Black and gold witch hst is a unique and intriguing concept in the world of witchcraft. Combining the colors black and gold, this witchcraft tradition embraces the dark and mysterious aspects of magic, while also incorporating a sense of luxury and opulence. The use of black in black and gold witch hst represents the unknown, the hidden, and the shadows. It symbolizes the depths of the subconscious and the unseen forces at work in the universe. Black is often associated with protection, banishing negative energies, and enhancing psychic abilities. In black and gold witch hst, practitioners may use black candles, black crystals, and black ritual tools to harness the energy of the dark.

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The #1 New York Times bestseller!
It’s the Salem Witch Trials meets Mean Girls in this New York Times bestselling novel from one of the descendants of Cotton Mather, where the trials of high school start to feel like a modern-day witch hunt for a teen with all the wrong connections to Salem’s past.
Salem, Massachusetts, is the site of the infamous witch trials and the new home of Samantha Mather. Recently transplanted from New York City, Sam and her stepmother are not exactly welcomed with open arms. Sam is the descendant of Cotton Mather, one of the men responsible for those trials—and almost immediately, she becomes the enemy of a group of girls who call themselves the Descendants. And guess who their ancestors were?
If dealing with that weren’t enough, Sam also comes face to face with a real, live (well, technically dead) ghost. A handsome, angry ghost who wants Sam to stop touching his stuff. But soon Sam discovers she is at the center of a centuries-old curse affecting anyone with ties to the trials. Sam must come to terms with the ghost and find a way to work with the Descendants to stop a deadly cycle that has been going on since the first accused witch was hanged. If any town should have learned its lesson, it’s Salem. But history may be about to repeat itself.
“It’s like Mean Girls meets history class in the best possible way.” —Seventeen Magazine

“Mather shines a light on the lessons the Salem Witch Trials can teach us about modern-day bullying—and what we can do about it.” —Bustle
“Strikes a careful balance of creepy, fun, and thoughtful.” —NPR

I am utterly addicted to Mather’s electric debut. It keeps you on the edge of your seat, twisting and turning with ghosts, witches, an ancient curse, and—sigh—romance. It’s beautiful. Haunting. The characters are vivid and real. I. Could. Not. Put. It. Down.” —Jennifer Niven, bestselling author of All the Bright Places

How To Hang A Witch by Adriana Mather

You can order HOW TO HANG A WITCH by Adriana Mather from Amazon USA, Amazon UK, Waterstone’s or Bookshop.org UK. I earn commission on any purchases made through these links.

The Review (Cut For Spoilers):

15-year-old Samantha Mather knows that her ancestor, Cotton Mather had a key role in prosecuting the Salem Witch Trials but having spent her whole life in New York, it’s never really been an issue. Then her dad gets sick and falls into a coma. With the medical bills mounting, Sam’s step-mother, Vivian, has to sell their New York apartment and move to Salem, to the house where Sam’s father grew up and which he inherited from his mother following her death.

Sam discovers that in Salem the Witch Trials have never been forgotten and the Mather name is still viewed with suspicion. This is a particular problem at high school where a group of 5 students (Lizzie, John, Mary, Alicia and Susannah) are known as The Descendants because their ancestors were executed as witches and as a result, have taken a strong and instant dislike to Sam.

When strange things start happening to The Descendants, their relatives and others descended from those involved in the Witch Trials – suspicion builds that Sam is the cause of it. Feeling unable to confide in Vivian and worried about her dad’s worsening condition, Sam’s only allies are her hot next-door-neighbour, Jaxon and his mother so the last thing she needs is the sudden appearance of a very attractive ghost with his own connection to the Trials …

Adriana Mather’s YA paranormal novel has a great premise but is spoilt by a tedious plot lacking consistent, internal logic; a tired, clichéd love triangle with two bland male leads; a main character who’s clumsy for no reason but also secretly special an often completely irrational; supporting characters who are little more than sketches and a ridiculous climax that had me rolling my eyes and ensued I won’t be reading the sequel.

I wanted to read this book because I was interested by the fact that Mather is herself descended from Cotton Mather and because she wrote this book to draw parallels between the mentality that created the Witch Trials and what happens when bullying is allowed to take place. I suspect that the reason I was so disappointed is because I just didn’t think that Mather does justice either to her own heritage (turning it into some kind of Mary-Sue redemption fantasy) or bullying (reducing it to a group of irrational kids who are apparently liked solely because their ancestors were wrongly killed and are allowed to get away with it for plot reasons).

I found Sam to be a complete Mary-Sue – keen to tell the reader how sarcastic and streetwise she is as a New Yorker, she instead comes across as a shrill, at times hysterical lunatic prone to yelling at people for no reason and frequently falling over or into things (again, usually for no discernible reason) and then later turns out to have super magical powers that make her a rarity and therefore special. Her relationship with Vivian had a lot of potential to be interesting – especially given that she mentions how they actually used to have a good relationship and had a lot in common – but there’s little of that relationship seen on the page, instead their relationship degenerating into slanging matches and emotional blackmail, the purposes of which becomes obvious early on when it comes to the climax of the book.

Although Mather tries to give reasons why the high school students are suspicious of her on arrival, the explanation never convinces because the leap they make (that Sam is some kind of witch) is not a conclusion that any normal person would reach for and it does kind of suggest that anyone living in Salem is a superstitious fool prone to hysteria. Worse the same attitude is displayed by the teachers – not one of whom ever displays a single ounce of common sense or reason and in fact seem to equally hold Sam responsible for events that clearly have alternative explanations. Even allowing for the fact that Sam likes to shout at people and loses her temper at the drop of a hat, it all has a manufactured feel to it that makes it difficult to empathise with her plight or believe in the supposedly febrile atmosphere of suspicion and superstition that Mather seems to be going for.

