"The Witch and the Saint" is a composition by composer Steven Reineke. This symphonic piece is inspired by the story of Joan of Arc, a French saint, and a witch who was burnt at the stake during the medieval times. The composition takes the listener on a musical journey, telling the story of these contrasting figures. The piece starts with a slow and ominous introduction, reflecting the dark atmosphere surrounding the witch. The haunting melody played on the strings creates a sense of mystery and unease. As the composition progresses, the tempo increases, symbolizing the growing power and intensity of the witch.
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When considering complaint information, please take into account the company s size and volume of transactions, and understand that the nature of complaints and a firm s responses to them are often more important than the number of complaints. Some host agencies will say that you re covered but won t provide you with any official documentation to back it up, and there have been cases of people having to use the insurance and oops, suddenly they re not covered.
As the composition progresses, the tempo increases, symbolizing the growing power and intensity of the witch. In contrast, the composition transitions into a brighter and more uplifting section, representing the figure of Joan of Arc. This part of the composition is characterized by sweeping melodies played by the brass and woodwinds, giving a sense of strength and determination.
Become a travel agent
A friend of mine is trying to get me to sign up to be a travel agent (for a small fee of course). Has anyone done this and can you get discounts at Disney?
ksoehrlein
Once (and Future?) CM
Joined Sep 15, 2003First of all, welcome to the DisBoards!
I am just starting out in the travel industry, focusing on Disney. I would try to not pay a start-up fee if I were you. Your friend might split commissions with you instead so it doesn't cost you anything up front. That's the route I'm taking.
Disney offers a great free correspondence course, the College of Disney Knowledge. After you graduate, there are onsite Masters programs, but they are more work than play. Most Disney vacation discounts seem to apply only to agents, not family members, however, and you need to be actively selling before you're eligible for them.
I'm giving it the old college try, but I highly doubt it will make me a millionaire or even pay for more than a couple of nights at a Value resort each year. Then again, it's a chance to talk about WDW with people who are actually interested in what I have to say. I enjoy that part so much, that I'd do it for free!
strasfamily
DIS Veteran
Joined Aug 7, 2003How do you ge info for the College of Disney Knowledge? Do you have to be an established travel agent to participate?
scanmom
DIS Veteran
Joined Dec 29, 2000I would like to know too! I have planned and booked trips for several of my friends and coworkers, so I think I could handle being a disney travel specialist. I wouldn't want to make alot of $'s doing it, but I think it is fun, and if I could get a few discounts, all the better!
Amberle3
Likes to absorb the park
Joined Mar 8, 2004
Just a heads up:
Anything that you get "signed up for" to be a travel agent is a card mill. Basically it's kind of like a pyramid scheme. Most of the money people make is by signing other people up.
Travel agent discounts are almost a myth nowdays. Yes there are *some* to be had out there, but in order to qualify for them you have to have an IATA card, which you earn by producing X amount in sales per year. Also many hotels have web specials that are lower than the travel agent rates, and in many places the travel agent discount is a whopping 10% or equivalent to the AAA rate.
I know all this because I'm a travel agent. I spent 8 months in school taking full-time courses for this, and then spent another 2 years after that getting Certified.
There's a lot more to being a travel agent than just paying for a "membership".
ETA: Yes, you have to be an established travel agent before you can take the Disney courses.
Also, depending on where you live there are local or state laws in effect governing travel agents. You may be required to be registered with the state before you can legally sell travel to people (even for yourself, if you're acting as an agent). You may be required to have a minimum amount of insurance (E&O/liability) before you can legally sell travel to people. Even if it's not a requirement the E&O insurance is something that every travel agency should have. If you're acting as a solo travel agent then you should definitely have it. Some "host" agencies will say that you're covered but won't provide you with any official documentation to back it up, and there have been cases of people having to use the insurance and oops, suddenly they're not covered. My E&O costs $1250 a year.
I'm giving it the old college try, but I highly doubt it will make me a millionaire or even pay for more than a couple of nights at a Value resort each year. Then again, it's a chance to talk about WDW with people who are actually interested in what I have to say. I enjoy that part so much, that I'd do it for free!
The listener can almost imagine the legendary figure leading her troops into battle. As the piece continues, the music transitions between these two contrasting themes, representing the ongoing struggle between good and evil. The witch's theme returns with its dark and ominous melodies, while Joan of Arc's theme creates a sense of hope and triumph. This back-and-forth exchange between the two themes creates a dramatic and dynamic effect. The composition reaches its climax with a grand finale, combining the themes of the witch and Joan of Arc. This section showcases the full force of the orchestra, creating a powerful and emotional crescendo. The listener can sense the ultimate battle between darkness and light, between the witch and the saint. Overall, "The Witch and the Saint" is a captivating composition that tells a gripping story through music. Steven Reineke's use of contrasting themes and dynamic shifts creates a powerful and engaging musical experience. Whether you are familiar with the story of Joan of Arc or not, this composition is sure to leave a lasting impression..
Reviews for "In the Realm of Sound: The Wotch and the Melodic Magic of Steven Reineke"
1. John Doe - 1/5 - I was really disappointed with "The Wotch and The Saint" by Steven Reineke. The entire performance seemed lackluster and uninspiring. The music lacked depth and complexity, and the melodies were forgettable. I expected much more from this renowned composer, but unfortunately, it fell short of my expectations. The overall production quality was also subpar, with technical glitches and audio issues. I wouldn't recommend this composition to anyone looking for an engaging and captivating musical experience.
2. Jane Smith - 2/5 - While "The Wotch and The Saint" had its moments, overall, I found it to be a rather dull and predictable composition. The melodies felt repetitive and lacked originality, failing to leave a lasting impression. The orchestration was also mediocre, with parts that seemed disjointed and out of place. The performance lacked energy and emotion, making it difficult to fully engage with the music. Overall, it was an underwhelming experience that didn't live up to the hype surrounding it. I was expecting more from such a celebrated composer, but unfortunately, this composition didn't captivate me.
3. Robert Johnson - 1/5 - "The Wotch and The Saint" by Steven Reineke was a complete disappointment for me. The entire performance felt disjointed and lacked coherence. The transitions between sections were abrupt, making it difficult to follow the narrative of the music. The melodies were uninteresting and failed to evoke any emotional response from me. Additionally, the performers seemed uninspired and lacked enthusiasm, further dampening the overall experience. I regretted spending my time and money on this composition and would not recommend it to others.