How to Make Witch Finger Cupcakes with the Wilton Cake Pan

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The Wilton Witch Finger Cake Pan is a unique and spooky baking tool that allows you to create creepy finger-shaped cakes for Halloween or other themed parties. This cake pan is designed to resemble a hand with extended fingers, making it easy to make fun and festive treats that are sure to impress your guests. The main idea is that the Wilton Witch Finger Cake Pan is a baking tool for creating creepy finger-shaped cakes for Halloween or other themed parties..


To begin with, The Ruined Boys is not a children’s book. Like David Copperfield, it’s told from the point of view of a child whose childhood has come to a cruel end with a change in family circumstances. His parents’ marriage break-up sends young Gerald Bracher to Seafold House, an austere, comfortless public school. Place and date are left vague but some time in the 1920s would be a good guess. As that coincides with my father’s schooling, I can only hope that Fuller’s imagination wildly exaggerates the dehumanizing effects of that era’s public school system. In fact it clearly does, as the urbane, sanctimonious headmaster’s rule over the neglected, poorly fed and housed boys is meant to symbolize a wider political and class system that is rotten to the core. Survival is entirely down to the ever-shifting balance of power, as older boys leave and younger ones move up the hierarchy, with senior boys given free rein to beat up juniors, while weaker boys are scorned and bullied by pupils and masters alike. Awed by Mr Pemberton, the charismatic Head, Gerald initially accepts this system; then, gradually, his eyes are opened to the hypocrisy it is built on and he sees Mr Pemberton for the small man – morally as well as physically – that he is.

by Lindsay Anderson and David Sherwin 1968 While the violence at the film s end doesn t occur in Fuller s story, it is telling that the film s hero, Mick Travis, unleashes it, not on the entitled boys who gave him a ferocious beating, but on the smug, hypocritical headmaster, housemaster and school chaplain, the school governors and their elegantly dressed wives - all those responsible for a lazy, corrupt system that allows so much power in the hands of the vicious. In fact it clearly does, as the urbane, sanctimonious headmaster s rule over the neglected, poorly fed and housed boys is meant to symbolize a wider political and class system that is rotten to the core.

Eccentric magic Griselda

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A Far Cry from Malory Towers: Griselda Heppel muses on the subversive use of the Boarding School Story

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The Fall of a Sparrow by
Griselda Heppel (2021)

A friend who loved the eccentric boarding school setting of my recent children’s book, The Fall of a Sparrow, gave me a copy of another novel he’d enjoyed, also set in a boarding school. He was keen to know what I thought of it; I have to say I was riveted, though any similarity between my book and The Ruined Boys by Roy Fuller begins and ends with the setting.

The Ruined Boys
by Roy Fuller (1959)

It’s fascinating how the same structure can be used to create imaginary worlds that have absolutely nothing to do with each other.

To begin with, The Ruined Boys is not a children’s book. Like David Copperfield , it’s told from the point of view of a child whose childhood has come to a cruel end with a change in family circumstances. His parents’ marriage break-up sends young Gerald Bracher to Seafold House, an austere, comfortless public school. Place and date are left vague but some time in the 1920s would be a good guess. As that coincides with my father’s schooling, I can only hope that Fuller’s imagination somewhat exaggerates the dehumanising effects of that era’s public school system. In fact it clearly does, as the urbane, sanctimonious headmaster’s rule over the neglected, poorly fed and housed boys is meant to symbolise a wider political and class system that is rotten to the core. Survival is entirely down to the ever-shifting balance of power, as older boys leave and younger ones move up the hierarchy, with senior boys given free rein to beat up juniors, while weaker, scholarly boys are scorned and bullied by pupils and masters alike. Awed by Mr Pemberton, the charismatic Head, Gerald initially accepts this system; then, gradually, his eyes are opened to the hypocrisy it is built on, and he sees Mr Pemberton for the small man - morally as well as physically - that he is.


Stalky & Co
by Rudyard Kipling (1899)
What struck me was The Ruined Boys’s similarity to another subversive use of the boarding school metaphor, perhaps the most famous in the last century: Lindsay Anderson’s film If.

Released in 1968, nine years after the publication of Fuller’s novel, the theme of If. echoes that of The Ruined Boys so eerily I can’t believe screenwriter David Sherwin wasn’t aware of it.

If. by Lindsay Anderson and
David Sherwin (1968)

While the violence at the film’s end doesn’t occur in Fuller’s story, it is telling that the film’s hero, Mick Travis, unleashes it, not on the entitled boys who gave him a ferocious beating, but on the smug, hypocritical headmaster, housemaster and school chaplain, the school governors and their elegantly dressed wives - all those responsible for a lazy, corrupt system that allows so much power in the hands of the vicious. Exactly the theme of The Ruined Boys.

Boarding schools are nothing like that nowadays. Frankly, they were nothing like that in the 1960s. Neither Fuller nor Anderson was interested in a realistic depiction; for them the boarding model made a brilliant structure for the political points they wanted to make.

Which just shows the strength and versatility of the genre. And while I admire what Fuller, Sherwin and Anderson achieved, I much prefer the magic and fun you can have with a boarding school setting when children are your audience, not adults.
Harry Potter and the Philosopher's Stone
by J K Rowling (1997)
Where would Harry Potter be without Hogwarts? Or Mildred Hubble, without Miss Cackle's Academy for Witches? Or, Eleanor Cooke, for that matter, heroine of my book, The Fall of a Sparrow, without spooky Ashstone House?
The Worst Witch by Jill Murphy (1974)

Wilton witch finger cake pan

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Reviews for "Create a Whimsical Halloween Dessert with the Wilton Witch Finger Cake Pan"

- Sarah - 1 star - I was so disappointed with the Wilton witch finger cake pan. The fingers looked nothing like the picture, they were more like misshapen blobs. The cake also ended up sticking to the pan despite greasing it well. I tried making the fingers again using silicone molds and they turned out much better. I do not recommend this cake pan at all.
- John - 2 stars - The Wilton witch finger cake pan was a bit of a letdown for me. The concept was cool, but the execution fell short. The cake came out dry and lacked flavor. The shape of the fingers was also not very defined, making it hard to tell what they were supposed to be. Overall, I wouldn't purchase this cake pan again.
- Emily - 2 stars - I had high hopes for the Wilton witch finger cake pan, but unfortunately, it didn't live up to my expectations. The cake stuck to the pan even after following the greasing instructions. The fingers didn't hold their shape well and looked more like misshapen blobs. The pan was also quite flimsy and felt cheap. I wouldn't recommend this pan if you're looking for a high-quality cake result.

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