The Santanz album "Vlxck Magic Woman" is a captivating and unique musical creation that transcends genre boundaries. Released in 2020, it showcases the innovative and experimental style of Santanz, a talented musician and producer. Santanz takes listeners on a sonic journey through a mystical world, combining elements of hip-hop, electronic, and alternative music. One of the standout tracks on the album is the titular "Vlxck Magic Woman." This song immediately grabs the listener's attention with its hypnotic beat and ethereal vocals. The lyrics tell a story of empowerment and challenge societal norms, making it a powerful anthem for those who feel marginalized or misunderstood.
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Spring was in full swing, and, in this particular arrondissement , it seemed to relax both its denizens, sunning in their gardens, and drop-ins, many here for the tournament, alike. Dripped in a terra cotta tone that blended with the court s surface, on TV in Monaco and Rome he looked like something of a red-earth wraith, haunting the corners and executing frighteningly good shot-making.
The lyrics tell a story of empowerment and challenge societal norms, making it a powerful anthem for those who feel marginalized or misunderstood. With its infectious melody and thought-provoking lyrics, "Vlxck Magic Woman" is a true gem on the album. Another notable track is "Celestial Dreams," which takes the listener on an otherworldly journey through dreamy synths and atmospheric sounds.
Holger Rune Has Arrived
The 20-year old Dane is making his case in a wave of next-gen tennis stars—and he's not afraid to ruffle a few feathers along the way.
May 31, 2023 Photographs: Getty Images; Collage: Gabe ConteIt fits to describe Holger Rune–the sixth-ranked male tennis player in the world heading into the French Open–in terms of temperature. His focus and determination are stone cold, best evinced by the way he perpetually stalks the back of the court during play. He can go from heated about a call to rifling off an unfazed frozen-rope forehand to get back on track. And his irises are the color of ice-sheathed slate. They don’t do a very good job of hiding his goal: to be and to stay at the apex of the game. “From the day he said he wanted to be the best in the world, around age six or seven,” says his mother and manager, Aneke, “I saw fire in his eyes.”
Rune is now twenty, and that benchmark is very much within reach. The day before the French Open began, we met at his hotel in a leafy enclave of western Paris, not far from Stade Roland Garros’ hallowed red-clay grounds. Spring was in full swing, and, in this particular arrondissement, it seemed to relax both its denizens, sunning in their gardens, and drop-ins, many here for the tournament, alike. Rune, 6’2” with big strides, ambled calmly through the room, casually tossing his tennis bag on the floor before taking a seat. “I just trained with Tommy Paul,” he said, settling in. “It was sort of a practice match, with an umpire, ball kids, a crowd. It was fun. Good fun.” He smiled wide. This is another Rune trait, though maybe less obvious. On court, he is stern-faced, and, not infrequently, visibly displeased about one thing or another. But otherwise, he appears to be genuinely, expressively happy–a guy who is downright “obsessed” with tennis. “You have to be,” he said, smiling again.
A former world number one on the junior circuit (he actually won the French Open Boys’ title in 2019), the Danish Rune turned pro in 2020. His climb really got started in 2022: He took the BMW Open last May in Munich (which he won again just a few weeks ago), delivered a breakthrough into the quarters at last year’s French Open, and secured the Stockholm Open in October. He then scored a unique moment in tennis history: Rune clinched the Rolex Paris Masters in November, in the process becoming the first man ever to defeat five top-10 players in a single tournament, including Novak Djokovic. In 2023, he’s also made it to the finals of two high-profile, high-level events: the Monte-Carlo Masters and the Italian Open, taking second place to Andrey Rublev and Daniil Medvedev, respectively. During the clay court season this year, he often sported a camouflaging monochrome Nike set. Dripped in a terra cotta tone that blended with the court’s surface, on TV in Monaco and Rome he looked like something of a red-earth wraith, haunting the corners and executing frighteningly good shot-making.
