The mafic stick dora is a rare species of plant that is native to the tropical rainforests of South America. It is characterized by its unique mafic stick-like appearance and vibrant green color. The plant has long, slender stems that resemble sticks, hence its name. These stems are covered in small, glossy leaves that give the plant a lush and vibrant appearance. The mafic stick dora is a member of the Araceae family, which includes many other popular houseplants such as peace lilies and philodendrons. It thrives in warm and humid environments, making it a popular choice for indoor gardens and tropical-themed landscapes.
A solo show of Decker’s photographs of stone heads around the city was held at the Manhattan Borough President's Gallery in March 2010 . The Ultimate Eye Foundation selected her photograph ( Cursive Indigo ) for Waking Dreams at Peninsula Museum of Art, Calif. (2008). She received a cash award for Incognito in a juried show at Kauffman Gallery, Shippensburg University, PA (2008).
I remembered how, when I was a child I was fascinated with magic, making potions out of plants herbal tea , rituals for manifestation i would write down things i wanted and them bury the paper in the forest. Candid glimpses of narrative moments in peoples lives, these cinematic sequences and leitmotifs record the transformation of a landscape as weather and season change, turning people and their animals into miniature figures in a living scroll painting.
It thrives in warm and humid environments, making it a popular choice for indoor gardens and tropical-themed landscapes. One of the most remarkable features of the mafic stick dora is its ability to absorb moisture and nutrients from the air. It has specialized structures called aerial roots that grow from the stems and reach out into the surrounding environment.
Elisa Decker Fine Art
Decker’s photographic images are the result of an ongoing inquiry into the possibilities for transformation in the everyday. They celebrate serendipitous findings filtered through a painter’s sensibility, and often, humor. Texture, color, movement and ambiguity of scale come into play in works derived from both natural and inorganic sources. Conceptually, the work is simply about being present.
Other ongoing series include portraiture, street photography, flora and fauna, still life.
When photographing weathered walls in Marseilles during a Camargo Foundation photography grant in 2003, I was first drawn in by the colors, textures and abstract compositions that had informed my landscape painting. I soon realized that not just any wall would do. So what began as a purely formal study became an exploration of the seen and the unseen. This ongoing series of photographs documents my investigation of quotidian reality and its potential for transcendence. Discovered mostly on sidewalks, street pavements, walls, dumpsters and on construction sites, these easily overlooked motives resonate with me, suggesting portals to other worlds. -- Elisa Decker
On January 1, 2011, Decker began shooting what she sees every morning from her Westbeth perch overlooking the Hudson River. A solo exhibition in 2014 at the Manhattan Borough President's Gallery featured 245 works from the series. They document the flow of time and represent a departure from the photographs Decker usually takes. Candid glimpses of narrative moments in peoples' lives, these cinematic sequences and leitmotifs record the transformation of a landscape as weather and season change, turning people and their animals into miniature figures in a living scroll painting.
Though anchored in reality, Decker’s paintings and works on paper have an otherworldly quality that invites the viewer on a magical journey. As the artist examines the ways in which nature corresponds with her internal life, her approach to realism takes a metaphysical turn. Organic weathered forms undulate in a shimmering dance. Mysterious crevices lead to secret places and hidden treasures. Swirling roots and limbs pulse and vibrate in a visceral landscape revealing the spectral, fairy-tale shapes of the imagination. Broad suggestive passages combined with attention to fine detail produce a combination of dreaminess and earthiness. Entering the worlds within worlds of these multi-layered pieces, the viewer is invited to partake in a participation mystique , a communion with the numinous in nature.
Elisa Decker received a B.F.A., summa cum laude from the Maryland Institute College of Art (MICA). She has exhibited extensively since 1975 and has work in the permanent collections of Pfizer Inc., Peter Hay Halpert, Lawrenceville Hospital, Bronxville, NY, International Art Studio, Valievo,
Altos de Chavon, Rocky Mountain National Park, Colorado and in many private collections. Ms. Decker is an exhibiting member of Professional Women Photographers (PWP). In 2008, her work was featured in PWP magazine’s March/June Issue XXV.
