Jonathan Green is a contemporary artist known for his artwork that incorporates themes of autumn and witchcraft. His unique style brings together the mystical elements of witchcraft and the rich colors and textures of autumn. Green's artwork often features enchanting witches in various settings, surrounded by vibrant trees and falling leaves. The use of warm and earthy tones further enhances the autumnal atmosphere of his pieces. Through his artwork, Green aims to capture the essence of the season and evoke a sense of magic and wonder. His paintings are enjoyed by many who are drawn to the enchanting world of autumn and witchcraft.
His paintings are enjoyed by many who are drawn to the enchanting world of autumn and witchcraft. Whether it's admiring the bewitching beauty of a witch flying through a moonlit sky or appreciating the intricate details of a spellbinding forest scene, Green's art truly captures the imagination. For those who are captivated by the magic of autumn and the allure of witchcraft, Jonathan Green's artwork is a must-see.
Meanjin "#MeToo" Winter Edition – The Turning Point
This edition's feature essay ‘The Turning Point: One man's downfall, #METoo and the rising up’ is written by Clementine Ford.
#MeToo had barely been breathed into the ether before opponents lined up to discredit it, condemning it as a ‘witch hunt’ and the even more ludicrous ‘war on flirting’.”
Clementine FordBestselling author Clementine Ford wonders whether the #MeToo movement represents a turning point for women, and if so, what comes next. As she writes, ‘#MeToo has blasted its way through our global society, and it’s left a bloody mess in its wake.’
Paperback $24.99‘It isn’t the job of women to clean that mess up, to figure out once again how our various traumas must be best folded up and put away out of sight, the house in which we all live clean once more,’ writes Ford. ‘Women do not need men to protect us; we need men to stop protecting each other.’
While Clementine Ford wonders whether the #MeToo movement represents a turning point for women, Anna Spargo-Ryan thinks not: 'In the wake of #MeToo, when women said ‘this time it will be different’, it wasn’t.' Spargo-Ryan looks at the institutional, cultural and habitual barriers to sexual equality.
Joumanah El Matrah picks over the idea of religious freedom, and in the aftermath of the same-sex marriage vote wonders whether, ‘What is seeking protection here is not God, but an unethical construction of him, not religion, but an unconscionable interpretation of it'.
Liz Conor recalls the section 18C case against cartoonist Bill Leak, a culture war kerfuffle that had remarkable parallels to an earlier race controversy over the work of Eric Jolliffe. Everything old, she concludes, is new again.
Clare Payne argues that women are entering a new age of empowerment, a generational shift in wealth that will shift the balance of economic power. Timmah Ball brings an Indigenous perspective to the home ownership debate. Colin Bisset composes an ode to bleak building materials, and finds sunshine in concrete. Hugh Mackay offers calm reflections on the madness of Year 12. Katharine Murphy salutes a lost friend and mentor in Michael Gordon.
Carmel Bird ponders her many connections to Nobel prize contender Gerald Murnane. Alice Bishop writes on the heartbreak of fire, destruction and regrowth. And Harry Saddler listens to the world with the ears of a dog.
There’s new fiction from Randa Abdel-Fattah, Beejay Silcox, Laura Elvery and 2018 Vogel Prize winner Emily O’Grady. The edition's poets include Fiona Wright, John Kinsella, Kevin Brophy, Kate Middleton and Hazel Smith.
Carmel Bird ponders her many connections to Nobel prize contender Gerald Murnane. Alice Bishop writes on the heartbreak of fire, destruction and regrowth. And Harry Saddler listens to the world with the ears of a dog.
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Reviews for "Immerse Yourself in the Enigmatic Universe of Jonathan Green's Autumn Witchcraft"
1. Emma - 2 stars - I was really excited to try the "Jonathan Green Autumn Witchcraft" but was ultimately disappointed. The product claims to give a vibrant and beautiful autumn lawn, but all it did was turn my grass a dull brown color. I followed the instructions carefully, but the results were just not what I was expecting. Additionally, the price of this product is quite steep, especially considering the lackluster outcome. I won't be purchasing it again.
2. Mike - 1 star - This "Jonathan Green Autumn Witchcraft" is a complete waste of money. Not only did it not enhance the color of my lawn, but it also seemed to stunt the growth of the grass. There are patches in my lawn where the grass has completely died off after using this product, leaving a barren and unsightly area. I would strongly advise against purchasing this product if you value the health and appearance of your lawn.
3. Sarah - 2 stars - I had high hopes for the "Jonathan Green Autumn Witchcraft" but unfortunately, it didn't deliver. The application process was simple enough, but the results were underwhelming. Instead of a vibrant autumn lawn, I ended up with patches of uneven color and some areas of my grass turning yellow. Perhaps this product works better on certain types of grass, but it definitely didn't work for me. I won't be repurchasing.
4. John - 2 stars - I used the "Jonathan Green Autumn Witchcraft" as directed, but I was disappointed with the outcome. It did add some color to my lawn, but it wasn't the vibrant autumn look that I was expecting. Additionally, the product seemed to wash away after a few rain showers, leaving my lawn back to its original state. For the price I paid, I had higher expectations. I would suggest exploring other options before trying this one.