The Nutribullet 900 series is a powerful and efficient blender that uses its patented Magic Bullet technology to extract nutrients from fruits, vegetables, and other healthy ingredients. It is designed to make nutrient-rich smoothies, juices, and soups in a matter of seconds. The Nutribullet 900 series boasts a 900-watt motor that provides plenty of power to blend even the toughest ingredients. This means that you can easily pulverize seeds, stems, and skins, which are often packed with valuable nutrients. By breaking down these harder-to-blend parts of fruits and vegetables, the Nutribullet 900 series ensures that you are getting the maximum amount of nutrition from your ingredients. One of the standout features of the Nutribullet 900 series is its unique blade design.
The Physick Book Of Deliverance Dane by Katherine Howe is divided into two time periods: Salem and the witch hunts raging through Essex County, Massachusetts in 1692, and the same area in more or less modern times (1991). For me, the magic is in how the author captures the dichotomy of travelling to historic places. You may be looking at a house built in 1690, but aside from the architectural details, you’re still seeing the 21st century. What were once farmhouses are now surrounded by suburbs. Even Marblehead, Massachusetts, where most of the book is set, and boasts over 200 homes built prior to the Revolution, is marred by power lines, criss crossing the view like spider webs. It takes imagination to find the history bubbling beneath the surface and put it to paper. Katherine Howe does this with startling effect.
sympathized, but had a good point White Ring s set was like audio-visual candy, meant to overload your brain with elating dopamine, whereas oOoOO s set was more cerebral. Sang in my native language Luvale, the subject matter is a nostalgic wailing for home of ancient African tribes that would eventually settle in Zambia.
One of the standout features of the Nutribullet 900 series is its unique blade design. The Extractor Blade is specifically designed to break down whole fruits, vegetables, nuts, and seeds, extracting all the vitamins and minerals from these ingredients. The blades are made from high-quality stainless steel, ensuring that they remain sharp and efficient even after repeated use.
Live Review: oOoOO at Glasslands Gallery, NYC
I just got back from a five-day stint in New York City last night. I visited cousins, ate great food, tried adventurous cocktails, and got in some much needed relaxation time. I had a generally loose itinerary planned—pizza, Central Park, Transit Museum—but one thing was definitely on my must-do list: get out for some live music. I knew that my cousin, R., and his girlfriend, H., would be joining me, so I thought I’d try to expose them to some new sounds, the “weird” music I listen to when I’m alone with my cat. After picking Saturday evening, I browsed the Village Voice website for listings and happened on a witch house showcase. Electronic musician oOoOO was headlining a night at Glasslands Gallery, supported by White Ring, Sibian & Faun, and F∆I†H. Things were bound to get spooky.
Glasslands is a small warehouse dance club in the core of Brooklyn. From the train, a chilly walk took us through a mellow corner of Williamsburg, alternately punctuated by brightly lit grocery stores and rust-rotted Industrial Era relics. Inside, the venue had the ambiance of a crafts supply store coming down from a weekend retreat with Timothy Leary. Matte squares of painted sheet metal were nailed to the wall like a grease-smudged stained-glass window. The stage—just a hair bigger than the Triple Rock’s—was pushed into a corner. An installation that looked like frilly crinoline or crumpled lantern-paper obscured the lights above the stage and added an eerie touch. The fixture looked like a ravenous mold stain or volcanic plume. The air was close with fog.
It was about 10 p.m. when we walked in, and Sibian & Faun were toting their gear off stage. A DJ was remixing ’80s new wave into dubstep scrambles, hilarious and nostalgically fun in the way familiar music becomes newly exciting when it’s reinvented. Both R. and H. are fairly unfamiliar with electronic music—my rare moment as “the expert” in Brooklyn this weekend. I explained how electronic genres are mostly defined by their beat structures and some other classifying factors as we sipped our first drinks. Ultimately, we came to a crash-course: Witch House 101.
“OK,” I started, “so, imagine and R&B song. Try to hear the beat. It’s slow and simple, pretty close to four-on-the-floor, but messed up enough to encourage sexy dancing.” They followed, skeptically, I think. “Over that, add a layer of really immersive electronic sound”—here my cousin puts up his pointer and middle fingers near his ears, “Would you call it a [insert air-quotes] soundscape?”—“Uhhh, I was trying to avoid that word, but yes. A lot of people would call it [insert air-quotes] ambient.” Finally, I mentioned the genre-specific vocal style—an ethereal, feminine, lost-in the wind wailing. Like a witch howling murder to her pagan gods.
White Ring took the stage presently. The electronic producer had a rat’s nest stuffed into an oversized winter cap and looked generally unimpressed—with his drink, the world, whatever man—what I imagine to be the de facto Williamsburg affect. Platinum blond locks spilled out from under the vocalist’s sheer black hoodie-cloak-thing, and her red-painted lips sat on her face like two slender Ferraris parked on a white sand beach. She reminded me of one of my crushes from the third grade: Sarah Jessica Parker in Hocus Pocus.
