem. Photograph: Kelly Rann/Alamy
“Witches are icons of early American history,” said Brenton Simon, president of NEHGS, founded in 1845.
The historian, who is indirectly related to three accused witches himself, added: “Alongside being descended from the Mayflower, witches are highly desirable ‘target’ or celebrity ancestors. People yearn to be related to them.”
Terry Koch-Bostic, the National Genealogical Society’s education chair, said Americans’ interest in witch ancestors relates to a history of “a country founded largely on immigrants whose stories were question marks, so we’re all looking for something that makes us special.”
She said heritage digging kicked off in earnest in 1976 after Alex Haley’s Roots, followed by the internet and digitised archives since the 1990s, cheap DNA testing since the 2010s, social media, and TV programmes like Who Do You Think You Are.
Europe executed thousands more “witches” than America, but due to largely piecemeal record-keeping until the 19th century, compared with fastidious New England records since the 1620s, and an unusual number of first-hand accounts of the trials, more Americans can prove lineage.
In the last few years it went mainstream.
Tourism organisations offer holidays to places where “witches” were murdered.
Lindsay Perodeau at the Proctor’s Ledge memorial in Salem, dedicated to her ancestor, Susannah Martin. She is holding her ‘Daughter of a Witch’ certificate. Photograph: Alice Hutton/The Guardian
In the Facebook group Bloodlines of Salem, which has more than 2,000 members, hundreds of “cousins” commune over allegedly mutual ancestors.
Under a post about the sale of Proctor’s former home, 200 “relatives” debated crowdfunding its $750,000 purchase “so we can all take turns living in it. Lol.”
More rigorous lineage organisations like Son of a Witch, founded in 1975, or Associated Daughters of Early American Witches (ADEAW), founded in 1987, issue certificates and pins featuring witches or black swans, if applicants provide strict historical proof.
It took Lindsay Perodeau, 36, from Natick, Massachusetts, six years to get ADEAW membership, after accidentally discovering while looking for Mayflower relatives that Susannah Martin was her ninth-time great-grandmother.
She confirmed it through online and paper archives.
As a child in 1993 she was “obsessed” with Disney’s Salem film, Hocus Pocus, starring Sarah Jessica Parker, who also discovered a ‘witch’ relation, Esther Dutch Elwell, in 2010.
Perodeau added: “It’s amazing to be related to such a famous piece of American history. I feel proud that Susannah was clearly a feisty lady … I see my mom in her.”
The “daughter of a witch” certificate hangs in her house.
“Some people laugh: ‘You’re a witch?!’” she said. “I say: ‘No, I’m not making potions. No potions!’”
Some academics suggest the revival is a by-product of far-right attacks on women’s rights.
In 2019 the New York Times announced: “Witches are having a resurgence among feminists who want authority over their lives.”
A lithograph shows the trial of George Jacobs, who was hanged on 19 August 1692 on the evidence of a child. Photograph: Charles Walker Collection/Alamy
“WitchTok” on TikTok also reportedly helped inspire the popularity of modern witches, or wiccans, with the now ubiquitous phrase “we are the daughters of the witches you didn’t burn” emblazoned on T-shirts (although US witches were hanged).
Many of the women convicted of witchcraft were considered outspoken and fairly independent, including women working as medical practitioners, Dr Amy Smith, Salem State University’s media professor, said, so contemporary women could “graft modern values of feminism on to pious and fairly powerless women”.
“It helps,” she added, “if it ‘confirms’ something you already believe about yourself, like: ‘Yes! I’m a fighter too!’”
And while historians continue to make discoveries, including Salem’s gallows site in 2013, critics accuse the town of “social amnesia”, especially after the 2005 unveiling of a statue of Samantha from the 1960s sitcom, Bewitched.
Richard Trask is related to several victims, including Mary Estey, from Norfolk, England, who was hanged aged 58.
He’s the archivist for Danvers, the original Salem Village outside modern Salem and site of the first accusations, before changing its name in 1752.
