The Witchcraft 30 pack is a curated collection of spells, potions, and rituals designed to enhance and empower your spiritual practice. It offers a wide range of tools and resources for both beginner witches and experienced practitioners. This pack includes a variety of spell candles, crystals, herbs, and essential oils that can be used for various purposes such as protection, love, prosperity, and healing. Each item has been carefully selected to ensure their quality and effectiveness in magical workings. The pack also comes with a spellbook that provides step-by-step instructions on how to perform different spells and rituals. It includes a comprehensive guide on casting circles, invoking deities, creating your own spells, and much more.
Players, put yo’ pinky rings up to the moon
Girls, what y’all trying to do?
Twenty four karat magic in the air
Head to toe so player
Look out uh
It helps that the past couple years have gradually whetted pop audiences appetite for sounds that might have once been considered too chintzy for top 40. Go back to Smeezingtons cowrite Fuck You and you ll find a blueprint a retro-obsessed guy who makes songs your great-uncle recognizes, that also happens to be really, really horny.
It includes a comprehensive guide on casting circles, invoking deities, creating your own spells, and much more. One of the highlights of the Witchcraft 30 pack is the inclusion of a divination tool such as tarot cards or a pendulum. These tools can be used to gain insight, guidance, and clarity in different aspects of life.
24K Magic
On his latest, “Uptown Funk” vocalist and animatronic sequined suit Bruno Mars compresses all of his various personae into one: The retro song-and-dance man who happens to be really, really horny.
Facebook Email PinterestIt’s good to remember the improbable things in life. For example: “Uptown Funk” vocalist and animatronic sequined suit Bruno Mars once sang the words “loungin’ on the couch just chillin’ in my Snuggie.” Every part of it is retroactively bizarre: the idea that Mars, the hardest-working embodiment of the “hardest-working man in showbiz” cliche, once attached himself to something called “The Lazy Song”; that he once aligned himself with flash-in-the-pan acoustic bros like Travie McCoy; or, more broadly, that he used to make pop in the 2010s that sounded like the 2010s. Much has been made of Mars’ childhood stint as an Elvis impersonator, with reason. The same talent that allowed a squeaky 4-year-old to channel, uncannily, the King’s gruff bark and distant whiff of scandal is the talent that allows Mars to inhabit whatever he wants. He’s as convincing a cheeky horndog (early hits with his production group the Smeezingtons include Flo Rida’s cheesy-sleazy hit “Right Round” and Mike Posner’s dubiously conceived “Bow Chicka Wow Wow”) as he is a worshipful loverman (the chaste stretch from “Nothin’ on You” through “Grenade”); he's as eager an omnivorous music fan (the Unorthodox Jukebox era remade Billy Joel and the Police as faithfully as any R&B or funk referents) as the comparatively laser-focused revivalist of 24K Magic.
Also improbable: that “Uptown Funk,” still inescapable at weddings and stadiums near you, still has life in it, let alone an album’s worth. The title track to 24K Magic is all but an explicit retread: YSL swapped out for designer minks, Chucks for Inglewood’s finest shoes, corny “dragon wanna retire, man” line for corny line about red getting the blues, “Oops Upside Your Head” biting swapped out for only slightly less lawsuit-prone Zapp voiceover vocoders. What it lacks in a hook it makes up for (almost) with vibe, and more importantly, earnestness.
24K Magic, the album, sticks to the same well-trod path. It often comes off as a one-man recreation of Mark Ronson’s similarly retro-fetishist Uptown Special—Ronson himself was tapped early on as a potential collaborator—with one key difference: all roles here are filled by Mars. Aside from a couple guest production jobs by former collaborators Jeff Bhasker and Emile Haynie, the album is largely produced by Shampoo Press & Curl—a mildly reorganized incarnation of the Smeezingtons. And as Mars boasted in pre-album press, there are no features. The idea is that he needs no features. He’s become practically all things to all people—he has enough session-wonk credibility to appeal to the Grammy-voting industry types who’ve adopted Mars as a standard-bearer for Real Musicianship; he has enough pop and R&B cred to keep the radio listeners around; enough showmanship to pull off a Super Bowl halftime performance while barely into his career; enough wedding-reception goofiness to ingratiate himself to anyone left over.
The line between lovingly recreating the music of the past and cynically 3D-printing it for easy profit is fine and much fretted-over, sometimes at book length. And indeed, 24K Magic aims to recreate a time and a vibe much of its personnel weren’t even around for. (Said producer and Mars collaborator Brody Brown of a side project that sounds suspiciously 24K Magic-adjacent: “It’s going to make you feel like 1985—even though I wasn’t born until 1989.”) But in a self-conscious Vegas-revival way, 24K Magic pulls it off. It helps that it compresses all Mars’ personae into one. Go back to Smeezingtons cowrite “Fuck You” and you’ll find a blueprint: a retro-obsessed guy who makes songs your great-uncle recognizes, that also happens to be really, really horny. It helps that the album is barely over 30 minutes and meticulously sequenced, and it also helps that Mars is a notorious perfectionist (in a Rolling Stone interview earlier this year, he bragged about the dozens of versions of these tracks that got scrapped because the vibe wasn't right; routine studio business, to be sure, but Mars evidently takes it more seriously than most).
