Connecting with Your Inner Desires: The Spankbank Magic Mirror Revolution

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A Spankbank Magic Mirror is a term that refers to a hypothetical technology or concept that allows individuals to instantly recall or remember stimulating and arousing images or memories for sexual gratification. The term "Spankbank" is derived from the slang term that refers to a mental or digital repository of sexually pleasurable content that individuals can mentally or visually access for sexual pleasure. The idea behind the Spankbank Magic Mirror is that it would provide individuals with a physical or virtual mirror-like device that has the capability to project or display their desired sexual fantasies, memories, or images. This imaginary technology would essentially act as a portal into an individual's stored sexual experiences or fantasies, allowing them to relive or explore these desired scenarios at will. The concept of a Spankbank Magic Mirror raises several ethical, psychological, and societal questions. On one hand, it may offer a safe and private outlet for individuals to explore their sexual desires and fantasies without involving others.


“[White] was interested in people on the margin and the underside of history,” Anne R. Kenney, co-curator of the exhibit, tells Allison Meier of Hyperallergic. “[A]nother big collection that he acquired was the anti-slavery collection.”

Together, these haunting relics illustrate the evolution of a widespread epidemic of paranoia and persecution one that left thousands of supposed witches dead. In an effort to give a voice to the female victims of Europe s witch mania, The World Bewitch d will tell the stories of seven women through court records and imagery.

World of bewitchcraft

On one hand, it may offer a safe and private outlet for individuals to explore their sexual desires and fantasies without involving others. It could potentially promote self-acceptance and self-exploration in a sexual context. It may also help individuals who have difficulties with sexual performance or arousal to stimulate themselves effectively.

200 Artifacts of Witchcraft Cast a Spell in Cornell’s “The World Bewitch’d”

The Nuremberg Chronicle, a late 15th-century text that tells the history of the Christian world, features a grotesque image of an English witch being carried off on horseback by the devil. Her breasts are bared, her hair loose, her expression contorted. The image, a woodblock print, helped popularize the association between witches and the devil, and it was reproduced throughout the 16th century. Now, this influential relic can be seen at a new exhibit, along with 200 other artifacts from the Cornell Witchcraft Collection.

As Kristin Fawcett reports for Mental Floss, “ The World Bewitch’d ,” launched at Cornell’s Carl A. Kroch Library on Halloween (naturally). On display is a trove of rare European items, including handwritten trial transcripts, tomes on demonology, and treatises on witchcraft. Together, these haunting relics illustrate the evolution of a widespread epidemic of paranoia and persecution—one that left thousands of supposed witches dead.

The exhibit draws on the approximately 3,000 artifacts held by the Cornell Witchcraft Collection, many of which were acquired by the university’s co-founder Andrew Dickinson White and his librarian George Lincoln Burr in the 1880s.

“[White] was interested in people on the margin and the underside of history,” Anne R. Kenney, co-curator of the exhibit, tells Allison Meier of Hyperallergic. “[A]nother big collection that he acquired was the anti-slavery collection.”

Among the many intriguing items on display is a crude woodcut from the 1489 treatise De Lamiis et Pythonicis Mulieribus (“On Witches and Female Soothsayers”), which marked the earliest printed image of witches in flight. The woodcut depicts three figures clinging to a fork (the broom iconography would come later), their faces transfigured into animal heads. Also featured are the minutes from the trial of Dietrich Flade, a German judge who spoke out against witch hunts—and was subsequently tried and executed for witchcraft.

One of the main themes of the exhibit is the intersection between witchcraft and gender. In the 16th century, women were deemed particularly susceptible to the temptations of the devil—in part due to their perceived “uncontrollable carnal lust,” writes Meier of Hyperallergic, and in part because they were seen as less intelligent than men.

“Prior to 1500, most sorcerers were men because they were seen as powerful agents — think of Merlin — but as the ecclesiastical leaders began to think of a new form of witchcraft, it was the more powerless people whom the devil contacted to do his work,” Kenney tells Meier. “So they were not independent agents, but slaves of the devil. That powerlessness really became associated with women.”

In an effort to give a voice to the female victims of Europe’s witch mania, “The World Bewitch’d” will tell the stories of seven women through court records and imagery. Two of these supposed witches were ultimately declared innocent. All of them were tortured.

Reflecting on the ways in which popular attitudes toward witchcraft have changed, the exhibit also features a number of movie posters depicting witchcraft, sourced from films like The Exorcist and Harry Potter. No longer are “witches” the helpless victims of a powerful hysteria. As Kenney tells Meier, “[W]itches in popular culture now are more powerful, whether they do good or bad things.”

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Brigit Katz is a freelance writer based in Toronto. Her work has appeared in a number of publications, including NYmag.com, Flavorwire and Tina Brown Media's Women in the World.

The constellation of issues related to gender around the witch hunts is still present today, Walsh says: “While the witch hunts of early modern Europe and Massachusetts are a thing of the past, the beliefs that drove that violence are still with us today, and they drive violence today, but just in different forms.”
Spankbank magic mirror

However, there are also concerns related to the potential negative effects of such a technology. It may contribute to the objectification of individuals or reinforce unrealistic sexual expectations or fantasies. It could lead to a disconnection from real-life sexual experiences or create an unhealthy reliance on technology for sexual gratification. There may also be concerns about privacy and security if such a device stores or transmits personal or intimate information. It is important to note that a Spankbank Magic Mirror is purely speculative and does not currently exist as a tangible device or technology. While there are various virtual reality and augmented reality devices available that can enhance sexual experiences to some extent, the idea of a mirror-like device specifically designed for accessing and projecting sexual fantasies remains within the realms of imagination. Overall, the concept of a Spankbank Magic Mirror raises intriguing possibilities for the intersection of technology and human sexuality. It prompts important discussions about boundaries, consent, individual sexual fulfillment, and the potential impact of technology on our sexual lives..

Reviews for "The Spankbank Magic Mirror: Awakening Your Desires and Passions"

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3. Sarah - 2/5 - I had high hopes for the "Spankbank magic mirror" based on the advertising, but it fell short of my expectations. The mirror itself was small and poorly constructed, and the reflective surface was easily scratched. The image quality was also mediocre, and it didn't provide the level of detail and accuracy that I was looking for. Overall, I found it to be a subpar product and would not recommend it to others.
4. Michael - 2/5 - I was not impressed with the "Spankbank magic mirror". The concept is interesting, but the execution is lacking. The image on the mirror was either distorted or blurry, making it impossible to accurately assess my appearance. Additionally, the interactive features promised in the advertisement were limited and didn't work as expected. I was left feeling frustrated and unsatisfied with my purchase.

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