I live in a quiet neighborhood, surrounded by friendly neighbors. However, there is one house that stands out from the rest. It is the adjacent house to mine, and it is known to be the residence of a witch. Many rumors and stories have circulated about her, painting her as a mysterious and dangerous figure. The house itself is old and dilapidated, with a crumbling exterior and overgrown garden. The windows are always covered, giving the impression of secrecy and seclusion.
Today, the area is a dog park and bike trail. The ruins are imagined as the home of spooks and witches, but once upon a time the Sudbury house, Empire mill, and adjacent City Creek played a critically important role in the early Mormon economy. Throughout the 1920s, the ruins became known as Sudbury’s Flat, a popular spot for picnics. But by the 1970s, memory of the mill and house were mostly forgotten. For better or for worse, the urban legends of hauntings became more prevalent, and the rich history of how City Creek’s water helped feed the early Mormon settlers, was lost.
The building of the bandstand explains the current configuration of the ruins the concrete capped walls and stairs, the stone pillars along the walls, steel posts within the pillars, and entrances on all four sides of the foundation. Chromatic Black and The Luminal Theater Present Horror for the Holidays Chromatic Black and The Luminal Theater present Horror for the Holidays - a five-night virtual screening from December 16-21 featuring short horror films produced and created by five Black independent filmmakers.
The windows are always covered, giving the impression of secrecy and seclusion. No one has ever seen the witch herself, only catching glimpses of her from afar. Her presence is mostly felt through the peculiar happenings and strange occurrences that take place in the vicinity of her house.
News
As her first foray into television, Michelle Randolph couldn’t have dreamt up a better experience than the one she’s having on 1923. Whether it’s the mentorship of Helen Mirren or the dear friendship of castmates like Julia Schlaepfer and Aminah Nieves, Randolph has gained much more than just horseback-riding skills from cowboy camp, a Taylor Sheridan-verse staple.
Randolph’s character, Elizabeth “Liz” Strafford, grew up on the Strafford Ranch, which is adjacent to the Yellowstone Ranch, and according to Randolph’s own backstory, Elizabeth fell in love with her newly minted husband, Jack Dutton (Darren Mann), during one of her summers back from school on the East Coast. Oddly enough, Randolph and Mann had already played a couple in an indie horror movie called House of the Witch (2017), so it’s somewhat poetic that he would be a part of her first movie and now her first TV show.
- 2/16/2023
- by Brian Davids
- The Hollywood Reporter - Movie News
The cast of Taylor Sheridan’s Yellowstone spinoff series, 1923, is expanding with the addition of several stars joining the roster. Claiming another limb on the Dutton family tree will be James Badge Dale, Marley Shelton, and Darren Mann. Michelle Randolph, Brian Geraghty, Aminah Nieves, and Julia Schlaepfer are also joining the cast.
Stepping into the spotlight for 1923 are Harrison Ford and Helen Mirren, who play Jacob and Cara Dutton, respectively. Sebastian Roché will also star. Going down the list of players and ranch hands, we find Dale playing John Dutton Sr., the oldest nephew and right-hand man of Jacob Dutton (Ford). Mann slips into the boots of Jack Dutton, John Dutton Sr.’s son and great-nephew to Jacob Dutton. Shelton stars as Emma Dutton, the wife of John Dutton Sr. and mother of Jack Dutton. Randolph plays Elizabeth Strafford, a spitfire of a woman hellbent on marrying into the Dutton tribe.
- 9/8/2022
- by Steve Seigh
- JoBlo.com
While Netflix is rolling out plenty of original content in April, it’s also breaking hearts by removing a myriad of Oscar-nominated classics from its slate this month.
“The Shawshank Redemption,” “The Artist,” “Moneyball,” “August: Osage County” and Sean Baker’s indie darling “The Florida Project” are just some of the Academy Award nominees of years’ past that are leaving the streamer. Other acclaimed drama titles facing the chopping block include “Léon: The Professional,” “The Killing of a Sacred Deer” and “Miss Sloane.”
For the hopeless romantics out there who rave about underrated gems, “About Time” and “Dear John” will leave the platform April 15 and 30, respectively. Oh, and if you were looking to binge or rewatch all seven seasons of “Star Trek: The Next Generation,” time is of the utmost importance. Additionally, all six seasons of “Dawson’s Creek” are also leaving Netflix this month.
Check out the full list of titles leaving the streamer below.
- 3/31/2022
- by Natalie Oganesyan
- The Wrap
Scream 25th Anniversary Featurette and "Second Screen" Experience: "Starting today and in celebration of the 25th anniversary, Scream, Messenger, Instagram, and Facebook’s Creative Shop are launching MovieMate™, a new scary “second screen” chat experience that will bring a whole new dimension to viewing the film!"
