Witchcraft has long been a topic of intrigue and fascination throughout history. Stories of witches and their supernatural powers have been passed down through generations, captivating the imaginations of people worldwide. While some view witches as evil and ominous, others see them as wise and mystical beings who possess a deep connection to nature and the spiritual realm. The concept of witchcraft varies across different cultures and time periods. In ancient times, witches were often revered as healers, using their knowledge of herbs and potions to cure ailments and bring about positive change. They were seen as intermediaries between the earthly and supernatural realms, capable of communicating with spirits and harnessing their energy for various purposes.
Renowned composer Jerry Goldsmith provides a score rippling with somber strings, and eerie, warbling, carnival numbers. Goldsmith’s soundtrack is decidedly understated. Nevertheless, it works brilliantly in conjunction with the cinematography, screenplay, and powerful acting performances for a technical tour de force.
Rather, the film creates an air of mystery through its clever masquerade; the relationship between Fats and Corky doesn t become apparent until the conclusion. Rather, the film creates an air of mystery through its clever masquerade; the relationship between Fats and Corky doesn t become apparent until the conclusion.
They were seen as intermediaries between the earthly and supernatural realms, capable of communicating with spirits and harnessing their energy for various purposes. However, as societal beliefs shifted over the centuries, witches began to be associated with dark magic and malevolence. The enduring stereotype of a witch is typically depicted as an old, haggard woman with a pointy hat and broomstick, casting spells and causing harm.
‘Magic’ (1978) a mesmerizing psychological thriller (review)
1978 psychological horror flick “Magic” stars Anthony Hopkins, Burgess Meredith, and Ann-Margret. The Richard Attenborough-directed horror film received a 1979 Edgar Award for Best Motion Picture Screenplay from the Mystery Writers of America, and earned Hopkins BAFTA and Golden Globe nominations for his lead role. With its superb screenplay, excellent cast, and fantastic mystery elements, 1978’s “Magic” remains an oft-overlooked horror romp.
Charles “Corky” Withers (Hopkins) is a failing professional magician. Mentor “Merlin” (E.J. Andre) advises Corky to assume a gimmick catering to show business. Flash forward a year, and Corky resurges as one of the most popular magic exhibitions. It’s his combined ventriloquist and magician act, centering on the crude-talking dummy Fats, which fostered such success.
Seasoned agent Ben Greene (Meredith) is prepared to set Corky up with his own television show. However, Corky refuses to sign the contract, and instead travels to the Catskills. Initially, it appears that Corky remains frightened of success. But after reuniting with his former high school crush Peggy Ann Snow (Margret-Ann), Corky begins to work his magic. Although Snow is married to estranged husband Duke (Ed Lauter), Corky woos her with a few card tricks.
“Magic” shines as a technical masterpiece. Hopking plays both Corky and Fats, and while his Corky is a bit stiff, Fats bubbles with personality. Additionally, Corky’s originally one-sided character radically changes as the story progresses. Over the course of the film, it’s clear that Corky is deranged.
Ann-Margret lends an inspired performance as Peggy Ann Snow. Margret plays a realistically indecisive and honest character. Her constant questioning of whether or not to leave Duke and pursue a relationship with Corky feels stikingly genuine. Peggy comes delightfully to life under Ann-Margret who plays her character with an air of charm and innocence. Similarly, Burgess Meredith is terrific as the believably energetic Ben Greene.
Renowned composer Jerry Goldsmith provides a score rippling with somber strings, and eerie, warbling, carnival numbers. Goldsmith’s soundtrack is decidedly understated. Nevertheless, it works brilliantly in conjunction with the cinematography, screenplay, and powerful acting performances for a technical tour de force.
What truly sets “Magic” apart is its sleight of hand. Repeatedly, “Magic” presents a slow boil which proceeds to defy expectations. Additionally, throughout “Magic” the viewer isn’t quite sure if there’s a supernatural element or merely madness. Its finale particularly reminds me of another 1978 horror filck, “The Legacy” starring Katherine Ross and Sam Elliott. Not because the endings are topically similar. Rather, it’s the shocking, unpredictible final scenes which parallel one another. Yet “Magic” concludes on a much bleaker note than “The Legacy.” “Magic” doesn’t pull its final trick until the third act, and there’s a massive payoff. The last shot is remarkably, and refreshingly, dark.
