The Curry movement, also known as the Indian independence movement, was a pivotal time in India's history. It was a period of activism, protests, and non-violent resistance against British rule in India. Led by figures like Mahatma Gandhi, the movement aimed to secure the country's freedom and establish self-governance. One aspect of the Curry movement that often gets overlooked is the involvement of witchcraft. While the movement was primarily focused on political and social change, there was a strong belief in the power of witchcraft among certain groups of people. In many instances, witchcraft was used as a means of resistance against British colonialism.
That the first Fall album in a near endless stream would not only not sound very punk at all but would be a downright pleasant listen (thanks to Yvonne Pawlett's electric piano on "Frightened") seems perfectly in keeping with Mark E. Smith's endlessly contrary mind. His inimitable drawl/moan and general vision of the universe (idiots are everywhere and idiotic things are rampant) similarly sprawl all over the music -- there's no question who this is or whose band it is, either. That said, most of Live at the Witch Trials is co-written with Martin Bramah, whose guitar work here is noticeably much more inclined to chime and ring instead of brutally scratch away like Craig Scanlon's awesome work would soon do. Bramah's not just here to sound tuneful, though, and the killer Marc Riley/Karl Burns rhythm section both keeps up the energy and provides surprising grooves. On chugging tracks like "Two Steps Back," it's not hard to tell that Smith's Krautrock fandom is coming into play. With Pawlett's keyboards providing a pretty garage kick on top of it all, the result is an all-around treat. Brilliantly scabrous tracks are everywhere, one of the most memorable being "Rebellious Jukebox," simultaneously one of the most tuneful and aggressive songs from the early lineup, Smith pouring it on along with the band. The driving funk of "Music Scene," meanwhile, redefines misanthropy (and more) with a particularly central Smith target in mind. "No Xmas for John Quays," meanwhile, almost establishes the Fall formula on its own: Smith chanting and yelling over a quick, semi-rockabilly shamble and attack punctuated by unexpected stops and starts.
The eight months separating the release of the two albums saw a huge lineup change, setting the pattern of perpetual upheaval that would become the Fall s constant. Smith s lyrics include his unique commentary on the music business Music Scene , poorly paid jobs Industrial Estate and drugs No Xmas For John Quays , Like To Blow , Frightened , Underground Medecin.
In many instances, witchcraft was used as a means of resistance against British colonialism. **People believed that witches had the ability to cast spells and curse oppressors, therefore using witchcraft became a way to defy British rule**. This belief empowered individuals and communities, giving them a sense of agency in their struggle for independence.
The Fall: Live At The Witch Trials, 3CD Boxset
Fall (The)
The 3CD version comes housed in a clamshell boxset. Alongside the full album is a disc of b-sides and session tracks and a live show from Mr Pickwick’s in Liverpool 1978. The boxset also features a booklet of new sleeve notes by Daryl Easlea and has been remastered by long-term Fall engineer Andy Pearce.
SKU: CRCDBOX73 Share:- Description
- Additional information
- Tracklist
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• The Fall’s first studio album, reissued as a 3CD clamshell box-set (Also available as a limited edition red coloured vinyl LP).
• Founded by its only constant member, Mark E. Smith, The Fall formed in Manchester in 1976 and were one of the most prominent post-punk groups in the world. Musically, there may have been several stylistic changes over the years, but it was often characterised by an abrasive guitar-driven sound and frequent use of repetition, always underpinned by Smith’s distinctive vocals and often cryptic lyrics.
• “They are always different; they are always the same…” John Peel
• Live At The Witch Trials is the debut studio album – released 16th March 1979 – these editions celebrate the fortieth anniversary of this seminal album.
• Originally released through record label Step-Forward, it was recorded in a single day and mixed by producer Bob Sargeant.
• Mark E. Smith’s lyrics include his unique commentary on the music business (‘Music Scene’), poorly paid jobs (‘Industrial Estate’) and drugs (‘No Xmas For John Quays’, ‘Like To Blow’, ‘Frightened’, ‘Underground Medecin’).
• Sounds magazine reviewer Dave McCullough gave it five stars at the time of release, writing: “an album of staggeringly rich, mature music, inner questioning hand in hand with rock and roll at its fiercest, its finest, its most honest, rock and roll at its naked, most stimulating”.
• Featuring the one and only Mark E. Smith alongside Martin Bramah, Marc Riley, Karl Burns and Yvonne Pawlett.
• This is first release in Cherry Red’s new series of deluxe Fall reissues: “Fall Sound Archive”.
• The 3CD version comes housed in a clamshell boxset. Alongside the full album is a disc of b-sides and session tracks and a live show from Mr Pickwick’s in Liverpool 1978. The boxset also features a booklet of new sleeve notes by Daryl Easlea and has been remastered by long-term Fall engineer Andy Pearce.
