The psychology of Resting Witch Face: What your facial expression says about you

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Resting witch face has become a popular term used to describe someone who naturally has a serious or stern expression on their face when at rest. It is often compared to the term resting bitch face, which has a similar meaning but is more derogatory in nature. However, resting witch face is not meant to be offensive and is often used in a lighthearted or humorous way. One person who has become synonymous with resting witch face is Huliette Cross. Huliette Cross is a fictional character who is known for her intense and intimidating gaze. The term resting witch face perfectly sums up her demeanor and has become a way for fans of the character to affectionately refer to her.


This is not an exhaustive list, but these six traditions provide a good overview of modern Pagan practice. A suggested reading list is also available.

Some authors see the emergence of Paganism in the twentieth century as a revival of an older Pagan religion and describe all the above traditions as Neo-Pagan. Many early Pagans worshipped more than one god, and performed rituals in natural settings such as stone circles, hilltops, streams, waterfalls and forests.

Pgaenism beliefs and pracrices

The term resting witch face perfectly sums up her demeanor and has become a way for fans of the character to affectionately refer to her. Huliette Cross is often portrayed as a powerful and mysterious figure. She is confident and unapologetic, and her resting witch face adds to her mystique.

What is Paganism?

Pagans may be trained in particular traditions or they may follow their own inspiration. Paganism is not dogmatic. Pagans pursue their own vision of the Divine as a direct and personal experience.

The Pagan Federation recognizes the rich diversity of traditions that form the body of modern Paganism. In a brief introductory booklet, it is not possible to describe each and every one. Rather than attempt this, the pages in this section – links are on the left hand side of this page contain an introduction to six examples of major Pagan traditions.

This is not an exhaustive list, but these six traditions provide a good overview of modern Pagan practice. A suggested reading list is also available.

Some authors see the emergence of Paganism in the twentieth century as a revival of an older Pagan religion and describe all the above traditions as Neo-Pagan.

This term is also used to describe all those who are recognisably Pagan, but who do not adhere to any of the above traditions per se.

A definition of a Pagan: A follower of a polytheistic or pantheistic nature-worshipping religion.

A definition of Paganism: A polytheistic or pantheistic nature-worshipping religion.

What Paganism Is

Paganism is the ancestral religion of the whole of humanity. This ancient religious outlook remains active throughout much of the world today, both in complex civilisations such as Japan and India, and in less complex tribal societies world-wide. It was the outlook of the European religions of classical antiquity – Persia, Egypt, Greece and Rome – as well as of their “barbarian” neighbours on the northern fringes, and its European form is re-emerging into explicit awareness in the modern West as the articulation of urgent contemporary religious priorities.

The Pagan outlook can be seen as threefold. Its adherents venerate Nature and worship many deities, both goddesses and gods.

Nature – Veneration

The spirit of place is recognised in Pagan religion, whether as a personified natural feature such as a mountain, lake or spring, or as a fully articulated guardian divinity such as, for example, Athena, the goddess of Athens. The cycle of the natural year, with the different emphasis brought by its different seasons, is seen by most Pagans as a model of spiritual growth and renewal, and as a sequence marked by festivals which offer access to different divinities according to their affinity with different times of year. Many Pagans see the Earth itself as sacred: in ancient Greece the Earth was always offered the first libation of wine, although She had no priesthood and no temple.

Polytheism: Pluralism and Diversity

The many deities of Paganism are a recognition of the diversity of Nature. Some Pagans see the goddesses and gods as a community of individuals much like the diverse human community in this world. Others, such as followers of Isis and Osiris from ancient times onwards, and Wiccan-based Pagans in the modern world, see all the goddesses as one Great Goddess, and all the gods as one Great God, whose harmonious interaction is the secret of the universe. Yet others think there is a supreme divine principle, that “both wants and does not want to be called Zeus”, as Heraclitus wrote in the fifth century BC. Or which the Great Goddess Mother of All Things, as Isis, was to the first century CE novelist Apuleius and the Great Goddess is to many Western Pagans nowadays. Yet others, such as the Emperor Julian, the great restorer of Paganism in Christian antiquity, and many Hindu mystics nowadays, believe in an abstract Supreme Principle, the origin and source of all things. But even these last Pagans recognise that other spiritual beings, although perhaps one in essence with a greater being, are themselves divine, and are not false or partial divinities. Pagans who worship the One are described as henotheists, believers in a supreme divine principle, rather than monotheists, believers in one true deity beside which all other deities are false.

