1976 sesame street pulled episode

By admin

The precious spell casting nightwalker is a concept that merges magic and darkness to create a powerful and mystical being. This unique creature harnesses the power of spells and the night for its own purposes. The key feature of the precious spell casting nightwalker is its ability to cast spells. These spells can range from simple enchantments to complex and powerful incantations. The nightwalker draws energy from the darkness around it to fuel its spellcasting abilities. The darkness is not just a source of power for the nightwalker, but also a part of its identity.



Pat Travers?

Who is this cat? Listening to Rhapsody online and stumbled onto his complilation album. He can play! :

rob2001

Member
Messages 16,927

johnrea_77

Gold Supporting Member Messages 1,156

PT always puts on a great show. Saw him last year at an Amphiteater in Baldwinsville, NY. Caught him in big venues opening up for bands like Blue Oyster Cult and UFO back in the 80's. Also caught a few small theater and club shows years ago as well.

Very much worth checking out if you never have.

jpftribe

Member
Messages 633 boom boom baby.

billm408

Member
Messages 3,015

He's been around since the late 70's. Great rockin' blues kinda stuff. Loved the band when Pat Thrall and Tommy Aldridge were playing with him. Saw him a few times back then and twice in the last couple of months at clubs locally. Go For What You Know is just a killer live album. My band still plays Snortin' Whiskey!

cr8z4life

Silver Supporting Member Messages 3,790

Wow, never heard that. great stuff!

Thwap

Likely Baked
Platinum Supporting Member Messages 10,867

He's been around since the late 70's. Great rockin' blues kinda stuff. Loved the band when Pat Thrall and Tommy Aldridge were playing with him. Saw him a few times back then and twice in the last couple of months at clubs locally. Go For What You Know is just a killer live album. My band still plays Snortin' Whiskey!


Yesssssssss.
Indeed.

Dickie Fredericks

Pounds.of.Sounds
Gold Supporting Member Messages 11,776

Love Pat Thrall too.

ksandvik

Member
Messages 6,328

Saw him last week close to my house. Still going strong. Not that he seems to play the same set list for months, like two months' ago in San Jose.

billm408

Member
Messages 3,015

Saw him last week close to my house. Still going strong. Not that he seems to play the same set list for months, like two months' ago in San Jose.


I was at both of those shows too. Voodoo Lounge a couple of months ago and the Avalon last week. Actually I was going to skip the last show, but a friend's band was on the bill so I was out there supporting the locals.

Sal

Member
Messages 358

Pat Travers! To me he is completely under-appreciated. I have to disagree with the "70s bluesy kind of stuff". I don't see him as a Frank Marino type 70s player, I think his music was way ahead of its time and isn't recognized because he is lumped in with that kind of sound.

Rather than gush on and on I'll list some points:

* Great guitar player, singer and songwriter: listen to his rhythm work, chord voicings, use of effects and song structures. Very innovative, unique and individual.

* The Pat Travers Band!! Listen to Mars Cowling and Tommy Aldridge as a rhythm section from Heat in the Street. The rhythms are funky, heavy, jazzy and syncopated - to my ears completely opposite to the plodding 70s hard rock of the time, and it's what separates PT from the pack. The music has so much movement and life. Listen to "Go All Night" from Heat in the Street - it's funk rock before the Red Hot Chili Peppers! And before Tommy Aldridge was in the band you can hear Nicko McBrain play on "Off Beat Ride" or "Speakeasy" from Putting it Straight. Speakeasy is a terrific, funky jazzy instrumental.

* Pat is a great keyboard player also and wasn't afraid to play things different from 70s rock. Listen to "Crash and Burn" or his cover of "Is this Love" - he wasn't afraid of trying something new and to keep his music from stagnating.

There's tons more to say about Pat. Listen and enjoy a true innovator!

rob2001

Member
Messages 16,927 Wow, never heard that. great stuff!

He has many more hidden gems like that in his discography.

rob2001

Member
Messages 16,927

Pat Travers! To me he is completely under-appreciated. I have to disagree with the "70s bluesy kind of stuff". I don't see him as a Frank Marino type 70s player, I think his music was way ahead of its time and isn't recognized because he is lumped in with that kind of sound.

Rather than gush on and on I'll list some points:

* Great guitar player, singer and songwriter: listen to his rhythm work, chord voicings, use of effects and song structures. Very innovative, unique and individual.