It helps that the past couple years have gradually whetted pop audiences’ appetite for sounds that might have once been considered too chintzy for top 40. “Perm” may be yet another attempt to revive James Brown, but while it isn’t quite as convincing as Mystikal’s would-be resurrection on Uptown Special, it does gives us the deliberate anachronism of a James Brown song with the line “forget your Instagram and your Twitter.” “That’s What I Like” is a song about opulence that sounds it—it’s sort of like what The 20/20 Experience thought it was—while “Versace on the Floor” and “Too Good to Say Goodbye” are as faithful recreations of mid-’90s R&B as you’ll find outside the decade, from the roller-rink synths of the former to the latter’s slow-dance power balladry (albeit one that, if it actually came out then, would mostly recall Luther doing “Superstar”).
But most of all, it helps that Mars is a consummate performer; this kind of showmanship is much more convincing, and coherent, from one showman than from one dilettante producer. If “Uptown Funk” was the theme-park version of one sliver of funk, 24K Magic is the rest of the park: rebuilt shinier and glitzier and safer, every element engineered to please more than the real thing, and with a hell of a tour guide. It’s not history, not even historical fiction, but harmless fun.
The line between lovingly recreating the music of the past and cynically 3D-printing it for easy profit is fine and much fretted-over, sometimes at book length. And indeed, 24K Magic aims to recreate a time and a vibe much of its personnel weren’t even around for. (Said producer and Mars collaborator Brody Brown of a side project that sounds suspiciously 24K Magic-adjacent: “It’s going to make you feel like 1985—even though I wasn’t born until 1989.”) But in a self-conscious Vegas-revival way, 24K Magic pulls it off. It helps that it compresses all Mars’ personae into one. Go back to Smeezingtons cowrite “Fuck You” and you’ll find a blueprint: a retro-obsessed guy who makes songs your great-uncle recognizes, that also happens to be really, really horny. It helps that the album is barely over 30 minutes and meticulously sequenced, and it also helps that Mars is a notorious perfectionist (in a Rolling Stone interview earlier this year, he bragged about the dozens of versions of these tracks that got scrapped because the vibe wasn't right; routine studio business, to be sure, but Mars evidently takes it more seriously than most).
The pack also includes a journal for keeping track of your magical practices, dreams, and reflections. Whether you are interested in exploring witchcraft for the first time or looking to expand your knowledge and skills, the Witchcraft 30 pack offers a holistic approach to witchcraft that combines traditional techniques with modern practices. It is important to note that witchcraft is a personal and individual path, and what works for one person may not work for another. The Witchcraft 30 pack serves as a foundation and starting point for your practice, but it is up to you to explore, experiment, and adapt the tools and techniques to suit your own spiritual journey. In conclusion, the Witchcraft 30 pack is a comprehensive collection of spells, potions, and rituals that provides a solid foundation for witchcraft practice. It offers a variety of tools and resources to enhance your magical workings and empower your spiritual growth. Whether you are a beginner or an experienced practitioner, this pack can support you on your path to self-discovery and transformation..
Reviews for "30 Tips for Enhancing Your Intuition Through Witchcraft"
1. John - 1 star
I was extremely disappointed with the Witchcraft 30 pack. The spells were a complete waste of time and money. None of them worked, and I feel like I wasted hours of my life trying to cast them. The instructions were also confusing and poorly written, making it even more frustrating. I would not recommend this pack to anyone interested in practicing witchcraft.
2. Sarah - 2 stars
I purchased the Witchcraft 30 pack with high hopes, but I was let down. The quality of the items included in the pack was extremely poor. The herbs and crystals were low-grade, and some of them were even broken upon arrival. The spell candles were also disappointing, as they did not burn evenly and left a mess. The overall experience was just not what I expected, and I regret spending my money on this pack.
3. David - 1 star
The Witchcraft 30 pack is a complete scam. The spells included are basic and generic, and can easily be found for free online. The items included are of extremely low quality and do not justify the price of the pack. The packaging was also very poor, with several items being damaged when I received them. I would advise against purchasing this pack, as you can find better quality items and spells elsewhere for a fraction of the price.
4. Jessica - 2 stars
I was excited to try out the Witchcraft 30 pack, but unfortunately, it did not meet my expectations. The spells included were too simplistic and did not provide any real guidance or depth. The herbs and crystals were of average quality, but nothing special. The packaging was also lackluster, with items being loosely packed and potentially damaged during shipping. Overall, I found the pack to be underwhelming and not worth the price.