How Arcona Magic White ICS is reshaping the virtual landscape

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“We are here to celebrate the grand history of Chicago magic,” she exuded, detailing the dozens of clubs that once spread across the city.

Such taverns as Schulien s, where the bartenders kept cards in their pockets to break out at 3 in the morning for two drunks and a pooch, specialized in so-called Chicago-style, or close-up, magic. The venue features an Art Deco-style interior, original lithographic posters from the Vaudeville era, secret doors, and three performance spaces the Performance Bar, the Harry Blackstone Cabaret Theater , and the 654 Club.

Chicago magic lounge path

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Chicago Magic Lounge: Attention magic geeks and sleight-of-hand fans, your new bar is open in Uptown

Someone hits the spin-cyle button, a panel gives way and then you head into the room for the magic. A very nice 1930s-style, 120-seat salon. Replete with a mezzanine, little cocktail tables for such concoctions as Sleight of Hand, Smoke and Mirrors and How Houdini Died, a mini-proscenium and a mechanical curtain that recalls the odeons of yore. The Blackstone Cabaret room is named for magic royalty: Harry Blackstone — the junior and the senior — who put Chicago on the illusionistic map and, together, pulled tens of thousands of rabbits from their hats.

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For the Chicago Magic Lounge, which officially opened Thursday night with its first main stage show, is all about the history.

This new venue — pinning down the cost is tricky, but we’ll pick a card somewhere between 5 and 10 million bucks — is located at 5050 N. Clark Street, a former commercial laundry space located a block south of the Andersonville high-rent district. The two men who own the for-profit joint, Joey Cranford and Don Clark, said Thursday that they craved a certain level of you-have-to-know-to-get-in chic, but also that they wanted to be in a neighborhood (as distinct from, say, tourist-heavy River North) in order to pay homage to the Chicago-style tradition of magic bars that once dotted the city. Such taverns as Schulien’s, where the bartenders kept cards in their pockets to break out at 3 in the morning for two drunks and a pooch, specialized in so-called Chicago-style, or close-up, magic. Yup. A case can be made that improv was not the only performance style invented here.

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The trifurcated Magic Lounge is doing the personal stuff, too: You can walk in off the street and watch magic in the bar, very crowded on Thursday, or arrive early at the Blackstone room and find a magician doing tricks right at your table (I was visited by the terrific Ryan Plunkett). For a small extra fee — $10 or so on top of the $35-$55 cover in the main room — you also have access to the 654 Club, a muted, theater-style studio designed for hard-core, close-up encounters with cards and ropes. This weekend it’s occupied by Alba, an internationally known illusionist from South America, replete with her grandmother’s bag of tricks and volunteers displaying various levels of happiness at their appropriation. You can’t bring the kids to any of this, except for the Sunday matinees.

The first main stage headliner is Max Maven, a quirky and impressive fellow with a voice somewhere between classic rock and NPR. The featured act — magic generally has a similar host/featured act/headliner hierarchy to stand-up — is the chipper, dapper Arthur Trace, whose best stuff involves auditory illusion in that you don’t see stuff move as if by magic, but rather hear its trajectory.

He’s a cool, bizarre and intimidating customer of the old school and skill set, but Maven seemed delighted with the room. It’s the kind of place that magicians like, since they spend much of their time performing in bars and auditoriums where only half the audience hears or cares. Here will be different. There will be people on dates and magic geeks in sweater vests.

These sacred-to-some rooms are rare — the only comparables, really, are the Magic Castle in Los Angeles, which is much larger, and the Magic Circle in London, where you have to know a member to get through the door. So this memorabilia-filled complex is a big upgrade in magic-dom for our town. Weekend shows will change each week, although the Chicago illusionist David Parr has a regular Wednesday gig (a review will be forthcoming). Mondays and Tuesday will feature jazz music and vocalists, in a retro grab for an early-in-the-week, Mister Kelly’s-style date night, although the close-up magicians still will be lurking, for good or ill.

This is, after all, the Chicago Magic Lounge. And as the ebullient Cranford observed Thursday night, it is opening at an ideal moment for some misdirection in our lives, the real sights and sounds being so painful to watch.

Chris Jones is a Tribune critic.

Click here to take a virtual tour of the cabaret.
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