Penn State University, located in State College, Pennsylvania, is recognized for its distinct colors and iconic mascot. The official colors of the university are navy blue and white. These colors are prominently displayed throughout the campus, representing the university's pride and tradition. The navy blue color symbolizes strength, stability, and excellence. It is often associated with a sense of trust and professionalism. The color white, on the other hand, represents purity, innocence, and integrity.
For a detailed rune history, see here.
The following examination of four widely different religious groups is focusing on the various degrees to which Kabbalah is used in the construction of tradition in the more or less traditional Kabbalah Centre, The Danish occultist Erwin Neutzsky-Wulff, the doctrine of synthesis of Samael Aun Weor and the New Age eclecticism of the Kamadon Academy. The eyes in the upper part represent the eyes of the Father, signifying internally the infinite, the Holy Eight, the Caduceus of Mercury, the eight Kabirs who direct the planet.
The color white, on the other hand, represents purity, innocence, and integrity. Together, these colors create a balanced and harmonious combination that reflects the values and character of the university. In addition to the colors, Penn State is also known for its beloved mascot, the Nittany Lion.
Tarot And Kabbalah The Initiatic Path In The Arcane Of Tarot And Kabbalah
The eyes in the upper part represent the eyes of the Father, signifying internally the infinite, the Holy Eight, the Caduceus of Mercury, the eight Kabirs who direct the planet. The Magician is shown in right-side pro file, meaning that for the manifested, the right side is all. The Serpent protrudes from his brow, indicating that he is arisen, that he is a Self-Realised Master. The Staff of Power, which symbolises the spinal column is in the left hand which points toward the infinite, whilst the right points toward the earth, indicating that he dominates it with science, that one must ascend from below, that one cannot ascend without first descending. One needs to descend to the Ninth Sphere, which has two representations. The first is sex, the Cubical Stone; the second is the nine circles, the Atomic Infernos into which the Initiate has to descend; meaning to descend in order to ascend.
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A Master’s Thesis presented to the Department of History of Religions, University of Copenhagen May 2008 by Sara Møldrup Thejls. This study deals with two fields of European history of religions, namely Western esotericism and Kabbalah. It challenges the former notion of Western esotericism as being a strictly Christian cultural phenomenon by discussing the prevalent definitions of and approaches to the field; an understanding of Western esotericism which would exclude a phenomenon such as Kabbalah from the field of Western esotericism. The preliminary alternative to this view is most importantly to perceive Western culture not as culturally monolithic Christian but rather as a complex system marked by cultural and religious pluralism. However it is also necessary to detach the definition of Western esotericism from exact historical phenomena and instead view the heuristic construction of Western esotericism as a structural element and a certain discourse in Western history of religions. This discourse involves a claim of higher knowledge and is transmitted or achieved through a dialectic of concealment and revelation. With this approach to Western esotericism and Western cultural history it is not only possible but naturally to study Kabbalah as a part of this framework. In an analysis of the concept of language in medieval Kabbalah it becomes clear that language holds a twofold position in that it contains indefinite layers of both semantic and hyposemantic character and furthermore becomes both the transmitter and the container of higher or absolute knowledge. This is exemplified in two medieval kabbalistic texts, the Gates of Light and the Fountain of Wisdom. The scope is extended as to include a discussion of the academic study of contemporary Kabbalah, a topic which to a large extent has been neglected. The following examination of four widely different religious groups is focusing on the various degrees to which Kabbalah is used in the construction of tradition in the more or less traditional Kabbalah Centre, The Danish occultist Erwin Neutzsky-Wulff, the doctrine of synthesis of Samael Aun Weor and the New Age eclecticism of the Kamadon Academy. This thesis thus reconsiders earlier restrictive attitudes towards both Kabbalah and Western esotericism and introduces contemporary Kabbalah and kabbalistic renderings as a worthy field of study for the study of religions in general and for Western esotericism in particular.
Master's thesis, University of Copenhagen
The Nittany Lion is a symbol of Penn State's strength and fierce determination. The mascot takes its name from Mount Nittany, a prominent landmark near the campus. It represents the independent spirit and pride of the university community. The Nittany Lion has become an integral part of Penn State's identity, seen at sporting events, pep rallies, and other university functions. It is often portrayed as strong and powerful, inspiring and motivating students and fans alike. The mascot embodies the spirit of the university and serves as a symbol of unity and pride among Penn State students and alumni. Overall, the colors and mascot of Penn State University are highly significant in representing the university's traditions, values, and identity. They serve as visual reminders of the university's dedication to excellence, integrity, and the pursuit of knowledge. Whether it's the navy blue and white displayed throughout the campus or the iconic Nittany Lion, these symbols are deeply ingrained in the Penn State community and contribute to its unique and rich history..
Reviews for "From the Gridiron to the Classroom: How Penn State's Mascot Inspires Success"
1. John - ★★☆☆☆
I was really disappointed with the colors and mascot of Penn State. The blue and white just felt so generic and uninspiring. There are so many other universities with interesting and vibrant school colors, but Penn State's choice just falls flat. Additionally, the mascot, the Nittany Lion, just seems outdated and irrelevant. It doesn't bring any excitement or energy to the events. Overall, I was left unimpressed with Penn State's choice of colors and mascot.
2. Sarah - ★★☆☆☆
As a sports fan, I must say that I find Penn State's colors and mascot quite underwhelming. The blue and white combination feels overdone and lacks originality. It doesn't stand out among other university teams. Furthermore, the Nittany Lion mascot is not very intimidating or captivating. I believe a more fierce and dynamic mascot would have better represented the spirit of the Penn State sports teams. Unfortunately, I found myself uninterested in supporting a team with such lackluster colors and mascot.
3. Robert - ★☆☆☆☆
I have never been a fan of Penn State's colors and mascot. The blue and white are too plain and unexciting. It's hard to get behind a sports team with such unremarkable colors. The Nittany Lion mascot also leaves a lot to be desired. It seems more like a symbol for a children's cartoon than a fierce and inspiring representation of a sports team. I think Penn State could benefit from reevaluating their choice of colors and mascot to create a more engaging and captivating brand.
4. Emma - ★★☆☆☆
Penn State's colors and mascot have always been a disappointment for me. The blue and white combination feels devoid of personality and creativity. It doesn't evoke any sense of excitement or passion. The Nittany Lion mascot is also quite lackluster. It lacks the charm and energy that you would expect from a university mascot. Overall, I believe Penn State could really benefit from a refresh and a more vibrant and captivating color scheme and mascot.