The Goddess

Pagan religions all recognise the feminine face of divinity. A religion without goddesses can hardly be classified as Pagan. Some Pagan paths, such as the cult of Odin or of Mithras, offer exclusive allegiance to one male god. But they do not deny the reality of other gods and goddesses, as monotheists do. (The word ‘cult’ has always meant the specialised veneration of one particular deity or pantheon, and has only recently been extended to mean the worship of a deified or semi-divine human leader.) By contrast, non-Pagan religions, such as Judaism, Christianity and Islam, often but not always, abhor the very idea of female divinity. The (then) Anglican Bishop of London even said a few years ago that religions with goddesses were ‘degenerate’!

Other Characteristics

The many divinities of Pagan religion often include ancestral deities. The Anglo-Saxon royal houses of England traced their ancestry back to a god, usually Woden, and the Celtic kings of Cumbria traced their descent from the god Beli and the goddess Anna. Local and national heroes and heroines may be deified, as was Julius Caesar, and in all Pagan societies the deities of the household are venerated. These may include revered ancestors and, for a while, the newly dead, who may of may not choose to leave the world of the living for good. They may include local spirits of place, either as personified individuals such as the spirit of a spring or the house’s guardian toad or snake, or as group spirits such as Elves in England, the Little People in Ireland, Kobolds in Germany, Barstuccae in Lithuania, Lares and Penates in ancient Rome, and so on. A household shrine focuses the cult of these deities, and there is usually an annual ritual to honour them. The spirit of the hearth is often venerated, sometimes with a daily offering of food and drink, sometimes with an annual ritual of extinguishing and relighting the fire. Through ancestral and domestic ritual a spirit of continuity is preserved, and by the transmission of characteristics and purposes from the past, the future is assured of meaning.

So, not all Pagan religion is public religion; much is domestic. And not all Pagan deities are humanoid super-persons; many are elemental or collective. We are looking at a religion which pervades the whole of everyday life.

One consequence of the veneration of Nature, the outlook which sees Nature as a manifestation of divinity rather than as a neutral or inanimate object, is that divination and magic are accepted parts of life. Augury, divination by interpreting the flight of birds, was widespread in the ancient world and is in modern Pagan societies, as is extispicy, divination by reading the entrails of the sacrificed animal, itself a larger scale version of divination by reading the tea-leaves left in a teacup. As well as reading the signs already given by deities, diviners may also actively ask the universe to send a sign, e.g., by casting stones to read the geomantic patterns into which they fall, by casting runes or the yarrow stalks of the I Ching. Pagans usually believe that the divine world will answer a genuine request for information. Trance seership and mediumship are also used to communicate with the Otherworld.

Magic, the deliberate production of results in this world by Otherworld means, is generally accepted as a feasible activity in Pagan societies, since the two worlds are thought to be in constant communication. In ancient Rome a new bride would ceremonially anoint the doorposts of her new home with wolf’s fat to keep famine from the household, and her new-born child would be given a consecrated amulet to wear as a protection against harmful spirits. The Norse warriors of the Viking age would cast the magical ‘war fetter’ upon their enemies to paralyse them, and Anglo-Saxon manuscripts record spells to bring healing and fertility. Specialist magical technologists such as horse-whisperers and healers are common throughout Pagan societies, but often the practice of magic for unfair personal gain or for harm to another is forbidden, exactly as physical extortion and assault are forbidden everywhere.

Modern Paganism

With its respect for plurality, the refusal to judge other ways of life as wrong simply because they are different from one’s own, with its veneration of a natural (and supernatural) world from which Westerners in the age of technology have become increasingly isolated, and with its respect for women and the feminine principle as embodied in the many goddesses of the various pantheons, Paganism has much to offer people of European background today. Hence it is being taken up by them in large numbers. When they realise that it is in fact their ancestral heritage, its attraction grows.

Democracy, for example, was pioneered by the ancient Athenians and much later reinvented by the Pagan colonisers of Iceland, home of Europe’s oldest parliament. Our modern love of the arts was fostered in Pagan antiquity, with its pageants and its temples, but had no place in iconoclastic Christianity and Islam. The development of science as we know it began in the desire of the Greeks and Babylonians to understand the hidden patterns of Nature, and the cultivation of humane urbanity, the ideal of the well-rounded, cultured personality, was imported by Renaissance thinkers from the writings of Cicero. In the Pagan cities of the Mediterranean lands the countryside was never far from people’s awareness, with parks, gardens and even zoos, all re-introduced into modern Europe, not by the religions of the Book, and not by utilitarian atheists, but by the Classically-inspired planners of the Enlightenment.

