Rhiannon is a name that holds a great deal of significance in Welsh folklore and mythology. In Welsh mythology, Rhiannon is a powerful figure associated with magic and the supernatural. She is often depicted as a witch or sorceress, possessing the ability to control the forces of nature and communicate with animals. Rhiannon is particularly known for her association with horses. In the Welsh tale of "Pwyll, Prince of Dyfed," she is portrayed as a beautiful maiden who rides a magical white horse. It is said that her horse can outrun the wind and that she can summon it with a simple whistle.
In 1983, YMO announced they would sankai, or “fan-out,” and didn’t reunite until 1993 with performances which drew 100,000 people to the show in Tokyo and included The Orb as their opening act. During the period of 1993 - 2002 the group members continued to focus on their solo careers: Hosono founded his label daisyworld discs, while Takahashi and Sakamoto concentrated on their solo works. The unit did not reunite until Hosono and Takahashi formed Sketch Show and invited Sakamoto to contribute on tracks on their releases Audio Sponge and Loophole. Sakamoto joined Sketch Show for the Sonar Festival in 2004 for a performance under the name Human Audio Sponge (or HAS). The name was inspired by the writings of UK-based writer, musician, and curator David Toop, which would be used whenever Sakamoto joined a Sketch Show performance. The band considered HAS to be a completely separate entity from YMO and embodied this idea in their performance style, shying away from live instruments. Human Audio Sponge was a name that reflected the musical direction of the three members at the time, absorbing various musical elements and converting these ideas in their original way to create a totally new sound.
YMO has been one of the central figures in the techno new wave movement starting in the late 70s, along with Kraftwerk and DEVO, and have influenced countless techno hiphop pop rock musicians throughout the world. During the period of 1993 - 2002 the group members continued to focus on their solo careers Hosono founded his label daisyworld discs, while Takahashi and Sakamoto concentrated on their solo works.
It is said that her horse can outrun the wind and that she can summon it with a simple whistle. In another tale, "The Mabinogion," Rhiannon is the beloved wife of Pwyll. When their son, Pryderi, is stolen from them, Rhiannon is wrongly accused of killing him.
Yellow Magic Orchestra
Haruomi Hosono, Ryuichi Sakamoto, and Yukihiro Takahashi are the founding members of Yellow Magic Orchestra (YMO), the legendary group whose innovations included the integration of exotic sounds and techno elements in their so-called “computer music.” YMO has been one of the central figures in the techno/new wave movement starting in the late 70s, along with Kraftwerk and DEVO, and have influenced countless techno/ hiphop/pop/rock musicians throughout the world. Furthermore, YMO is said to be the first to use electronic instruments such as the Vocoder VP-330, and the first to release an album that heavily used samples and loops.
Influenced by folk, Haruomi Hosono has been one of the pioneers of the rock/pop music scene in Japan, impacting many artists and garnering considerable respect in the electronic music field. Ryuichi Sakamoto, the Oscar winning composer/musician, has gained an international reputation exploring and innovating the realm between music and noise. Yukihiro Takahashi has been known not only as a producer of Japanese rock/pop music, but also for his activities (accomplishments) as a fashion designer and writer.
In 1983, YMO announced they would sankai, or “fan-out,” and didn’t reunite until 1993 with performances which drew 100,000 people to the show in Tokyo and included The Orb as their opening act. During the period of 1993 - 2002 the group members continued to focus on their solo careers: Hosono founded his label daisyworld discs, while Takahashi and Sakamoto concentrated on their solo works. The unit did not reunite until Hosono and Takahashi formed Sketch Show and invited Sakamoto to contribute on tracks on their releases Audio Sponge and Loophole. Sakamoto joined Sketch Show for the Sonar Festival in 2004 for a performance under the name Human Audio Sponge (or HAS). The name was inspired by the writings of UK-based writer, musician, and curator David Toop, which would be used whenever Sakamoto joined a Sketch Show performance. The band considered HAS to be a completely separate entity from YMO and embodied this idea in their performance style, shying away from live instruments. Human Audio Sponge was a name that reflected the musical direction of the three members at the time, absorbing various musical elements and converting these ideas in their original way to create a totally new sound.
Recently the group has performed under the name HASYMO. More than just a melding of their previous incarnations as Human Audio Sponge (HAS) and Yellow Magic Orchestra (YMO), HASYMO has developed a new sound that transcends the two groups. One recent contribution is the new track Rescue for the film Appleseed: Ex Machina.