DISC ONE: CD
LIVE AT THE WITCH TRIALS
1. FRIGHTENED
2. CRAP RAP 2/LIKE TO BLOW
3. REBELLIOUS JUKEBOX
4. NO XMAS FOR JOHN QUAYS
5. MOTHER-SISTER!
6. INDUSTRIAL ESTATE
7. UNDERGROUND MEDECIN
8. TWO STEPS BACK
9. LIVE AT THE WITCH TRIALS
10. FUTURES AND PASTS
11. MUSIC SCENE
DISC TWO: CD
B-SIDES & SESSIONS
1. BINGO MASTER’S BREAK-OUT!
(BINGO MASTER’S BREAK-OUT! SINGLE)
2. PSYCHO MAFIA
(BINGO MASTER’S BREAK-OUT! SINGLE)
3. REPETITION
(BINGO MASTER’S BREAK-OUT! SINGLE)
4. IT’S THE NEW THING
(IT’S THE NEW THING SINGLE)
5. VARIOUS TIMES
(EXTENDED VERSION OF THE B-SIDE OF
IT’S THE NEW THING SINGLE)
6. DRESDEN DOLLS (HOME REHEARSALS FROM DRESDEN DOLLS BOOTLEG SINGLE)
7. PSYCHO MAFIA (HOME REHEARSALS FROM DRESDEN DOLLS BOOTLEG SINGLE)
8. INDUSTRIAL ESTATE (HOME REHEARSALS FROM DRESDEN DOLLS BOOTLEG SINGLE)
9. STEPPING OUT (LIVE FROM SHORT CIRCUIT: LIVE AT THE ELECTRIC CIRCUS)
10. LAST ORDERS (LIVE FROM SHORT CIRCUIT: LIVE AT THE ELECTRIC CIRCUS)
11. REBELLIOUS JUKEBOX
(JOHN PEEL SESSION)
12. MOTHER – SISTER!
(JOHN PEEL SESSION)
13. INDUSTRIAL ESTATE
(JOHN PEEL SESSION)
14. FUTURES AND PASTS
(JOHN PEEL SESSION)
15. PUT AWAY
(JOHN PEEL SESSION)
16. MESS OF MY
(JOHN PEEL SESSION)
17. NO XMAS FOR JOHN KEY
(JOHN PEEL SESSION)
18. LIKE TO BLOW
(JOHN PEEL SESSION)
DISC THREE: CD
MR PICKWICK’S LIVERPOOL
22 AUGUST 1978
1. LIKE TO BLOW
2. STEPPING OUT
3. TWO STEPS BACK
4. MESS OF MY
5. IT’S THE NEW THING
6. VARIOUS TIMES
7. BINGO-MASTER’S BREAK-OUT!
8. FRIGHTENED
9. INDUSTRIAL ESTATE
10. PSYCHO MAFIA
11. MUSIC SCENE
12. MOTHER-SISTER!
Though witchcraft was not officially endorsed by the leaders of the movement, it played a significant role on a grassroots level. **The belief in the power of witchcraft provided ordinary people with a source of strength and hope during a time of immense oppression**. However, the use of witchcraft in the Curry movement was not limited to resistance against the British. It also served as a form of protection and self-defense for marginalized communities, especially women. Women, in particular, faced numerous challenges during this time, including violence, discrimination, and limited rights. For many women, witchcraft became a means of self-preservation and resistance against these injustices. Despite its controversial nature, **the utilization of witchcraft in the Curry movement reflects the diversity and complexity of the struggle for independence**. It highlights the various tactics and beliefs that were embraced by different groups within the movement. From political activism to non-violent resistance and witchcraft, the Curry movement encompassed a wide range of strategies and philosophies. Looking back, it is important to acknowledge and recognize the role that witchcraft played in the Curry movement. While it may have been viewed as unconventional or even superstition by some, it was a significant part of the collective struggle for independence. The movement serves as a reminder that change can come in many forms and that marginalized communities will utilize whatever means necessary to achieve liberation..
Reviews for "The Curry Cauldron: Brewing Potions with Witchcraft and Spices"
1. John - 2 stars - I was really disappointed with "Curry Movement 10 Extra Witchcraft". The storyline was confusing and inconsistent, making it difficult to follow along. The characters lacked depth and it was hard to connect with any of them. The special effects were also underwhelming and did not add anything substantial to the overall experience. Overall, I found the movie to be a complete letdown and wouldn't recommend it to others.
2. Sarah - 1 star - "Curry Movement 10 Extra Witchcraft" was a waste of time and money. The plot made no sense and felt disjointed throughout the entire film. The acting was subpar, with the actors showing little emotion or chemistry with each other. The attempts at humor fell flat and only added to the overall disappointment. I was extremely disappointed with this movie and would not recommend it to anyone.
3. Michael - 2 stars - I had high expectations for "Curry Movement 10 Extra Witchcraft" after hearing positive reviews, but unfortunately, it did not live up to the hype. The pacing was slow, and the story lacked the excitement and intrigue I was hoping for. The characters were one-dimensional and uninteresting, making it hard to become invested in their journey. The visual effects were the only redeeming factor, but even they couldn't save the overall lackluster experience. I would not watch this film again or recommend it to others.