Moonlight on the Magic Flute Moonlight glistens upon the delicate curves of the magical flute, enchanting all who dare to listen. The ethereal glow casts a spell as it dances upon the silver instrument, eliciting mysterious and captivating melodies from its very core. Its origins are shrouded in myth and legend, with tales of its creation spanning across time and space. Some say it was crafted by ancient sorcerers who harnessed the power of the moon to infuse it with enchantment. Others believe it was a gift from celestial beings, bestowed upon mortals to inspire and transport them to otherworldly realms. When the moonlight caresses the flute, it awakens its dormant powers and imbues it with a mystical energy.
In a tweet earlier this month, former “RuPaul’s Drag Race” contestant Kerri Colby cited King’s work as an example of “why we should hire up and coming queer artists with a pulse on the present and a vision for the future more often.”
Though King conceded that he and McCarthy laughed about how much we love drag queens and drag makeup and stuff, he claimed that his vision for Ursula wasn t based on Divine or any drag acts at all. In a tweet earlier this month, former RuPaul s Drag Race contestant Kerri Colby cited King s work as an example of why we should hire up and coming queer artists with a pulse on the present and a vision for the future more often.
When the moonlight caresses the flute, it awakens its dormant powers and imbues it with a mystical energy. The instrument comes alive in the hands of the chosen one, resonating with a hauntingly beautiful sound that transcends the boundaries of reality. Its music has the power to heal wounds, spark joy, and stir emotions deep within the depths of one's soul.
‘Little Mermaid’ makeup artist calls Ursula criticism ‘ridiculous’ and ‘offensive’
The makeup artist for Disney’s live-action remake of “The Little Mermaid” has responded to criticism surrounding the movie’s depiction of Ursula.
The nefarious sea witch — played by Melissa McCarthy in the new film — was originally inspired by Baltimore drag queen Divine. And some have argued that the studio should have hired a member of the LGBTQ+ community to style the beloved character for the 2023 adaptation, which opened in theaters this weekend.
But Peter Smith King, the British hair and makeup artist who created Ursula’s look for the blockbuster, called that criticism “ridiculous” in a recent interview with Insider.
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Pat Carroll, who voiced Ursula in “The Little Mermaid,” died Saturday at 95. The role defined Disney’s queer canon — and helped launch a renaissance.
“I find that very offensive,” he said. “Why can’t I do as good a job as a queer makeup artist?”
“That’s trying to claim it and that’s fine, if that’s what they wanna do, but don’t put people down because they’re not what they want it to be,” he added.
King also denied taking inspiration from the 1989 animated version of “The Little Mermaid” while styling McCarthy — despite her gravity-defying white plume of hair, dramatic eye-shadow and scarlet lipstick strongly resembling the animation from the original film.
Ursula’s ‘Poor Unfortunate Souls’ terrified Melissa McCarthy. Then she got over herself
Melissa McCarthy was terrified of Ursula’s song, ‘Poor Unfortunate Souls,’ in ‘The Little Mermaid.’ Until, that is, she stopped trying to sing it as herself.
“No, no. It was me. I didn’t really draw on anything. I played around quite a lot with different colors, different shapes, and stuff,” King told Insider.
Advertisement“It just was sort of Melissa and I talking and creating. So I didn’t really draw on anything at all.”
Though King conceded that he and McCarthy “laughed about how much we love drag queens and drag makeup and stuff,” he claimed that his vision for Ursula wasn’t “based on Divine” or “any drag acts at all.”
Melissa McCarthy remembers ‘volatile, hostile’ set that made her ‘physically ill’
Melissa McCarthy has only had nice things to say about ‘The Little Mermaid.’ But the Disney star recalled another project that made her ‘physically ill.’
“I personally don’t get it,” he continued. “Yes, I’m very old now . but a makeup artist or makeup designer could design makeup, they don’t have to have an attachment to the nature of what they’re doing.”