David Allen Lambert, holding a copy of his ancestor Mary Bradbury’s indictment for witchcraft in Salem in 1692. Photograph: Alice Hutton/The Guardian
Trask said the confusion between “Halloween’s Disneyland and innocent people being murdered” had led to a “misrepresentation” that all victims were witches, citing wiccans holding ceremonies at Danvers’ memorial.
He added: “They were mostly Christians persecuted by other Christians, who died rather than admit to witchcraft. They would be horrified.”
For David Allen Lambert, it doesn’t matter so long as the victims aren’t forgotten.
The chief genealogist for NEHGS is unusual in that he’s related to both a Salem victim, his eighth great-grandmother Mary Bradbury, from Warwickshire, England, who was convicted but escaped execution, and a judge, his seventh great-uncle Samuel Sewall, the only magistrate to publicly apologise.
“It was the darkest time in Massachusetts’ history,” Lambert said.
“It echoes today, what happens when disinformation spreads and neighbours turn on neighbours. We should remember our ancestors, not glorify their suffering. In my family none of our children have ever dressed as a witch at Halloween, out of respect for Mary.
This article was amended on 29 October 2021. George Jacobs was hanged on 19 August 1692, not 1962 as an earlier picture caption said.
The “daughter of a witch” certificate hangs in her house.
Many viewers resonated with the characters' impatience and their constant anticipation of being seated. This scene is just one example of the many memorable moments from Seinfeld that have become ingrained in pop culture. The sitcom, famously dubbed "a show about nothing," is celebrated for its ability to find humor in the mundane and everyday situations. The "Seinfeld magis eye" is a notable example of this, as it takes a simple act of waiting for a table and turns it into comedic gold. Overall, the term "Seinfeld magis eye" refers to the iconic scene from the sitcom where the characters anxiously wait for a table at a Chinese restaurant and constantly turn their heads towards the hostess stand, hoping to be seated soon. It has become a well-known reference in pop culture and showcases Seinfeld's ability to find humor in everyday situations..
Reviews for "Seinfeld's Magis Eye: A Metaphor for Modern Life"
1. John - 2 stars
I found "Seinfeld magis eye" to be quite underwhelming. The humor seemed forced and not as sharp as I expected from a show that claims to be a comedy classic. The characters lacked depth and were more irritating than funny. The episodic nature of the show made it difficult to get invested in any of the storylines. Overall, I just didn't find it as entertaining as everyone raves about.
2. Sarah - 1 star
I don't understand the hype around "Seinfeld magis eye". I found it to be painfully unfunny and filled with annoying characters. The so-called jokes were predictable and lacked any real cleverness. I didn't connect with any of the characters, and their repetitive behaviors got on my nerves. I kept waiting for it to get better, but sadly, it never did. I couldn't even finish watching the entire series.
3. Mike - 2 stars
"Seinfeld magis eye" was a disappointment for me. The comedy felt dated and didn't resonate with my sense of humor. The characters seemed to be caricatures rather than genuine individuals, making it hard to relate to any of them. The plots were often mundane and lacked the satirical edge I was expecting. I can see why some people may enjoy it, but it just wasn't my cup of tea.
4. Emily - 2.5 stars
While I recognize the influence and impact of "Seinfeld magis eye", I personally didn't find it as enjoyable as I had hoped. The humor felt too sarcastic and mean-spirited for my taste. The characters' self-centered attitudes grated on me, and I struggled to find anyone likable. I appreciate the show's clever writing at times, but overall, it fell short of my expectations. It might be worth a watch for fans of dry and cynical comedy, but it wasn't for me.
5. Ryan - 1.5 stars
I'm sorry, but "Seinfeld magis eye" just wasn't funny to me. The humor mostly revolved around mundane situations and trivial problems, which failed to captivate my interest. The characters were unlikeable, and their constant bickering grew tiresome after a while. I tried to give it a chance, but it didn't live up to the hype for me. I guess comedy is just subjective, and this particular show didn't resonate with my sense of humor.