In the present day, the Pagan tradition manifests both as communities reclaiming their ancient sites and ceremonies (especially in Eastern Europe), to put humankind back in harmony with the Earth, and as individuals pursuing a personal spiritual path alone or in a small group (especially in Western Europe and the European-settled countries abroad), under the tutelage of one of the Pagan divinities. To most modern Pagans in the West, the whole of life is to be affirmed joyfully and without shame, as long as other people are not harmed by one’s own tastes. Modern Pagans tend to be relaxed and at ease with themselves and others, and women in particular have a dignity which is not always found outside Pagan circles.

Modern Pagans, not tied down either by the customs of an established religion or by the dogmas of a revealed one, are often creative, playful and individualistic, affirming the importance of the individual psyche as it interfaces with a greater power. There is a respect for all of life and usually a desire to participate with rather than to dominate other beings. What playwright Eugene O’Neil called “the creative Pagan acceptance of life” is at the forefront of the modern movement. This is bringing something new to religious life and to social behaviour, a way of pluralism without fragmentation, of creativity without anarchy, of wisdom without dogma. Here is an age-old current surfacing in a new form suited to the needs of the present day.

Kind thanks to Prudence Jones for the wording of this page

Modern Pagans, not tied down either by the customs of an established religion or by the dogmas of a revealed one, are often creative, playful and individualistic, affirming the importance of the individual psyche as it interfaces with a greater power. There is a respect for all of life and usually a desire to participate with rather than to dominate other beings. What playwright Eugene O’Neil called “the creative Pagan acceptance of life” is at the forefront of the modern movement. This is bringing something new to religious life and to social behaviour, a way of pluralism without fragmentation, of creativity without anarchy, of wisdom without dogma. Here is an age-old current surfacing in a new form suited to the needs of the present day.
Resting witch face huliette cross

It is not uncommon for people to dress up as Huliette Cross for Halloween or cosplay events, with many attempting to recreate her signature intense expression. While resting witch face is often associated with Huliette Cross, it is important to note that this term can apply to anyone who naturally has a serious or stern expression. It is not limited to fictional characters or individuals who identify as witches. Resting witch face is a reminder that not everyone's resting expression reflects their true emotions or personality. In conclusion, resting witch face is a playful term used to describe someone who naturally has a serious or stern expression on their face. Huliette Cross is an example of a fictional character who is often associated with this term. However, it can apply to anyone, regardless of their identity or beliefs..

Reviews for "Unleashing your inner Huliette Cross: How to embrace your Resting Witch Face with confidence"

1. Emily - 2 stars - Resting Witch Face Huliette Cross was a disappointment for me. I found the characters to be one-dimensional and predictable, and the plot lacked depth and originality. The romantic aspect of the story felt forced and unrealistic, making it hard for me to connect with the main characters. Overall, I was left feeling unsatisfied and wishing I had chosen a different book to read.
2. Jason - 1 star - I couldn't finish Resting Witch Face Huliette Cross. The writing style was tedious and the pacing was incredibly slow. The attempts at humor fell flat, and the dialogue felt forced and unnatural. The world-building was also poorly executed, leaving me confused and uninterested in the magical elements of the story. I wouldn't recommend this book to anyone looking for a captivating and engaging read.
3. Samantha - 2 stars - Resting Witch Face Huliette Cross didn't live up to the hype for me. While the concept of a witch with a permanent scowl seemed intriguing, the execution of the story fell flat. The protagonist lacked depth and her constant brooding became tiresome. The plot also felt disjointed, with random subplots that didn't add much to the overall story. I was left feeling underwhelmed and uninterested in continuing the series.
4. Mark - 3 stars - I had higher expectations for Resting Witch Face Huliette Cross, but it didn't quite deliver. While the writing was decent and the mystery element kept me engaged, I found the characters to be clichéd and lacking development. The romantic subplot felt forced and added unnecessary drama to the story. Overall, it was an average read that didn't leave a lasting impression.
5. Laura - 2 stars - Resting Witch Face Huliette Cross was a letdown for me. The pacing was slow, and the plot dragged on without much excitement or suspense. The character dynamics felt forced and the dialogue was often cheesy. I didn't feel connected to the story or the characters, and by the end, I was just glad to be done with it. I would recommend giving this book a pass unless you're a die-hard fan of witch-themed novels.

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