In a tweet earlier this month, former “RuPaul’s Drag Race” contestant Kerri Colby cited King’s work as an example of “why we should hire up and coming queer artists with a pulse on the present and a vision for the future more often.”
“Hate to be shady but they should have hired a drag queen,” another person tweeted. “This make up looks like me 13 years ago, when I was drunk before pride one year.”
How ‘The Little Mermaid’ changed the original’s songs — without being ‘sacrilegious’
Disney’s live-action version updates, and honors, ‘Part of Your World,’ ‘Under the Sea’ and more with help from a dance company and 86-piece orchestra.
At the Los Angeles premiere of “The Little Mermaid,” McCarthy exalted drag performers and said that she always knew Ursula was based on Divine even though she “couldn’t prove it” when the cartoon came out decades ago.
“She just had to be,” McCarthy told Deadline.
“The makeup, the look, the attitude — and now we know that yes, she was of course based on Divine. So that coming full circle to me . I just hope to do every incredible drag queen proud and Divine proud.”
Christi Carras is an entertainment reporter at the Los Angeles Times. She was previously a Times intern after graduating from UCLA and has also worked at Variety, the Hollywood Reporter and CNN.
“Hate to be shady but they should have hired a drag queen,” another person tweeted. “This make up looks like me 13 years ago, when I was drunk before pride one year.”
Those fortunate enough to witness the magic of the moonlight on the flute are forever transformed. Their hearts are opened to the wonders of the universe, and they glimpse the infinite possibilities that lie beyond the confines of what they once believed to be possible. It is a reminder that there is more to life than what can be seen with the naked eye, and that the realms of dreams and imagination hold secrets waiting to be discovered. But the moonlight on the magic flute is not without its dangers. It is said that those who misuse its power or attempt to control it for selfish purposes will be consumed by its darkness. The flute can become an instrument of chaos and destruction, its beautiful melodies twisted into something sinister and malevolent. To truly harness the moonlight's power and unlock the true potential of the flute, one must approach it with respect and humility. It is a gift that must be used for the greater good, to bring light and harmony into a world that often feels lost and divided. So, let the moonlight dance upon the magic flute, and let its melodies weave their enchantment. For in its music, we find a connection to something greater than ourselves, a glimpse into the mysteries of the universe. And as we listen, we are reminded of the power of harmony and the magic that exists in the world around us..
Reviews for "Discovering the Elemental Connection Between Moonlight and the Magic Flute"
1. John - 2 stars - I was really looking forward to reading "Moonlight on the magic flute" as I love fantasy and magical stories. However, I found the plot to be quite weak and predictable. The characters lacked depth and the dialogue felt forced. The writing style was also not very engaging, making it difficult for me to connect with the story. Overall, I was disappointed with this book and wouldn't recommend it.
2. Sarah - 1 star - "Moonlight on the magic flute" was a huge letdown for me. The story seemed promising at first, but it quickly turned out to be a cliché-ridden mess. The characters were one-dimensional and lacked any real development. The plot was predictable and lacked any originality. The writing style was also quite amateurish and the pacing of the story felt off. I struggled to finish this book and wouldn't recommend it to anyone looking for a captivating magical read.
3. Emma - 2 stars - I had high hopes for "Moonlight on the magic flute" based on the synopsis, but unfortunately, it didn't live up to my expectations. The world-building was weak and the magical elements felt underdeveloped. The main character was uninteresting and I found it hard to sympathize with her. The pacing of the story was slow and there were many unnecessary scenes that didn't contribute to the overall plot. Overall, I was left feeling unsatisfied and wouldn't recommend this book to others.
4. Michael - 2 stars - "Moonlight on the magic flute" had an intriguing premise, but it failed to deliver on its promise. The writing style was overly descriptive and dragged on, making it difficult to stay engaged with the story. The plot was convoluted and lacked clear direction. The magical aspects of the story were poorly explained and felt arbitrary. Additionally, the ending was rushed and unsatisfying. Overall, this book was a disappointment and I wouldn't recommend it to fans of fantasy or magical realism.