The Magic Flute is an opera composed by Wolfgang Amadeus Mozart, which is regularly performed at the Metropolitan Opera in New York City. This opera, also known as Die Zauberflöte in German, is widely regarded as one of Mozart's greatest works and a masterpiece of the classical era. It combines elements of comedy, drama, and fantasy, making it a unique and enchanting experience for the audience. The story of The Magic Flute revolves around Prince Tamino, who embarks on a journey to rescue Princess Pamina from the evil Queen of the Night. Along the way, Tamino encounters various trials and challenges, with the help of his loyal friend, Papageno. The opera explores themes of love, loyalty, and the search for enlightenment.
World Premiere: Freihaus-Theater auf der Wieden, Vienna, 1791. A sublime fairy tale that moves freely between earthy comedy and noble mysticism, The Magic Flute (Die Zauberflöte in the original German) was written for a theater located just outside Vienna with the clear intention of appealing to audiences from all walks of life. The story is told in a singspiel (“song-play”) format characterized by separate musical numbers connected by dialogue and stage activity, an excellent structure for navigating the diverse moods, ranging from solemn to lighthearted, of the story and score.
A beloved holiday tradition continues as Mozart s delightful fairy tale returns in the Met s abridged, English-language version for families , perfect for younger audiences, with no intermission and a running time of less than two hours. A sublime fairy tale that moves freely between earthy comedy and noble mysticism, The Magic Flute Die Zauberflöte in the original German was written for a theater located just outside Vienna with the clear intention of appealing to audiences from all walks of life.
The opera explores themes of love, loyalty, and the search for enlightenment. The production of The Magic Flute at the Metropolitan Opera is renowned for its stunning sets and costumes, as well as its exceptional cast of singers. The Metropolitan Opera's production, directed by Julie Taymor, features innovative puppets and visual effects that add to the magical atmosphere of the opera.
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A beloved holiday tradition continues as Mozart’s delightful fairy tale returns in the Met’s abridged, English-language version for families, perfect for younger audiences, with no intermission and a running time of less than two hours. Lothar Koenigs conducts a dynamic cast of standout Mozarteans in Julie Taymor’s magical production, an enduring Met classic with its eye-popping puppetry and stunning visuals.
World Premiere: Freihaus-Theater auf der Wieden, Vienna, 1791. A sublime fairy tale that moves freely between earthy comedy and noble mysticism, The Magic Flute (Die Zauberflöte in the original German) was written for a theater located just outside Vienna with the clear intention of appealing to audiences from all walks of life. The story is told in a singspiel (“song-play”) format characterized by separate musical numbers connected by dialogue and stage activity, an excellent structure for navigating the diverse moods, ranging from solemn to lighthearted, of the story and score.
Age Guidance: 10
Show Notes: No Intermission
On Saturday, December 28, all ticket holders for the 1 PM matinee of The Magic Flute are invited to a free pre-performance open house beginning at 11 AM. Met artists and craftspeople lead a variety of hands-on activities and demonstrations for the whole family.
Performance Schedule:
A beloved holiday tradition continues as Mozart’s delightful fairy tale returns in the Met’s abridged, English-language version for families, perfect for younger audiences, with no intermission and a running time of less than two hours. Lothar Koenigs conducts a dynamic cast of standout Mozarteans in Julie Taymor’s magical production, an enduring Met classic with its eye-popping puppetry and stunning visuals.
One of the highlights of The Magic Flute is its beautiful music, composed by Mozart. The opera features a range of musical styles, including arias, duets, and choral pieces. The most famous aria from The Magic Flute is the Queen of the Night's aria, "Der Hölle Rache kocht in meinem Herzen," known for its challenging vocal range and impressive high notes. The Magic Flute has been performed numerous times at the Metropolitan Opera, captivating audiences with its enchanting story and captivating music. The opera continues to be a favorite among opera lovers, showcasing Mozart's genius and the enduring appeal of this timeless masterpiece. Whether experiencing it for the first time or returning to see it again, The Magic Flute at the Metropolitan Opera is a truly magical and unforgettable experience..
Reviews for "The Magic Flute: a tale of love, betrayal, and redemption at the Metropolitan Opera"
1. Jane - 2 stars - I was really disappointed with the performance of "The Magic Flute" at the Metropolitan Opera in NYC. I found the storyline to be confusing, and the production didn't do much to clarify things. The overall staging was lackluster, and I felt like the performers lacked energy and enthusiasm. Additionally, the sound quality was poor, making it difficult to fully enjoy the music. Overall, it was a forgettable experience for me.
2. Mike - 1 star - The production of "The Magic Flute" at the Metropolitan Opera was a complete letdown. The set design was dull and uninspired, and the costumes were unmemorable. The actors lacked chemistry and their performances felt forced. I also found the pacing to be too slow, which made the already confusing plot even harder to follow. Overall, I found the whole experience to be a waste of time and money.
3. Sarah - 2 stars - I had high expectations for "The Magic Flute" at the Metropolitan Opera, but unfortunately, it fell short. The production seemed dated and failed to bring a fresh interpretation to the classic opera. The singing was subpar, and some of the performers struggled to hit the high notes. The orchestra, although talented, seemed disconnected from the performers. Overall, it lacked the magic and charm I was hoping for, resulting in a disappointing night at the opera.