In literature and popular culture, the allusion to "witches streak hair" is often used as a visual cue to convey otherworldly or supernatural qualities. This particular allusion refers to the common depiction of witches with streaks of white or silver hair, contrasting with their otherwise dark or black hair. These streaks are seen as a visual representation of the inherent magic or otherworldly powers possessed by witches. The concept of the "witches streak hair" allusion has its roots in various mythologies and folklore. In many traditional stories, witches are often portrayed as older women who have made deals with dark forces or have a deep connection with mystical powers. The streaks of white or silver hair are often associated with advanced age or wisdom, but in the context of witches, they also symbolize the otherworldly nature of their magic.
The streaks of white or silver hair are often associated with advanced age or wisdom, but in the context of witches, they also symbolize the otherworldly nature of their magic. Literary works such as Macbeth by William Shakespeare and The Crucible by Arthur Miller have employed the concept of witches' streak hair to emphasize the mystical and supernatural qualities of their characters. In Macbeth, the three witches are depicted with "choppy" hair covered in "thin old locks.
Graded on a Curve:
Witch,
Introduction
Tired of motoriking around the living room to your Krautrock records? Just plain done with dancing your legs down to your knees to your Northern Soul, Batucada, and Space Disco LPs? Sick unto death of the records in your Eastern Bloc Jazz-Fusion, Dungeon Synth, Nederpop, Nangma, Pirate Metal, Pornogrind, and Spouge collections?
Well, my depraved vinyl junkie friend, why not give Zamrock a shot?
The 1970s Zambian rock scene produced some really great Afro-psychedelic bands, the most famous of which was Witch (stands for We Intend to Cause Havoc!). Fronted by the charismatic Emanuel “Jagari” Chanda (that “Jagari is an Africanization of “Jagger”!), Witch sang in English and were famed for their frenetic live shows, which could last more than six hours and frequently included some really dope covers, including a retooled version of Grand Funk’s “We’re an American Band” the band proudly retitled “We’re a Zambian Band.”
Seriously, all you crate diggers: how fucking Sub-Saharan cool is that?
I’m not going to go into any great detail about the socio-economic conditions that made Zamrock such a potent force in the seventies; suffice it to say the movement arose and thrived in the sunny wake of Zambian national liberation and economic boom times only to slowly founder amidst a host of vexing geopolitical problems (wars on the nation’s borders, an uprising in country) and the near collapse of the country’s copper-based economy.
And what these forces couldn’t do, the devastating AIDS plague did–four of the band’s members (Chanda was the sole exception) ultimately succumbed to the disease.
“We’re coming to your town, we’ll help you Zamrock down… “
Like their Zamrock compatriots in The Peace, Musi-O-Tunya, and Amanaz, Witch played a heady stew concocted of Western-based psychedelic and straight-up rock combined with traditional African music, and while the smart money is on 1975’s Lazy Bones!! as being their best LP, I prefer 1974’s Introduction. It boasts a stripped-down psych-folk feel and features a big organ drone and lots of scuzzed-up fuzz guitar, and the results are both mesmeric and enthralling.
“We’re a Zambian band, we’re a Zambian band… “
Doesn’t happen very often, but I fell in love with Witch on first listen. Yep. From the first time I heard “You Better Know,” a deliriously simple little pop confection with great vocals by Chanda (and by all on the choruses). And if that one hadn’t gotten me “See You Mama,” a moody and organ-drenched VU drone rocker on which Chanda gets all pouty and sings “I don’t want you/I don’t need you no more” (and it’s very very Jagger like indeed), would have.
“They said come on dudes, let’s get it on… “
And so it goes. “Like a Chicken” is one of the greatest chicken rockers ever written– it’s almost as good as the Felice Brothers’ “Run Chicken Run,” holds its own against Little Feats’ “Dixie Chicken,” and stands up with the Turtles’ great “Chicken Little Was Right.” Kinda brings Van Morrison circa his Them years to mind, it does, and the guitar solo and swirling circus organ will blow your mind.