He’s still young enough that each of these tournaments—the triumphs and the almost-triumphs—are formative learning experiences. “[Paris] gave me a lot of belief,” said Rune. “That I could beat these top players. But even from wins, you have to move ahead quickly. It’s about consistency–and being able to do it all over again.” Regarding the runner-up slots in Monaco and Italy: “If I’m being honest, I [wasn’t] brave enough in those finals.”
Rune has occasionally drawn ire for his behavior and antics on court. He is not a “bad boy,” as some have labeled him–there may be racket tossing, but there is no racket-snapping, and no bullying. Yet he does often have something to say. He isn’t afraid to argue with umpires, or incense crowds. His disposition has occasionally irked some players on the tour (Stan Wawrinka and Casper Ruud among them). Most notably, his competitive mannerisms are markedly different from the cohort of tennis’s rising young male stars: the 20-year-old Carlos Alcaraz is a little snappier and springier and the 21-year-old Jannik Sinner is more stoic. On the other hand, Rune’s style is more pointedly tactical. It’s emotional. It’s fiery. And even if that means alienating the odd audience or opponent, he’s OK with it.
Rune had been blighted by injury problems following Wimbledon but welcomed a return to fitness when he ended his drought against Felix Auger-Aliassime at the Shanghai Masters.
The song creates a surreal ambiance that transports the listener to a different dimension, evoking feelings of tranquility and introspection. Santanz's attention to detail in crafting this track is evident, as every sound element perfectly complements each other, resulting in a mesmerizing and immersive listening experience. "Oneiric Visions" is another standout track that showcases Santanz's ability to create intricate and intricate compositions. The song features intricate drum patterns, intricate melodies, and layered vocals, creating a rich and dynamic sound palette. The lyrics explore themes of self-discovery and the pursuit of one's dreams, resonating with listeners who crave personal growth and fulfillment. Overall, "Vlxck Magic Woman" is a remarkable album that showcases Santanz's artistic brilliance and creativity. With its captivating blend of genres, thought-provoking lyrics, and intricate musical arrangements, it is a testament to Santanz's ability to push boundaries and create original music. Whether listened to from start to finish or enjoyed as individual tracks, this album is a must-listen for anyone seeking a sonic adventure and a fresh, innovative sound..
Reviews for "The Emotional Journey of Santanz's 'Vlxck Magic Woman' Album"
1. John - 1/5
This album was extremely disappointing. I had high hopes for Santanz's "Vlxck Magic Woman" based on the buzz surrounding it, but it fell flat for me. The tracks lacked variety and creativity, all blending together into a monotonous mess. The lyrics were cliché and lack depth, and the production felt lazy and uninspired. Overall, I found "Vlxck Magic Woman" to be a forgettable album that fails to showcase Santanz's true talent.
2. Sarah - 2/5
I was really looking forward to Santanz's latest album, but it didn't live up to my expectations. While there were a couple of decent tracks, most of the songs felt generic and lacking originality. The production felt repetitive, with similar beats and melodies throughout the album. Additionally, Santanz's vocals were underwhelming and lacked emotion. Overall, "Vlxck Magic Woman" was a forgettable and disappointing effort from an artist with much more potential.
3. Mike - 2.5/5
"Vlxck Magic Woman" by Santanz was a mixed bag for me. There were a few standout tracks that had catchy hooks and infectious beats, but the majority of the album failed to make an impression. The lyrics were unremarkable and often felt disconnected from the overall theme of the album. Additionally, the production felt lackluster and failed to elevate the songs. While Santanz has shown potential in the past, "Vlxck Magic Woman" didn't quite hit the mark for me.
4. Emily - 1/5
I'm sorry, but "Vlxck Magic Woman" by Santanz was a complete miss for me. The album lacked cohesiveness, with jarring transitions between songs that felt disconnected from each other. The lyrics were shallow and lacked substance, with repetitive themes that failed to resonate. The production felt dated and unimaginative, failing to bring anything new or exciting to the table. Overall, this album was a letdown and left me wondering what happened to the artist I used to enjoy.