Pixie magic is a fascinating topic that captivates the imagination of many people. Pixies are mythical creatures commonly depicted as small, magical beings with pointed ears and shimmering wings. They are often associated with nature and are said to possess special powers. According to folklore, pixies are mischievous and playful creatures. They are known to live in woodlands, meadows, and gardens, where they can be seen darting among flowers or resting on tree branches. Legend has it that they have the ability to make themselves invisible or shrink in size to avoid detection.

Closet witch rym

We’ve updated our Terms of Use to reflect our new entity name and address. You can review the changes here.

Legend has it that they have the ability to make themselves invisible or shrink in size to avoid detection. One of the most intriguing aspects of pixie magic is their ability to manipulate nature. It is said that they can control the weather, change the colors of flowers, and even make plants grow faster.

Closet Witch

by Closet Witch

baufos the heaviness and chaotic energy of grindcore and hardcore + the raw emotion of screamo and DSBM = good stuff! Favorite track: Blood Orange.

vincent-woodhead This album is brilliant, the raw energy emanating from this band blows me away! Favorite track: Moonstomp.

Gregory Biché wait what? i feel late to the party. this record fucking rips and you know i'm gonna see y'all play if you come to philadelphia Favorite track: Rule by Bacon.

Digital Album

Includes high-quality download in MP3, FLAC and more. Paying supporters also get unlimited streaming via the free Bandcamp app.

Also includes lyric and info sheet in .JPG

Buy Record/Vinyl $15 USD or more

Send as Gift

Share / Embed

credits

released June 15, 2018

Closet Witch is:
Alex Crist - Guitars
Mollie Piatetsky - Vocals
Royce Kurth - Drums
Cory Peak - Bass

Recorded at Flat Black Studios by Luke Tweedy
Mastered at Signaturetone by Adam Tucker
Cover Art by Joe H.

Released on 12" LP by:
Halo of Flies Records, Sassbologna and Jems in the USA
Circus of the Macabre and Don't Care Records in the United Kingdom and React With Protest Records in Germany

Released on cassette tape by:
Sassbologna and Halo of Flies Records

Closet Witch – “Chiaroscuro”

A runaway train recklessly catapulting off the rails at top speed towards certain doom. After a brief tension building introduction this is what Closet Witch deliver on their second album Chiaroscuro. Save for an interlude at the midpoint, which comes as a welcome gasp of breath amidst a somehow pleasant drowning, this album is punishing and relentless. The second impression Chiaroscuro calls forth after a terrifying train deepens the pervasive watery imagery: a woman, possibly the titular Closet Witch herself, screaming in anguish as ocean waves crash against the rocks all around her.

Grindcore is a genre of extremes. Extreme sonically. Extreme lyrically with extreme themes. Extremely short song lengths. (Famously some AxCx songs occasionally stretch past the 30 second mark while Napalm Death hold the world record for shortest recorded song.) Overlooking a genre prone to gimmicks and inherently challenging is understandable, but there is a depth of quality expression waiting for those willing to endure the extreme. The abrasion of a chainsaw has a way of cutting right to the point. The fat of meandering lengthy explorations is trimmed and the meat leftover is richer for that absence.

Controlling chaos, like taming fire by hand, is a precarious tightrope act. The outcome can be spun gold if lightning strikes to be deftly bottled. Out of such focused pummeling comes a sort of beauty. A gorgeous side of the grotesque is at work here. If at times grindcore and other extreme metal genres are a shotgun, Closet Witch are a razor blade. There is a piercing intensity to their effort on Chiaroscuro which instead of being scattershot is laser focused. One track seamlessly blends into the next holding on tight while a larger picture is formed. Drums of rock filled trash cans roll downhill colliding into guitars fuzzed out a mile wide in an all-consuming depth and pressure. This barrage is met with the constant companion of vocalist Mollie Piatetsky’s death wail screams in equal parts agony and rage.