A freelance art critic since 2004 (Art in America, Brooklyn Rail)
Three art review links (more on LinkedIn)
Selected Exhibitions, 2019
Circles & Squares , Rick Wester Fine Art, NYC (6/13- 8/9 )
Abstracted Reality (PWP), Atlantic Gallery, NYC ( 6/4-6/15)
Our Botanical World (PWP), Matted LIC, Long Island City, NYC (3/22-5/12)
Glimpses of Our World, Salmagundi Club, NYC (PWP), Magdalena Solé , juror (2/ 4-2/15 )
Selected Exhibitions, 2018
Our Botanical World (PWP), Queens Botanical Garden, Flushing, NY (5/4-8/8)
Artist-Curator, Sympathetic Magic (31 artists), Westbeth Gallery, NYC (3/29-4/15) http://westbeth.org/wordpress/sympathetic-magic-group-show/
In Studio: BMCC Art Faculty Show , Shirley Fiterman Art Ctr., NYC (2/14-3/24)
Solo show, Stones Speak, Jefferson Market Library Gallery, NYC (Jan. 3-30)
Selected Exhibitions, Performances 2017
The Power of Tones (PWP), Jadite Gallery, NYC (12/5-12/16)
Four on Paper, Westbeth Project Space (7/6-9/30)
Duality: Glimpses of the Other Side, Islip Art Museum, New York
(6/24-9/17)
Solo show, Chase Bank, 8th Ave, W. 12 St, NYC (8/31-12/31)
RE-SEARCH , BMCC faculty recent work , Shirley Fiterman Art Center
(2/22-4/1)
Scene on the Street , Jadite Gallery, NYC, juror: Meryl Meisler (2/1-2/15)
Bastard (The Painted Bird: Part 1) La Mama Experimental Theatre Club, The Downstairs, NYC, in association with Pavel Zustiak / Palissimo, 1/4-1/8, performed with the Ensemble
Selected Exhibitions, 2016
Structure in the City, PWP, National Arts Club, NYC (5/16-5/31/16)
ART/ WORKS, BMCC faculty recent work, Shirley Fiterman Art Center
(2/10-3/19)
Concerts on the Canal, slide show, Gateway City Arts, Holyoke, Mass. (Feb. 14)
Butterflies and Insects , San Diego Museum of Natural History
(9/19/15-1/11/16)
Selected Exhibitions, 2015
Twyla Tharp's The One Hundreds, River to River, performed June 20
Whims of Weather, PWP, The National Arts Club, NYC, (5/18-5/31)
Spring Together, Medicine Show Theatre, NYC, Other Side of the Mirror, slide show for dance performance by Beth Soll and Janet Aisawa (4/10-4/12)
At this Moment: Recent Artwork by BMCC Faculty, Shirley Fiterman Art Center (2/18-3/24)
Selected Exhibitions in 2014
Small Wonders, PWP, Atlantic Gallery, NYC (12/9-12/20)
Hudson River Park Series, solo show, Manhattan Borough President's Office
( 10/1-10/31)
Time Frames Marking Time, Westbeth Gallery, 19 artists (5/ 24-6/15),
co-curated with Barbara Lubliner
Interior Lives, National Arts Club, NYC (5/19-5/31)
Selected Exhibitions, 2013
Curate NYC, curator: Wim van Sinderen, The Hague Museum of Photography
NYC25, Westwood Gallery, NYC (10/25-11/14)
Crest Hardware Art Show, Williamsburg, New York (6/8-8/17)
Collective Currents, Contemporary Artists Guild, Manhattan Borough President Gallery (6/3-6/21)
Beasts & Bodies, Schema Projects, Brooklyn, New York (11/8-12/8)
Rising Waters: Photographs of Hurricane Sandy, Governor’s Island, ICP and the Museum of the City of New York (9/22-9/29)
Women Inspired, Grady Alexis Gallery, El Taller Latino Americano, NYC
(3/18-4/30)
Abundance and Scarcity, Calumet Photo Gallery, NYC (2/1-2/22)
Festival in Le Grand Continental , choreographer Sylvain Emard.
