The Magic Wand with Flexible Neck, created by Vibratex, is a revolutionary device designed to provide ultimate pleasure and relaxation. With its unique flexible neck, this wand offers a customizable experience that can target specific areas of the body with ease. The main feature that sets the Magic Wand with Flexible Neck apart from other devices in the market is its flexible neck. This feature allows users to adjust the angle of the wand according to their preference. Whether you prefer a gentle or intense massage, this flexibility ensures that you can find the perfect position to reach all your erogenous zones. Apart from its flexibility, the Magic Wand is also known for its powerful vibrations.
Executive producers: Olivier Courson, Eric Dillens
There is a freewheeling exhilaration in the way co-directors Stassen and Jeremie Degruson embrace the technology that becomes irresistible and sustains interest as the predictable story starts to drag and grow repetitive. Co-helmer Stassen s company nWave Pictures already has form when it comes to lightweight but technologically advanced kiddie fare His debut feature, 2008 s Fly Me to the Moon, was the first animated film ever to be conceived and released solely in 3D.
Apart from its flexibility, the Magic Wand is also known for its powerful vibrations. Equipped with a high-quality motor, this wand delivers intense vibrations that can provide deep, satisfying clitoral stimulation. Its versatility makes it a popular choice for solo play or for couples looking to enhance their intimate moments.
The House Of Magic
It may lack the pizzazz and polish of Pixar but The House Of Magic is still breezy, undemanding CGI fare that should readily appeal to its target audience of younger children. The simple plot and basic characterisations may underwhelm but the energetic 3-D animation is constantly impressive as it works hard to create a sense of the action reaching out of the screen to grab the viewer’s attention.
There is a freewheeling exhilaration in the way co-directors Stassen and Jeremie Degruson embrace the technology that becomes irresistible and sustains interest as the predictable story starts to drag and grow repetitive.
Released in some European and Asian markets last Christmas, The House Of Magic has a UK premiere at Edinburgh prior to a UK theatrical release in the prime school holiday territory of July.
Expanded from Ben Stassen’s 2004 short Haunted House, The House Of Magic follows an abandoned kitten who takes sanctuary in the spooky mansion of elderly magician Lawrence (Eugene Levy). The house is crammed with gizmos, gadgets, antique props and a collection of toys not dissimilar to the cast of the Toy Story trilogy.
The collection includes a light bulb called Edison and a dancing doll named Clara. Lawrence names the kitten Thunder (Murray Blue) and welcomes him to the household. He is a less welcome presence to Jack (George Babbitt) the rabbit and Maggie (Shanelle Gray) the mouse who fear that Thunder will steal their place in Lawrence’s affections.
As Thunder tries to survive the various attempts to leave him out in the cold, Lawrence is hospitalised allowing his mercenary nephew Daniel (Grant George) the perfect opportunity to sell the house and dispatch the confused Lawrence to a retirement home.
The central character of an elderly magician gives The House Of Magic a slight affinity with Sylvain Chomet’s The Illusionist but the similarity ends there. Chomet’s fondness for melancholy figures and his painterly eye are in stark contrast to a film that is more interested in easy laughs, bright colours and a hectic, helter skelter narrative in which the pace rarely flags.
The 3-D animation is what carries The House Of Magic. The camera glides and swoops as Thunder slides down a banister, birds fly through the air and all kinds of objects are lobbed towards the viewer including pancakes, donuts and gobstoppers.
There is a freewheeling exhilaration in the way co-directors Stassen and Jeremie Degruson embrace the technology that becomes irresistible and sustains interest as the predictable story starts to drag and grow repetitive. A soundtrack of vintage hits from the likes of Madness and Shakin’ Stevens adds to the high spirits and should bring a smile of recognition to an adult audience.
Production company: nWave Pictures, Studio Canal International, Anton Capital Entertainment (ACE)
Sales contact: Studio Canal, www.studiocanal.com
Producers: Ben Stassen, Caroline Van Iseghem
Executive producers: Olivier Courson, Eric Dillens
Screenplay: James Flynn, Dominic Paris, Ben Stassen, based on a story by Ben Stassen
Production designer: Jeremie Degruson
Music: Ramin Djawadi
Main cast: (voices) Murray Blue, George Babbit, Eugene Levy, Grant George, Edward Asner, Emily Blunt, Ewan McGregor, Ron Perlman, William Shatner
The collection includes a light bulb called Edison and a dancing doll named Clara. Lawrence names the kitten Thunder (Murray Blue) and welcomes him to the household. He is a less welcome presence to Jack (George Babbitt) the rabbit and Maggie (Shanelle Gray) the mouse who fear that Thunder will steal their place in Lawrence’s affections.
In addition to its pleasure-inducing features, the Magic Wand with Flexible Neck is also designed with comfort in mind. The soft, silicone head of the wand ensures a gentle yet firm contact with the body, while the ergonomic handle allows for easy maneuvering. This makes it comfortable to hold and use for extended periods without strain. To ensure a seamless experience, the Magic Wand with Flexible Neck is also equipped with user-friendly controls. With simple buttons located on the handle, users can easily adjust the vibration intensity or switch between different modes to find the perfect combination for their needs. Overall, the Magic Wand with Flexible Neck by Vibratex offers a unique and pleasurable experience that combines power, flexibility, and comfort. It's a versatile device that can be enjoyed by individuals or couples looking to explore their pleasure zones..
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