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Wicca covens are groups of individuals who come together to practice the Wiccan religion. These covens are often led by a High Priestess and/or a High Priest, who guide the group in their rituals and teach them about Wiccan beliefs and practices. Finding Wicca covens near you can be a great way to connect with others who share your interest in the Wiccan faith. These covens can provide a supportive community where you can learn and grow in your spiritual journey. To find Wicca covens near you, you can start by doing some research online. Many covens have websites or are listed in directories specifically for Wiccan groups.

Third gate: Enchantment Lv10, 1900 Mana

Since that s pretty abstract, I give an example, and I tend to use Evidence Locker, because it engages citywide CCTV, a system people are very aware of. Initially I thought, Maybe I ll get a minute of footage, and I ll put that on a loop in the Tate Liverpool where the work was first shown, as part of the Liverpool Biennial and exhibit it alongside my letters.

Many covens have websites or are listed in directories specifically for Wiccan groups. These resources can help you identify covens near your location, as well as provide information about the specific practices and beliefs of each coven. In addition to online research, you can also reach out to local metaphysical shops or pagan organizations in your area.

An interview with Jill Magid

It is our pleasure to have sponsored the making of conceptual artist Jill Magid’s first feature film, The Proposal, which explores the legacy of the renowned Mexican architect Luis Barragán. The film will be released in select theatres beginning May 24. Poetic, provocative, and at times unsettling, The Proposal questions the legal and cultural definitions of ownership, access, and intellectual property. Through the curious story of Barragán’s archives, Magid grapples with the question: how does an artist survive his or her own death? Alice Gregory sits down with Jill Magid to discuss her process of merging conceptual art with documentary-making. Jill Magid makes conceptually clever, emotionally resonant, and intellectually provocative artworks with and about entities that would seem to resist any sort of aesthetic engagement: intelligence agencies, law-enforcement units, corporations. We first met in 2016, in New York, where Magid lives and works, when I began writing what would become a New Yorker article about her most recent project, The Barragán Archives. Even the most straightforward description of this part-performance multimedia piece sounds like a dream. When Magid learned that the professional archive of the Mexican architect Luis Barragán had been held in Switzerland for over twenty years (and that access to it was extremely limited), she embarked on an international mission, questioning the restrictions and seeking the archive’s repatriation. The seemingly absurdist operation, which took Magid to Mexico and Switzerland and involved gravediggers, bureaucrats, and jewelers, was followed everywhere by a film unit. The result, a feature-length documentary called The Proposal, directed by Magid, premiered earlier this year at the Tribeca Film Festival. Magid and I caught up in September in Brooklyn Heights, where she recently moved with her family. How do you describe your art practice to someone who isn’t familiar with conceptual art or performance art? Say—I don’t know—your parents’ friends? When I try to speak generally about my work, people seem to look a bit puzzled, so I find it helps to describe a particular project. I begin by explaining that I’m interested in systems of power—the law, corporations, police, intelligence agencies—and in finding meaningful ways to engage them. Or that I embrace power in order to view it critically. Since that’s pretty abstract, I give an example, and I tend to use Evidence Locker, because it engages citywide CCTV, a system people are very aware of. When I made Evidence Locker, in 2004, the CCTV surveillance system in Liverpool, England, was the largest of its kind in the world. It was run by the police and the city council. The system had 242 cameras in the city center alone. A team of officers, stationed in a hidden control room, manned the cameras. Footage was held in its original format for twenty-four hours, and then went to a time-lapse version. After thirty-one days it cascaded off the system forevermore, unless the police pulled it—because it documented a crime, usually—and put it in their evidence locker. It turned out that members of the public also had the power to request footage. You had to fill out a legal document stating who you were, where you were, the time of day, and the “incident” that happened. As long as you sent in a picture of yourself and the required number of British pounds, the police, by law, had to pull the footage and put it in the evidence locker. Interestingly, the term “incident” was never defined. Picking up a coffee—that’s an incident. So I went to Liverpool for thirty-one days. Each day, I wore red and filled out a request form, treating them as letters to a lover. They started, “Dear Observer.” I filled in the required information, as well as how I was feeling and what I was thinking. To find me in the footage, the officers were forced to read my diary. Initially I thought, Maybe I’ll get a minute of footage, and I’ll put that on a loop in the Tate Liverpool [where the work was first shown, as part of the Liverpool Biennial] and exhibit it alongside my letters. But within a few days the officers got really into it and started following me through the surveillance cameras all the time.

These places often have connections to Wiccan communities and may be able to recommend covens or events where you can meet other Wiccans. Attending pagan or Wiccan events, such as festivals or workshops, is another way to connect with covens near you. These events often attract a diverse group of Wiccans, and you may have the opportunity to speak with coven leaders or members and express your interest in joining their group. When reaching out to covens, it is important to be respectful and understanding of their processes and requirements for joining. Many covens have specific guidelines and expectations for new members, such as attending an introductory class or participating in an interview process. It is important to approach these interactions with an open mind and a willingness to learn. Ultimately, finding a Wiccan coven near you can help enrich your spiritual practice and provide you with a supportive community of like-minded individuals. As with any spiritual journey, it is important to trust your instincts and find a group that aligns with your beliefs and values..

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