A solo show of Decker’s photographs of stone heads around the city was held at the Manhattan Borough President's Gallery in March 2010 . The Ultimate Eye Foundation selected her photograph ( Cursive Indigo ) for Waking Dreams at Peninsula Museum of Art, Calif. (2008). She received a cash award for Incognito in a juried show at Kauffman Gallery, Shippensburg University, PA (2008).
A 30-year survey of Decker’s photographs, paintings and drawings was on view Oct 8-Nov 8, 2005 at the Westbeth Gallery.
Ms. Decker was awarded a 2003 Camargo Foundation grant and residency in Cassis France, which was followed by a solo exhibition of her photographs at Pfizer in 2004.
Other fellowships include the MacDowell Colony, the Millay Colony, I-Park, Fundacion Valparaiso, Altos de Chavon, Chateau de Rochefort-en-Terre, Chateau de Lesvault, Fondation Karolyi, Ragdale Foundation, William Allen White Cabin, Villa Montalvo Ctr for the Arts and Ossabaw Island.
Concerts on the Canal, slide show, Gateway City Arts, Holyoke, Mass. (Feb. 14)
These roots are covered in tiny, hair-like structures called trichomes, which help the plant absorb moisture and nutrients from the air. This adaptation allows the mafic stick dora to survive in environments where the soil is poor or where water is scarce. In addition to its unique appearance and adaptation for absorbing moisture, the mafic stick dora also produces small, inconspicuous flowers. These flowers are usually white or pale yellow in color and are arranged in a spiky inflorescence at the top of the stems. Although the flowers are not particularly showy, they attract pollinators such as bees and butterflies, which help to ensure the plant's reproduction. The mafic stick dora is relatively easy to care for and can thrive both indoors and outdoors, as long as it is provided with the right conditions. It prefers bright, indirect light and well-draining soil. Regular misting or setting the plant on a tray of water can help to maintain proper humidity levels, which is essential for its overall health. Overall, the mafic stick dora is a fascinating and visually striking plant that adds a touch of tropical beauty to any space. Its unique appearance, ability to absorb moisture from the air, and easy-care nature make it a popular choice for plant enthusiasts and collectors alike. Whether grown indoors or outdoors, the mafic stick dora is sure to impress with its stunning beauty and resilience..
Reviews for "The Mafic Stick Dora in Folklore and Folktales"
1. John - 2 stars - I was really disappointed with "The Mafic Stick Dora". The plot was confusing and the characters were poorly developed. It felt like the story was all over the place and I couldn't connect with any of the characters. The writing style was also quite dull and lacked any sort of excitement. Overall, it was a forgettable read for me.
2. Mary - 1 star - I couldn't even finish reading "The Mafic Stick Dora". The writing was incredibly convoluted and hard to follow. I kept getting lost in the excessive use of metaphors and confusing descriptions. The story itself seemed promising, but the execution was a complete letdown. I found myself not caring about what happened to the characters or how the plot would unfold. It's a shame because I was really looking forward to this book.
3. Sarah - 2 stars - "The Mafic Stick Dora" was not my cup of tea. The pacing was slow, and I found myself bored throughout most of the book. The dialogue felt forced and unnatural, making it difficult to feel any connection to the characters. The author's attempt at creating a unique and mysterious atmosphere fell flat for me, as I couldn't fully immerse myself in the story. Overall, I would not recommend this book to others.
4. Tom - 1 star - I have to say, "The Mafic Stick Dora" was a complete waste of my time. The writing was pretentious and overly descriptive, making it a struggle to get through. The characters were shallow and lacked any depth, and the plot seemed to drag on without any clear direction. I found myself constantly checking how much I had left to read, hoping it would be over soon. In the end, I was left feeling unsatisfied and disappointed with this book.