Meanwhile, the title track is all organ push and drone and a miracle of bare-bones simplicity, while “That’s What I Want” mates some great group vocals to a chug-a-lug guitar and some really snazzy drum work. Watch out for the very wooly-bully guitar solo! As for “No Time,” it boasts one very in-your-face bass and some seriously fuzzed-up ax wank and will have you doing the Jerky Turkey.
“Out on the road for forty days, last night in Lusaka put me in a haze… “
Oh, and the LP’s home to a pair of swell instrumentals. “Home Town” is so deceptively simple in its mid-tempo way I wrote it off at first as a demo quality backing track the guys never got around to putting lyrics to. But it proceeded to hypnotize this chicken so there, while the other one (“Try Me”) had me feeling all laid back and happy like I get when I’m listening to the Grateful Dead in full live jam mode.
“Feelin’ good, feelin’ right it’s Saturday night… “
Look–I can’t tell you what to do. But I intend to track down the six Witch LPs I know about, then to look high and low for every other Zamrock album in existence. And if that means having to get rid of my 4-Beat, Azonto, Banda, Chillwave, Darkstep, Hanseatic League Electro-Deathdub, and Funeral Doom collections to make space, so be it. That said, I’m holding on to my Spouge LPs. A guy’s got to draw the line somewhere.
“We’re a Zambian Band!”
GRADED ON A CURVE:
A
This entry was posted in The TVD Storefront . Bookmark the permalink. Trackbacks are closed, but you can post a comment.
“We’re coming to your town, we’ll help you Zamrock down… “
" These physical attributes contribute to their eerie and mysterious nature. Similarly, in The Crucible, Tituba, the slave woman accused of witchcraft, is described as having "a shock of graying hair." In popular culture, the portrayal of witches with streaked hair has become a common visual trope. Movies such as The Craft and television shows like Charmed often depict witches with streaks of white or silver hair to signify their magical abilities. This visual cue has become a recognizable shorthand for conveying a character's connection to the supernatural or their membership in the witchcraft community. Overall, the allusion to witches' streak hair is a powerful visual tool used in literature and popular culture to convey the otherworldly and magical nature of witches. Whether through ancient folklore or modern media, this trope helps to create a visual distinction and emphasize the supernatural qualities of these characters..
Reviews for "Embracing Your Witchy Roots with Streaked Hair"
1. John - 2/5 - I was really disappointed with "Witches streak hair allusion". I went in with high expectations, but the movie fell flat for me. The plot was confusing and poorly executed, and the acting felt forced. The special effects were also underwhelming, especially considering the subject matter. Overall, I found it to be a forgettable film that didn't live up to its potential.
2. Sarah - 1/5 - "Witches streak hair allusion" was a complete waste of time. The storyline was incoherent and lacked any real substance. The characters were one-dimensional and not believable at all. I found myself bored and disinterested throughout the entire film. The attempt at creating a creepy atmosphere fell short, and instead, I was left feeling frustrated and annoyed. I would not recommend wasting your time or money on this film.
3. Mike - 2/5 - I was really looking forward to "Witches streak hair allusion", but it left me feeling underwhelmed. The concept had potential, but the execution was lacking. The pacing was off, with scenes dragging on unnecessarily and others feeling rushed. The dialogue was cliché and predictable, making it hard to fully invest in the story. Overall, it was a forgettable film that failed to deliver on its promises.
4. Emily - 2/5 - I had high hopes for "Witches streak hair allusion" based on the trailer, but unfortunately, the actual movie fell short. The plot was convoluted and hard to follow, leaving me feeling confused and frustrated. The acting was mediocre at best, with unconvincing performances from the main cast. The visual effects were also disappointing, lacking the wow factor that I was expecting. It's a shame because with better execution, this film had the potential to be something great.