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Witch hat control knobs for Jazzmaster are a popular choice among guitar players who want to add a vintage touch to their instrument. These distinctive knobs feature a cone-shaped design with a ridged outer surface that resembles a witch's hat. They are typically made of plastic and come in various colors, including black, white, and cream. The main function of the witch hat control knobs is to allow the player to adjust the volume and tone controls on their Jazzmaster guitar. In addition to their functional purpose, these knobs also add a unique aesthetic appeal to the instrument, enhancing its overall vintage look. Some players prefer the witch hat knobs over the traditional Jazzmaster knobs because they offer a better grip and are easier to manipulate during live performances or recording sessions.

Some players prefer the witch hat knobs over the traditional Jazzmaster knobs because they offer a better grip and are easier to manipulate during live performances or recording sessions. Overall, witch hat control knobs for Jazzmaster guitars are a popular choice among guitar enthusiasts due to their vintage appearance and improved functionality..

Call for Book Chapters: Recasting the Bygone Witch

Chapter proposals are invited from interdisciplinary scholars for a collection tentatively titled Recasting the Bygone Witch.

From Sabrina to Supreme, there are plentiful modern representations of the witch in popular culture, each exuding singular or group-sourced power borne from traditions of centuries-past, as manifested in literature, television, film, or local lore.

But what about the lesser-known witches, those who practice and represent branches of witchcraft rarely examined within the subcultural analysis or fandom? This collection examines portrayals of lesser-known witches and how their quiet unconventionality, even within the broader occult subculture, might inform scholarship, practice, and preservation. What can we learn by examining lesser-known witches or unconventional representations of the witch?

Approaches or lenses for papers may include (but are not limited to):

• Literature, texts, or theory
• Cultural studies
• Gender studies or feminist perspectives
• Technology or media studies
• Race and ethnicity studies
• Environmental studies
• Pop culture studies
• Local or regional examinations
• Museum studies and public history
• Historic preservation or conservation
• Sociopolitical discussions

Mode of Submission - Chapter Proposals:

Contributors are asked to send a one-page chapter proposal and a brief biography (approximately 200 words) as one combined document (Word or PDF) to [email protected] and [email protected] with the subject line “Submission - Witch Collection.”

Chapter proposals should represent original and unpublished research (or work for which the submitting author holds the full copyright for reproduction).

Selection Procedure:

Final selection of work for the collection will be made by the editors and authors will be notified via email within 4-6 weeks of submission. Once preliminary selections have been made, the proposed chapters will be pitched formally to a press as a collection.

Publisher:

The editors are in talks with an interested publisher and will assemble the pitch when all chapter proposals are received. If needed, the editors will pitch multiple publishers and will keep authors informed of the progress throughout.

Final Chapters:

Upon successful contract with a publisher, final chapters will be due to the editors within ~5 months. Final chapters should be 6,000 - 8,000 words not including references. Images encouraged if within the public domain or owned / within rights agreement with the author. Chapters will then undergo peer review and revisions.

Aíne Norris and Mariaelena DiBenigno

This guide is designed as a helpful shortcut to many of the materials relating to witchcraft and the occult in the collections at the RBML. It is not meant to be definitive and may not always reflect the most recent acquisitions by the library.

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