For all the heaviness on display the quieter moments of Chiaroscuro have a lasting impact. “Intro” sets the tone right out of the gates. An unsettling horror movie soundtrack builds and builds anxiety rising as the drums come in slow at first until we are thrown right into the onslaught of the album proper. The A-side closes with an “Untitled Track” which serves as a time for placid reflection. A solemn meditation invoking the rattling chains of Jacob Marley’s ghost underscored by unholy murmuring. Voices in the cemetery. “To the Cauldron” ends the album with a kind of dissonant farewell. A final moment of calm, the storm of a once bubbling pot has stilled for now.

Observing the presentation and personnel involved it becomes apparent that Closet Witch have crafted Chiaroscuro from the ether with care and attention to detail. The cover art by guitarist Alex Crist is intensely gripping, devastatingly beautiful while conjuring something darker. The duality of the strikingly clean soft feminine face with the moths on her head, hand, and at her throat is engaging and off putting. The liner notes in delicate script and art of a zombie-like hand emerging from dense foliage set against the same neat starry background as the cover are again a juxtaposition of horror and elegance. All of this artistry perfectly mirrors the aural experience of the album. Chiaroscuro also features several guest appearances: Andrew Cline (Ice Hockey), Frankie Furillo (The Central), Dan Lee (Wanderer), and Dylan Walker (Full Of Hell). This stacked lineup of talent accentuates an already strong core of musicians.

Lyrically Chiaroscuro is just as consistent as the music. Recurring themes of abuse, greed, power imbalances both personal and societal, helplessness, fear, painful memories, and overwhelming dread dovetail alongside the band’s sonic violence. ‘Keep the facts locked up tight, ignorant minds put lives on the line, money hungry feed the machine,’ excoriates “Well Fed Machine”. “You, Me, & Venus in Decay” explores the ‘Sickness in Love’ in refreshingly honest fashion. The vocals on this album are not a futile shout against the wind, but instead are emboldened alongside its howl. ‘Covered eyes means I can’t cover my ears, in tune to your cries,’ wails “Haunting”. Imploring, almost begging: Aren’t you pissed off? Don’t you see what I see? Here is my pain! Here is my fear! Where is your outrage. ‘Smelling your Funeral Flowers doesn’t bring me joy.’

Our reaction and response to the horrors of this world speaks volumes. Too often it is easier to fall into despair or worse still the complacency of denial. Anger for all its negative aspects can be motivating toward far more positive outcomes. Children in cages, police brutality, climate anxiety, toxic masculinity, body autonomy, famine, pestilence, and war. The modern world can seem at times like a buffet of awful. The challenge then is to not become paralyzed by indecision or wallow in fear. Don’t turn away from the brutality of this apocalyptic life instead scream along with Closet Witch.

Cover artwork by Alex Crist
Insert artwork by Alex Crist and Mollie Piatetsky

Closet Witch – Closet Witch (Halo of Flies, Jun 15)

Closet Witch’s self-titled LP is their first full length release since their inception nearly four years ago. It’s an intensely focused offering, with many of the crust punk elements of 2015’s Black Salt EP abandoned in favor of a dark and dense hybrid of various hardcore subgenres. Singer Mollie Piatetsky leads the charge on many of the tracks, her shrill yet full-bodied screams ripping through the maelstrom of blasts. Closet Witch handles both short and long songs with equal effectiveness, consistently dealing out both patient atmospherics and relentless breakdowns. It’s a versatility that’s present on the whole record, but is best seen in the double punch of “Rule by Bacon,” a nearly four-minute track whose slow-building crescendos climax in an exhausted vortex of feedback and desperate shrieks, and “Spell of Giddiness,” which follows it up with a 36 second block of pummeling hardcore. It also helps keep the album interesting and unpredictable, with even the most jarring stylistic change-ups working like a charm; Closet Witch somehow pulls chaotic d-beat, pounding mathcore rhythms, and crushing sludge metal under one infernal roof. Okay, now I have to stop writing so I can go listen to it again.

Share this:

Related

Leave a Reply Cancel reply

“Over-closeness, the noise and heat of being.”

