A witch flying twelve feet above the ground is an intriguing image that captures the imagination. It immediately evokes a sense of mystery and magic, as witches are often associated with supernatural abilities. The fact that this witch is flying adds an element of freedom and transcendence, suggesting that she is not bound by the limitations of the physical world. Furthermore, the precise height of twelve feet above the ground adds a specific detail that enhances the vividness of the image. It implies that the witch is hovering just above the reach of ordinary human beings, creating a sense of otherworldliness. The image of a witch flying twelve feet above the ground also raises questions about how she is able to achieve such a feat.
How did you created the various FX for the witches?
There were many different witch effects in this movie.
One of the first things we began work on were the wand effects. Each witch had a unique wand look when casting spells.
We went through an R& D phase to come up with the overall wand effect idea and then tailored it to each witch to represent her dark or light characteristics.
It may or may not mean anything that Dante Harper was acknowledged as a co-scripter during production and all the way through the movie s long release delay, but only Wirkola receives onscreen writing credit. Kane and I have been friends for a long time, and BJ McDonnell, who directed Hatchet III , is a buddy of mine, and Adam Green is a super-good buddy of mine, and it seemed like the right time and the right project to actually pull the trigger on that.
The image of a witch flying twelve feet above the ground also raises questions about how she is able to achieve such a feat. Does she possess a broomstick, a magic potion, or some other means of levitation? The answer remains a tantalizing mystery, inviting further exploration and speculation. Overall, the image of a witch flying twelve feet above the ground is a captivating symbol of magic and wonder, leaving us enchanted by the possibilities of the supernatural world.
Review: HANSEL & GRETEL: WITCH HUNTERS
The best thing in Hansel & Gretel: Witch Hunters isn’t Hansel or Gretel or the witches—though they have their moments—but a character with the deceptively genteel name of Edward. He doesn’t have a big part, but he makes a big impression.
Edward is a troll played by Friday the 13th’s Derek Mears in a very impressive animatronic outfit by Spectral Motion, whose prosthetic work throughout bespeaks an admirable ambition to keep things old-fashioned on the FX side. Hansel & Gretel itself varies wildly in tone and approach, veering from the traditional to the modern, from serious menace to snarky comedy (the latter coming as no surprise once you note Will Ferrell and Adam McKay among the producing credits). And the movie announces its grab-bag approach early: Following a prologue that retells, with a horrific straight face, the Brothers Grimm fable of the preteen brother and sister who turn the tables on a cannibalistic witch and roast her alive in her own oven, and a nifty animated main-title sequence, we arrive “many years later” with a sight gag straight out of Mel Brooks.
Instead of men in tights, however, we get siblings in leather and armor: Hansel (Jeremy Renner) and Gretel (Gemma Arterton) are all grown up and devoted to exterminating witches. Their rep is such that when they arrive in the village of Augsburg, they are met by a young groupie, Ben (Thomas Mann) who keeps a scrapbook of their achievements. He’s at first a distraction and eventually a collaborator in their mission, which involves the disappearances of young children from the area, evidently at the hands of evil sorceresses. Mayor Engleman (Rainer Bock) welcomes Hansel and Gretel’s assistance, while sneering Sheriff Berringer (who else but Peter Stormare?) bristles at this threat to his authority.
AdvertisementThe resulting conflicts and adventures are pitched by director Tommy Wirkola with the same tongue he kept in his cheek in his breakout Nazi-zombie movie Dead Snow. Witches zoom on broomsticks and hurl deadly whammies at the heroes in energetic action setpieces, while Hansel and Gretel respond with weaponry and other equipment that’s determinedly anachronistic. So is their frequent use of four-letter dialogue, which might have shocked back in medieval times but doesn’t really get a rise in this day and age. Hansel and Gretel don’t really need it; as played by Renner and Arterton, they cut more than capable action-hero figures—not superhuman, but able to bounce back from any assault and work together to defeat their foes.
There is, of course, more to the backstory that forged them as witch hunters than initially meets the eye, though the ultimate revelation isn’t all that surprising, and requires another character to explain it during a lengthy, flashback-accompanied speech. In general, Hansel & Gretel’s attempts to go anywhere beneath the surface of the characters don’t come to much, in part because there just isn’t time. Running only 88 minutes (including lengthy end credits), this is yet another film that feels like it was sliced down to the bare minimum in the interest of pacing, and at the expense of any depth that may or may not have been in the screenplay. (It may or may not mean anything that Dante Harper was acknowledged as a co-scripter during production and all the way through the movie’s long release delay, but only Wirkola receives onscreen writing credit.)
AdvertisementAmong the characters who could have been more fleshed out is Edward—kinda ironic to say, considering how physically imposing he is. Still, he’s a lot of fun to watch during the screen time he does have. Famke Janssen, as evil witch Muriel, has a few good moments of menace in and out of prosthetics, but isn’t given enough opportunities to really get under the skin of her character’s evil. As if knowing he’s got limited time to grab the audience’s attention, Stormare mercilessly chews the scenery before graphically becoming part of it, and Pihla Viitala adds just a bit of romantic respite as a village girl who bewitches Hansel.
Wirkola plays the 3D to the hilt, hurling weapons and severed body parts in the audience’s face, and goes pretty graphic with the gore. His unrestrained approach results in a number of jumpy-fun moments, and the anticipation of them helps keep you watching through a scenario that overall doesn’t maintain the same interest. There’s a running joke in the movie in which Hansel, having gorged on sugar at the candy house of the witch he and Gretel defeated as kids, now has to inject himself with medieval insulin on a regular basis to give himself boosts of energy, and it feels like a metaphor for the film itself.
.
Reviews for "The Magic of Flight: Witches Soaring Above at Twelve Feet"
1. Emily - 2 stars - I was really excited to see "Witch flying twelve feet above the ground" after reading all the rave reviews, but I have to say I was greatly disappointed. The show lacked coherence and direction, with no clear plot or storyline. The performances were lackluster and the dialogue felt forced. Overall, it felt like a half-baked attempt at creating something unique and magical, but it fell flat.
2. Michael - 1 star - I cannot for the life of me understand the appeal of "Witch flying twelve feet above the ground." The whole experience was just bizarre and confusing. The singing was off-key, the choreography was messy, and the set design was underwhelming. The attempt at creating a whimsical and enchanting atmosphere just came across as awkward and uncomfortable. I left the theater feeling utterly disappointed and bewildered.
3. Sarah - 2 stars - "Witch flying twelve feet above the ground" had the potential to be a captivating and enchanting performance, but it fell short in many aspects. The storyline was disjointed and hard to follow, leaving me feeling disconnected from the characters and their journeys. The acting was inconsistent and some of the actors seemed to lack chemistry with one another. While the set design was visually interesting, it didn't make up for the lackluster performances and confusing plot. Overall, I was left wanting a more cohesive and enjoyable experience.