To learn more, visit: https://messengernews.fb.com/2021/12/20/immerse-yourself-in-iconic-scream-film-with-messengers-movie-mate-feature/
Chromatic Black and The Luminal Theater Present Horror for the Holidays: "Chromatic Black and The Luminal Theater present Horror for the Holidays - a five-night virtual screening from December 16-21 featuring short horror films produced and created by five Black independent filmmakers.
The aim of Horror for the Holidays is to highlight Black filmmakers who bring their vision of horror from their unique cultural and individual perspectives and use the genre as a mechanism to explore race. The short films include:
Peel (2017): Have you ever listened to the sound a tangerine makes when you peel it.
- 12/20/2021
- by Jonathan James
- DailyDead
Chromatic Black and The Luminal Theater Present Horror for the Holidays: "Chromatic Black and The Luminal Theater present Horror for the Holidays - a five-night virtual screening from December 16-21 featuring short horror films produced and created by five Black independent filmmakers.
People claim to have seen strange lights flickering from her windows at odd hours of the night. Some say they have heard eerie noises and whispers in the darkness. There have even been reports of objects mysteriously moving or disappearing, leading many to believe that the witch possesses some sort of supernatural powers. Despite the tales of her being evil and wicked, I have always been curious about the witch. As a writer, I find her story fascinating and filled with potential. I often catch myself gazing out of my bedroom window, contemplating what secrets lie behind those closed doors. One day, I muster up the courage to approach the witch's house. I knock on the front door, my heart pounding in my chest. To my surprise, the door creaks open, revealing a frail, elderly woman standing before me. Her piercing blue eyes meet mine, and I can sense an air of wisdom and knowledge emanating from her. We strike up a conversation, and I discover that the witch is not evil at all. In fact, she is a kind-hearted woman who has been misunderstood by society. She tells me stories of her life, her struggles, and her love for magic. Through her words, I realize that she is not a witch in the conventional sense, but rather a guardian of ancient wisdom and mystical energies. As I get to know the witch, I begin to see her in a different light. No longer do I fear her, but rather I am in awe of her vast knowledge and gentle nature. I start spending more time with her, learning from her experiences and expanding my understanding of the world. In this journey, I realize the importance of not judging others based on rumors and preconceived notions. The witch in the adjacent house taught me the value of empathy and compassion, showing me that sometimes the most interesting stories lie behind the doors we are afraid to open. Today, the witch's house is no longer a secluded mystery but rather a place of wonder and possibility. The rumors and stories have faded away, replaced by a sense of appreciation and respect for the extraordinary woman who resides there. ***The main idea: The witch in the adjacent house is a misunderstood woman who holds ancient wisdom and teaches the importance of empathy and compassion..
Reviews for "Casting Shadows: Exploring the Dark Arts with the Witch Next Door"
1. Emily - 2/5 stars - I had high hopes for "The witch in the adjacent house" due to the intriguing synopsis, but I found myself disappointed. The story started off promising, but quickly became convoluted and confusing. The characters were one-dimensional and lacked depth, making it difficult to connect with them. The writing style was also choppy and disjointed, making it hard to follow the narrative. Overall, I was left feeling unsatisfied and would not recommend this book.
2. Benjamin - 1/5 stars - "The witch in the adjacent house" was a complete letdown. The plot was predictable and the twists were lackluster. The main character was unrelatable and I found myself losing interest in their journey. The dialogue was unnatural and forced, making it difficult to immerse myself in the story. I struggled to stay engaged and ended up skimming through several chapters. This book simply did not live up to my expectations and I would not recommend it.
3. Samantha - 2/5 stars - I was excited to read "The witch in the adjacent house" as I'm a fan of fantasy novels, but unfortunately, this book fell flat for me. The pacing was extremely slow and I often found myself bored. The world-building was vague and underdeveloped, leaving me with many unanswered questions. The author also failed to create a strong atmosphere, missing the opportunity to immerse readers in a magical setting. While the concept was interesting, the execution was lacking, resulting in a mediocre read.
4. Daniel - 2/5 stars - "The witch in the adjacent house" had potential, but it failed to deliver on multiple fronts. The writing was repetitive and often veered into unnecessary tangents that added nothing to the overall story. The plot was confusing and lacked focus, making it difficult to stay engaged. The characters felt flat and their actions were inconsistent, further detracting from the reading experience. Overall, I was left feeling disappointed and would not recommend this book to others.