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In the world of entertainment, there are various types of performers that captivate audiences with their unique skills and talents. One interesting comparison can be made between diminutive actors and mascots cast. Diminutive actors, also known as little people or dwarfs, are individuals who have smaller stature compared to the average person. On the other hand, mascots cast refers to performers who portray mascots, which are fictional characters often used as representatives of brands or sports teams. **Diminutive actors** bring a distinct perspective to the acting industry. Despite their height, they possess immense talent and versatility that allows them to portray a wide range of characters.

Streeter, a 29-year-old cable-service repairman, didn’t know what to make of all her tal a stray mixed-breed pit bull that the Streeters had been feeding.

Pasco County Sheriff s deputies became unwilling referees in this religious debate last June, when, after a year of bickering, the neighborhood erupted in gunfire, with both the witches and the neighbors blasting away in the cypress woods. But when deputies arrived, the shooting match had turned into a street brawl, and the witches, some still in their black ceremonial robes, were having it out with the neighbors in the middle of the street.

Despite their height, they possess immense talent and versatility that allows them to portray a wide range of characters. The main appeal lies in their ability to challenge stereotypes and break down barriers. Diminutive actors often showcase their skills in roles that require physicality, physical comedy, or stunts.

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Editor's Note: The following text is a verbatim transcription of an article written by George W. Murdock, for the Kingston (NY) Daily Freeman newspaper in the 1930s. Murdock, a veteran marine engineer, wrote a regular column. Articles transcribed by HRMM volunteer Adam Kaplan. For more of Murdock's articles, see the "Steamboat Biographies" category

Copy of the S.W. Stanton drawing of the steamer "Water Witch," c. 1831. Saulpaugh Collection, Hudson River Maritime Museum.

The steamboat “Water Witch,” although not originally built for Hudson River traffic, was the storm center of an attempt by private citizens to break a monopoly on Hudson River travel- an attempt which failed only when the citizens were “sold out” by the owners of the steamboat. Thereby “hangs a tale” which was one of the colorful events of early steamboating on the river.

Brown and Bell built the wooden hull of the “Water Witch” at New York in 1831, and her engine was the product of J.P. Allaire, also of New York. Her hull was 138 feet long, breadth of beam 22 feet and over her guards 40 feet. depth of hold 7 feet 10 inches. Her engine was of the cross-head type.

The New York and New London route was the original path of service for the new “Water Witch,” running between these two cities as a day boat. She left New York on her first trip on Saturday, July 30, 1831, with Captain Charles Davison in command; and the fare to New London was $2.50 with meals extra. During her term of service on this route, the “Water Witch” is credited with making the passage of 120 miles in 8 hours and 50 minutes- considered very good time for such a distance for a steamboat of that period.

An advertisement appearing in the New York newspapers on August 12, 1831, heralds the event of the appearance of the “Water Witch” on the Hudson river. This announcement contained the information that “the new and splendid steamboat “Water Witch,” Captain Charles Davison, will leave the foot of Warren street, New York, for Sing Sing and Peekskill daily at 7 o’clock a.m., touching at all intermediate landings; returning the same day, leaving Peekskill at 1 o’clock p.m. This boat is put on this route for the season, and no pains will be spared to render every accommodation to the traveling community.”

​But there was a great deal more behind this advertisement than appeared on the surface. In the summer of 1831 a number of citizens of Putnam and Westchester counties, having for years been force to pay an exorbitant rate of fare between Sing Sing, Peekskill, and intermediate landings to the Vanderbilt Line which was at the time operating the steamboat “General Jackson,” among others, formed themselves into a stock company for the purpose of operating an independent line. Looking around for a suitable vessel to meet their requirements, they found the “Water Witch,” recently completed for the New London Line.

Portrait of Cornelius Vanderbilt, c. 1850. "Commodore" Vanderbilt built his transportation empire in New York Harbor and on the Hudson River. Library of Congress.

James Smith, Daniel Drew, and another, were called upon to manage the affairs of the new company, and thus in the summer of 1831 the “Water Witch” entered service on the Hudson river, operating until late fall in one of the most spirited “oppositions” that was ever staged on the Hudson river.

In meeting this competition, the Vanderbilt Line cut fares until the “Water Witch” was carrying passengers for 12 1/2 cents. The people of the lower river towns rallied to the support of the new line and the “Water Witch” often carried from three to five hundred passengers while the Vanderbilt Line steamboat was carrying only 20 fares. This state of affairs continued until the close of the season and gave the stockholders of the new line plenty of confidence to continue their venture.

In the spring of 1832 the “Water Witch” was again in the service of the independent group, running until May 1 and carrying almost all of the passengers. Then came the blow to the “independents”- for without any notice or the knowledge of the stockholders, the “Water Witch” was withdrawn from service! An investigation brought out the fact that Commodore Vanderbilt of the Vanderbilt Line had “arranged” with Managers Smith and Drew, to halt the activity of the “Water Witch,” and since the stockholders had invested full power of operation in the hands of Smith and Drew, there was nothing that could be done. Law suits naturally followed this “treason” on the part of the managers, but soon the “independent stock” was selling for little or nothing to friends of the Vanderbilt interests - and Daniel Drew became the manager of there Vanderbilt Line!

In the fall of 1832 the “Water Witch” was placed on the auction block and finally went to the Hartford Line, and Daniel Drew and Commodore Vanderbilt proceeded to “make things lively” on the Hudson river for some years. Later the “Water Witch” returned to the Hudson river, and then was last heard from in service between New York and Elizabeth, N.J. [words cut off] 1849.

This allows them to bring a unique charm and authenticity to the characters they portray. **Mascots cast**, on the other hand, brings a different kind of entertainment. They are performers who embody the spirit and persona of a particular mascot. Mascots can be found in various domains such as sports events, amusement parks, and advertising campaigns. The primary role of mascots is to engage with the audience and create an atmosphere of fun and excitement. These performers often wear large, often cumbersome, costumes that completely envelop their bodies. They rely on physical gestures, exaggerated movements, and non-verbal communication to entertain and interact with their audiences. One interesting aspect to consider is the **overlap between these two categories**. In some cases, diminutive actors are cast as mascots, blurring the line between the two. This combination of physicality and performance talent can create memorable and engaging mascot characters. By utilizing their unique physical attributes and performing skills, diminutive actors in mascot roles can bring a fresh and exciting element to the portrayal of these characters. In conclusion, both diminutive actors and mascots cast bring their unique contributions to the world of entertainment. Diminutive actors challenge stereotypes and showcase their talents in acting roles that require physicality. Mascots cast provides entertainment through embodying fictional characters and engaging with the audience in various settings. The overlap between the two categories allows for an even more captivating portrayal of mascot characters. Ultimately, both diminutive actors and mascots cast play important roles in creating memorable and enjoyable experiences for audiences worldwide..

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