Sam’s awfulness makes it difficult to believe in why either Jaxon or Elijah are interested in her other than the fact that the plot demands it. Neither character is particularly deeply drawn – both are pretty much defined by the fact that they’re hot and they love her for reasons. The relationship with Elijah is particularly irritating given that Sam has no problem in believing that he’s a ghost (helped by the fact that he’s a ghost who can helpfully become solid). Elijah is doubly grating because he’s defined by a “slightly British accent” which means he’s unable to use contractions, but even though he died as an 18-year-old Puritan, he has managed to get over his upbringing to criticise elements of it and snog a younger girl when the plot demanded it (also worth pointing out that because only Sam can see him, a snog scene in front of other people must have been really weird to witness and yet no one remarks on the fact that she’s basically tonguing blank space). It’s also worth mentioning that he’s supposedly not been interested in humans for a couple of hundred years, but still knows modern idioms when he needs to (at one point telling Sam sarcastically to “stay in school”, which just made it even harder for me to believe in him.

The Descendants are basically interchangeable Mean Girls (except for Susannah who is secretly nice) – so thinly drawn as to not be credible either as a threat and I really didn’t care if Sam saved them or not. I found the historical allusions confusing because Mather seems to assume that the reader knows the main players and families in the Witch Trials, which may be true if you’re American but doesn’t work for readers in other characters (this is in part mitigated by an author’s note at the end but by that point it was too late for me).

Ultimately I just found this to be a really disappointing read and it was a real effort for me to get through to the end. As such, while there’s a set-up for a sequel, I definitely will not be reading it.

HOW TO HANG A WITCH will be released in the United Kingdom on 4th January 2018. Thanks to Walker Books for the review copy of this book.

How to Hang a Witch

It’s the Salem Witch Trials meets Mean Girls in this New York Times bestselling novel from one of the descendants of Cotton Mather, where the trials of high school start to feel like a modern-day witch hunt for a teen with all the wrong connections to Salem’s past.

Salem, Massachusetts, is the site of the infamous witch trials and the new home of Samantha Mather. Recently transplanted from New York City, Sam and her stepmother are not exactly welcomed with open arms. Sam is the descendant of Cotton Mather, one of the men responsible for those trials—and almost immediately, she becomes the enemy of a group of girls who call themselves the Descendants. And guess who their ancestors were?

If dealing with that weren’t enough, Sam also comes face to face with a real, live (well, technically dead) ghost. A handsome, angry ghost who wants Sam to stop touching his stuff. But soon Sam discovers she is at the center of a centuries-old curse affecting anyone with ties to the trials. Sam must come to terms with the ghost and find a way to work with the Descendants to stop a deadly cycle that has been going on since the first accused witch was hanged. If any town should have learned its lesson, it’s Salem. But history may be about to repeat itself.

“It’s like Mean Girls meets history class in the best possible way.” —Seventeen Magazine

“Mather shines a light on the lessons the Salem Witch Trials can teach us about modern-day bullying—and what we can do about it.” —Bustle

“Strikes a careful balance of creepy, fun, and thoughtful.” —NPR

I am utterly addicted to Mather’s electric debut. It keeps you on the edge of your seat, twisting and turning with ghosts, witches, an ancient curse, and—sigh—romance. It’s beautiful. Haunting. The characters are vivid and real. I. Could. Not. Put. It. Down.” —Jennifer Niven, bestselling author of All the Bright Places

In black and gold witch hst, practitioners may use black candles, black crystals, and black ritual tools to harness the energy of the dark. On the other hand, gold symbolizes wealth, abundance, and spiritual enlightenment. It represents the sun, the source of life and energy.

In black and gold witch hst, gold may be used to attract prosperity, success, and manifestation. Gold candles, gold jewelry, and gold-colored spell components may be incorporated in rituals and spells. The combination of black and gold in black and gold witch hst creates a balance between the light and dark, the material and the spiritual. It embraces the duality of existence and recognizes that both positive and negative energies coexist. This tradition acknowledges the importance of embracing one's shadow self and integrating its wisdom and power into everyday life. Black and gold witch hst practitioners may perform rituals and spells for a variety of purposes, such as protection, divination, manifestation, and healing. They may work with deities or entities associated with darkness and wealth, and may employ various tools and techniques to channel and direct energy. Overall, black and gold witch hst is an enchanting and alluring path that explores the depths of magic and spirituality. It encourages practitioners to honor the darkness within themselves and the world, while also seeking beauty, prosperity, and spiritual growth..

Reviews for "The Black and Gold Witch Hat: From Witchcraft to Wizardry"

1. John - 2/5 stars - I was really disappointed with "Black and gold witch hst". The story was confusing and hard to follow, and the writing style was overly flowery and exaggerated. I found it hard to connect with the characters, as they were poorly developed and lacked depth. Additionally, the pacing was off, with slow and dragging scenes followed by rushed and confusing ones. Overall, I don't understand the hype around this book and wouldn't recommend it.

2. Emily - 1/5 stars - "Black and gold witch hst" was one of the worst books I've ever read. The plot was predictable and cliché, the characters were one-dimensional and lacked any real substance. The writing was filled with unnecessary descriptions and dragged on and on without any real purpose. I couldn't find any redeeming qualities in this book and I regret wasting my time on it.

3. Sarah - 2/5 stars - I had high expectations for "Black and gold witch hst" but ended up feeling let down. The story had potential, but it was poorly executed. The world-building was confusing and inconsistent, and the magic system felt underdeveloped. The dialogue was clunky and unrealistic, making it hard to connect with the characters. I found myself losing interest halfway through and struggled to finish the book. Overall, it didn't live up to the hype and I wouldn't recommend it.

5 Spells You Can Perform with a Black and Gold Witch Hat