* The Pat Travers Band!! Listen to Mars Cowling and Tommy Aldridge as a rhythm section from Heat in the Street. The rhythms are funky, heavy, jazzy and syncopated - to my ears completely opposite to the plodding 70s hard rock of the time, and it's what separates PT from the pack. The music has so much movement and life. Listen to "Go All Night" from Heat in the Street - it's funk rock before the Red Hot Chili Peppers! And before Tommy Aldridge was in the band you can hear Nicko McBrain play on "Off Beat Ride" or "Speakeasy" from Putting it Straight. Speakeasy is a terrific, funky jazzy instrumental.

* Pat is a great keyboard player also and wasn't afraid to play things different from 70s rock. Listen to "Crash and Burn" or his cover of "Is this Love" - he wasn't afraid of trying something new and to keep his music from stagnating.

There's tons more to say about Pat. Listen and enjoy a true innovator!

I can't say it any better than that!

3 Mile Stone

Silver Supporting Member Messages 6,062 Puttin' it Straight, Makin' Magic and Black Pearl are incredible albums.

xjbebop

Member
Messages 167

Pat Travers! To me he is completely under-appreciated. I have to disagree with the "70s bluesy kind of stuff". I don't see him as a Frank Marino type 70s player, I think his music was way ahead of its time and isn't recognized because he is lumped in with that kind of sound.

Rather than gush on and on I'll list some points:

* Great guitar player, singer and songwriter: listen to his rhythm work, chord voicings, use of effects and song structures. Very innovative, unique and individual.

* The Pat Travers Band!! Listen to Mars Cowling and Tommy Aldridge as a rhythm section from Heat in the Street. The rhythms are funky, heavy, jazzy and syncopated - to my ears completely opposite to the plodding 70s hard rock of the time, and it's what separates PT from the pack. The music has so much movement and life. Listen to "Go All Night" from Heat in the Street - it's funk rock before the Red Hot Chili Peppers! And before Tommy Aldridge was in the band you can hear Nicko McBrain play on "Off Beat Ride" or "Speakeasy" from Putting it Straight. Speakeasy is a terrific, funky jazzy instrumental.

* Pat is a great keyboard player also and wasn't afraid to play things different from 70s rock. Listen to "Crash and Burn" or his cover of "Is this Love" - he wasn't afraid of trying something new and to keep his music from stagnating.

There's tons more to say about Pat. Listen and enjoy a true innovator!

+ 1 way ahead of his time.
I still have 'heat in the street' and 'puttin it straight' on vinyl.

. and then he came out with 'crash and burn'.

Makin' Magic

While some blues-rock enthusiasts were a bit miffed that Pat Travers dialed down the rootsy tones in his 1977 sophomore solo album, fans of the man’s hard rock still consider it one of his best studio performances. Makin’ Magic opens as the title track bulges with robust riffs, backed by the dynamic rhythm section of drummer Nicko McBrain and bassist Peter “Mars” Cowling. Much like Robin Trower or Frank Marino & Mahogany Rush, Travers and company are totally unapologetic about their Jimi Hendrix worship. But it’s Travers’ rhythm section that more closely resembles The Experience’s Noel Redding and Mitch Mitchell in both playing style and musicianship. Check out the following “Rock 'N Roll Susie,” which plays with ZZ Top’s muscled attack, Thin Lizzy’s tightness, and The Jimi Hendrix Experience’s loose boogie. Although rumors buzzed that the power ballad “Stevie” was based on Stevie Nicks, it's actually about Travers’ younger brother Steven. Anyone craving Travers’ hard attack on the blues need look no further than his blistering rendition of Blind Willie McTell’s “Statesboro Blues.”

March 1, 1977 8 Songs, 39 minutes ℗ 2007 Majestic Rock

Also available in the iTunes Store

The darkness is not just a source of power for the nightwalker, but also a part of its identity. The nightwalker thrives in the shadows and uses the cover of darkness to its advantage. It moves silently and effortlessly, blending into the night and becoming one with its surroundings.

Other Versions

8 Songs
1976 sesame street pulled episode

The precious spell casting nightwalker is not to be underestimated. Its spellcasting abilities make it a formidable opponent, capable of unleashing devastating magic upon its enemies. It is a master of illusions and can manipulate the mind and senses of those around it. However, the nightwalker is not inherently evil. While it may seem mysterious and sinister, its intentions are not always malicious. It can be a force for good, using its magic to protect and defend. The nightwalker has a deep connection with nature and is often seen as a guardian of the natural world. In conclusion, the precious spell casting nightwalker is a fascinating and enigmatic creature that combines the power of spells and the darkness. Its spellcasting abilities make it a formidable opponent, but it can also be a force for good. Whether viewed as a mysterious figure lurking in the shadows or a guardian of nature, the nightwalker is a captivating concept..

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1976 sesame street pulled episode

1976 sesame street pulled episode

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