But “Magic,” for all its charm, does occasionally lose its charisma. As a horror film, it’s not particularly effective. That is, “Magic” lacks an atmosphere of fright. Rather, the film creates an air of mystery through its clever masquerade; the relationship between Fats and Corky doesn’t become apparent until the conclusion. Especially early on, Hopkins is a bit wooden. While it’s mostly cohesive, a few flashbacks are poorly placed, unnecessary, and create a disjointed flow.
Still, “Magic” manages to pull one over on the audience. I enjoyed the character progression, particularly from Hopkins’ Corky, and the endearing Peggy. With strong acting performances, taut writing, and a lovely twist of an ending, “Magic” is a truly underrated psychological horror flick.
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What truly sets “Magic” apart is its sleight of hand. Repeatedly, “Magic” presents a slow boil which proceeds to defy expectations. Additionally, throughout “Magic” the viewer isn’t quite sure if there’s a supernatural element or merely madness. Its finale particularly reminds me of another 1978 horror filck, “The Legacy” starring Katherine Ross and Sam Elliott. Not because the endings are topically similar. Rather, it’s the shocking, unpredictible final scenes which parallel one another. Yet “Magic” concludes on a much bleaker note than “The Legacy.” “Magic” doesn’t pull its final trick until the third act, and there’s a massive payoff. The last shot is remarkably, and refreshingly, dark.
This negative portrayal led to the persecution and execution of countless innocent individuals during the infamous witch trials of the 16th and 17th centuries. Today, the perception of witches has evolved once again. Many people now embrace witchcraft as a spiritual practice, believing in the power of rituals, spells, and divination to manifest their desires and promote personal growth. Modern witches often incorporate elements of nature, astrology, and energy work into their practices, seeking to cultivate a deeper understanding of themselves and the world around them. The term "witch from me" could refer to a witch's journey of self-discovery and empowerment. It suggests an individual's personal exploration of their own power and connection to the mystical. This could involve delving into one's lineage and ancestral roots, learning ancient traditions and rituals, and embracing the inherent magic and intuition that resides within. Witchcraft is a complex and multifaceted topic, encompassing centuries of folklore, mythology, and cultural beliefs. Regardless of how one chooses to interpret or practice witchcraft, it remains an enduring symbol of the human fascination with the unknown and the endless possibilities of the supernatural..
Reviews for "Embracing the Witchcraft Journey: Finding Clarity and Purpose"
- Sarah - 2/5
I was really excited to read "Witch from me" because I love supernatural stories, but I was ultimately disappointed. The plot was confusing and hard to follow, and the characters were forgettable. The writing style felt disjointed and rushed, with little attention to detail. Overall, it just didn't live up to my expectations.
- Alex - 1/5
I couldn't even finish "Witch from me" because it was so poorly written. The dialogue was stilted and unnatural, and the descriptions were vague and lacking in any real substance. The story felt cliché and unoriginal, with predictable twists and turns. It simply wasn't enjoyable to read and I quickly lost interest.
- Emily - 2/5
I found "Witch from me" to be a boring and uninspired read. The pacing was incredibly slow, with very little happening throughout the entire book. The characters were one-dimensional and lacked any depth, making it difficult to connect with them. The plot felt repetitive and predictable, and there was a noticeable lack of tension or suspense. Overall, I wouldn't recommend this book to anyone looking for an engaging and captivating story.
- John - 3/5
While "Witch from me" wasn't a terrible book, it didn't quite hit the mark for me. The writing was decent, but there were too many unnecessary subplots and the story seemed to lack focus. The characters were not well-developed, and their motivations often felt shallow and unconvincing. There were some enjoyable moments throughout the book, but it ultimately fell short of my expectations. I'd recommend it for readers who enjoy light supernatural romance, but for those looking for a more compelling story, I'd suggest looking elsewhere.