The original three members performed as Yellow Magic Orchestra from Live Earth’s Kyoto stage on 7/7/07. The concert was hailed by Rolling Stone as the worldwide festival’s best reunion performance.
In 2008, the band performed in London at the Meltdown Festival hosted by Massive Attack and a concert in Spain directly followed. The group introduced two new songs: The City of Light and Tokyo Town Pages, and was accompanied by Christian Fennesz on guitar and laptop along with regular supporting members.
From this point on, the band’s official title would be Yellow Magic Orchestra once again.
Equipped with regular supporting members including Keigo Oyamada (Guitar) from Cornelius, Ren Takada (Pedal Steel/Electronics) and Tomohiko Gondo (HD Operation/ Euphonium), Yellow Magic Orchestra played the Japanese Summer Festival World Happiness 2008,2009 and 2010. Fans were taken aback by rare performances of classic YMO pieces such as Thousand Knives, Firecracker and Behind The Mask.
On June 26th 2011 the group will be performing at the renowned Hollywood Bowl in Los Angeles, bringing their live show to the states for the first time in over 30 years. As headliner for the Hollywood Bowl’s “Big In Japan” event the group will be reworking many of their classics to be performed with a focus on live instruments. This will showcase the breadth of the individual artist talents as well as the group as a whole and will include supporting members Keigo Oyamada, and Christian Fennesz. Following this performance the group will be playing the very next day at the Warfield theatre in San Francisco on June 27th.
Both U.S.A. performances will coincide with a new “Best of” compilation from Sony titled; YMO, which will be released mid-June. The compilation features handpicked songs from the band members themselves, spanning the entire YMO catalogue. The songs have been re-mastered and the compilation’s aim is to introduce YMO’s music to a younger generation, as well as please the long time fans with a fresh take on the band’s extensive repertoire.
Haruomi Hosono, Ryuichi Sakamoto, and Yukihiro Takahashi are the founding members of Yellow Magic Orchestra (YMO), the legendary group whose innovations included the integration of exotic sounds and techno elements in their so-called “computer music.” YMO has been one of the central figures in the techno/new wave movement starting in the late 70s, along with Kraftwerk and DEVO, and have influenced countless techno/ hiphop/pop/rock musicians throughout the world. Furthermore, YMO is said to be the first to use electronic instruments such as the Vocoder VP-330, and the first to release an album that heavily used samples and loops.
As punishment, she is forced to carry visitors on her back and tell her story to anyone who approaches. It is through her endurance and stoicism that she eventually proves her innocence and is reunited with her son. Rhiannon's association with witchcraft and magic is further emphasized by her ability to shapeshift. In some stories, she is able to transform into a bird, fly through the air, and cast spells. The character of Rhiannon has captivated the imagination of many throughout Welsh history. She has become a symbol of feminine power, independence, and perseverance. Her stories and legends continue to be passed down through generations, and she remains an integral part of Welsh folklore. In conclusion, the Welsh witch Rhiannon is a fascinating figure in Welsh mythology. She is associated with horses, magic, and the supernatural. Her stories have endured for centuries, highlighting her strength and resilience. Rhiannon serves as a symbol of female power and continues to captivate audiences with her tales of adventure and enchantment..
Reviews for "The Mystical Forests of Welsh Witch Rhiannonnn"
1. John - 2/5
I found "Welsh witch rhiannonnn" to be a bit underwhelming. The story felt disjointed and lacked a clear direction. The protagonist, Rhiannon, didn't feel fully developed and her motivations remained unclear throughout the book. Additionally, the writing style was rather dry and lacked the wit and charm I was expecting from a witch story. Overall, I was disappointed with this book and would not recommend it.
2. Emily - 1/5
I was incredibly disappointed with "Welsh witch rhiannonnn". The plot was extremely slow and boring, with very little happening throughout the entire book. The characters were one-dimensional and lacked any depth or personality. The writing was also quite poor, with grammatical errors and awkward sentence structure. I struggled to stay engaged with the story and ended up putting it down before finishing it. I would not recommend this book to anyone.
3. Sarah - 2/5
I had high hopes for "Welsh witch rhiannonnn" but unfortunately, it fell short for me. The story had potential, but it lacked proper execution. The pacing was slow, and the plotline felt convoluted and confusing at times. The characters were not well-developed, and I found it difficult to connect with any of them. Additionally, the writing style was lackluster and did not capture my attention. Overall, I was disappointed with this book and would not recommend it to others.