Like the bellowing of dusty organ pipes in a boarded-up church, synth-tones started swirling out of nowhere, as if they were hidden behind the serpentine wisps of concert fog. When the sound swelled to a rhapsodic peak, a steady beat started pumping and the singer launched into high-pitched chant-coo vocals. A painfully slow strobe light leveled directly at the crowd added to the spectacle. Except for an uninspiring sol0-song by the producer, most of the set kept to this formula. Immediate—perhaps to the point of being emotionally manipulative—but satisfying for its streamlined production, consistent tone, and overwhelming force.
oOoOO defied my expectations from the get-go. Songs like “Burnout Eyess” and “Seaww” seemed to pigeonhole him with his Tri Angle label- and genre-mates—playing aesthetically compliant witch house—something more akin to Balam Acab. But from the first song forward, he augmented the expected haunted synths with sputtering beats and black-hole bass plunges more commonly heard in dubstep. Vocal samples frequently got chopped and recombobulated—memorably, a woman saying, “I need a Coach bag,” over and over. As the oOoOO set wore on, the producer mellowed, choosing grander atmospherics over tooth-rattling glitch. Toward the end of a long synth diminuendo, oOoOO left the stage and let his laptop finish the final song for him. Too cool for applause, man?
The crowd was much less engaged during oOoOO’s set than White Ring’s, myself included. We left Glasslands, and as we walked back to Williamsburg proper, I remarked as such. H. sympathized, but had a good point: White Ring’s set was like audio-visual candy, meant to overload your brain with elating dopamine, whereas oOoOO’s set was more cerebral. On further reflection, the show had an appreciable balance. On one hand, we had a good time with the shock-and-awe polished fun; on the other, we were privy to a talented electronic musician experimenting with two genres that have very quickly become a clichéd. A satisfying end to Saturday night.
Glasslands is a small warehouse dance club in the core of Brooklyn. From the train, a chilly walk took us through a mellow corner of Williamsburg, alternately punctuated by brightly lit grocery stores and rust-rotted Industrial Era relics. Inside, the venue had the ambiance of a crafts supply store coming down from a weekend retreat with Timothy Leary. Matte squares of painted sheet metal were nailed to the wall like a grease-smudged stained-glass window. The stage—just a hair bigger than the Triple Rock’s—was pushed into a corner. An installation that looked like frilly crinoline or crumpled lantern-paper obscured the lights above the stage and added an eerie touch. The fixture looked like a ravenous mold stain or volcanic plume. The air was close with fog.
Another great feature of the Nutribullet 900 series is its compact design. It takes up minimal space on your kitchen countertop, making it perfect for small kitchens or for those who prefer a clutter-free workspace. Its compact size also makes it easy to store when not in use. Cleaning the Nutribullet 900 series is a breeze. All the parts are dishwasher safe, so you can simply rinse them off and pop them in the dishwasher after use. The cups and lids are made from BPA-free plastic, ensuring that your smoothies and juices are safe and free from harmful chemicals. In addition to the powerful blender base and the Extractor Blade, the Nutribullet 900 series also comes with two cups and two lids, making it easy to take your nutritious drinks with you on the go. The cups are available in different sizes, allowing you to choose the one that best suits your needs. Overall, the Nutribullet 900 series is a fantastic blender for anyone who wants to incorporate more healthy ingredients into their diet. Its powerful motor, efficient blades, and compact design make it a great addition to any kitchen. Whether you're making smoothies, juices, or soups, the Nutribullet 900 series will help you get the most out of your ingredients, ensuring that you are fueling your body with the nutrients it needs to thrive..
Reviews for "Exploring the Features and Functions of the Nutribullet 900 Series"
1. John - 2/5 stars - I was really excited to try out the Nutribullet 900 series, but I was left feeling disappointed. Firstly, the motor seemed underpowered and struggled to blend even basic ingredients. Secondly, the plastic components felt cheap and flimsy, making me worry about its durability. Overall, I expected better performance and quality from such a popular brand.
2. Sarah - 1/5 stars - My experience with the Nutribullet 900 series was extremely frustrating. The blender would often leak, creating a huge mess on my countertop. Additionally, it didn't blend ingredients smoothly, leaving behind chunks of fruit and vegetables. I ended up returning it and purchasing a different blender that actually gets the job done properly.
3. Lisa - 2/5 stars - I bought the Nutribullet 900 series hoping for a convenient and efficient blender, but it fell short of my expectations. While it does blend ingredients, it takes longer than anticipated and requires multiple manual interventions to get a smooth consistency. Frankly, I expected better performance considering the price tag. I would recommend exploring other options before settling for this one.