Don DeLillo, White Noise

Welcome to Noise Not Music. Here you’ll find reviews of recent albums, various features and lists, and occasional mixes. I do not agree with the statement I’ve chosen as the title for this site; everything I write about here—a great deal of which could be called “noise”—is music.

I tend to focus on material that resides in the experimental or avant-garde realm of music, but nothing is off limits. If you have an album you’d like me to review, please email me or comment on a post. When I say nothing is off limits, I really mean it. However, I only review albums I like, and the “reviews” themselves (“blurbs” might be a more accurate label, but god, what an awful word) are more intended to encourage discovery rather than to express my personal opinion. Also, I will be much more likely to review an album if it is not sent as a promo blast/press kit. I almost always restrict coverage to things that have come out in the past two weeks or so.

Currently the site is written by just me, Jack, but I’m open to expanding in the future. If you’d like to write a guest review or essay please reach out.

See what else I’m listening to/liking here:

Contact/submit via [email protected]
Email for physical address. Based in New York, USA

**In support of Bandcamp United and in opposition to the corporatization of independent music distribution, I do not link to Bandcamp on this site. If you would like something to be considered it needs to be available for purchase or download elsewhere.**

**Material hosted on Nina Protocol or any other platform associated with cryptocurrency, NFTs, or artificial scarcity of any kind is also very much unwelcome here.**

— Short Releases: 2020, 2021

— Compilations, Archival, etc: 2018, 2019, 2020, 2021, 2022, 2023

— Various Artist Compilations: 2022

— Cassettes: 2021, 2023

— Eponymous Debuts: 2020

— Songs: 2020

— Most Valuable Players: 2018, 2019

Categories

Blogroll

• A Closer Listen
• A4 Copy Paper
• Anti : Music
• Being Nice to People is Cool
• Blue Spectrum
• Celestial Railroad
• Die or DIY
• Itinerant Radio
• Many Many Women
• Miraculous Agitations
• National Sawdust Log
• Oxygen Lounge
• Terminal Escape
• The Centipede Farm

Print

• A Wall of Text 0
• Datacide 0
• Deft Esoterica 0
• Intrusive Signals 0
• Noise Receptor Journal 0
• Rocker 0
• Untitled 0
• We Jazz 0

Favorite Labels

• Absurd Exposition
• Already Dead
• Beartown
• Bent Window
• Black Artifact
• Blood Ties
• Bored Under Saturn (by me!)
• Born Physical Form
• Buried in slag and debris.
• Chocolate Monk
• Cleaner Tapes
• Dada Drumming
• dents de scie
• Detachment Programs
• Digital Regress
• Eminent Observer (by me!)
• ETAT
• Fragment Factory
• Fruit of the Spirit
• Fusty C**t
• Hamilton Tapes
• Hanson
• Helicopter
• Krim Kram
• Love Earth Music
• Minimal Impact
• ODMOWA
• pan y rosas discos
• Pentiments
• Prensa Manual
• Putrescent Tapes
• Recordings for the Summer
• Second Sleep
• Serious Business / HoMF / Busey Teeth
• Small Mercies
• Staighre
• Strange Noise
• Throne Heap
• Tochnit Aleph
• Tutore Burlato
• Vacancy

Previous Posts

• Review: nula.cc – Mayrau (self-released, Jan 1)
• List: Favorite Albums of 2023
• List: Favorite Cassette Releases of 2023
• Feature: Favorite Labels of 2023
• List: Favorite Archival Releases of 2023
• Mix: Christmas in Mourning
• Review: Éric La Casa & Seijiro Murayama – Supersédure 2 (Swarming, Nov 21)
• Review: B33N – Whole Kernel Niblets (Phons, Nov 6)
• Review: Murmur / Fowl – Balcony (Buried in slag and debris., Oct 27)
• Review: Slow Blink / Stomachache split tape (Hectare, Oct 17)
• Review: I Cut People – The End (self-released, Oct 13)
• Review: Ellie Kokoro – Curious Cryptids (Wouldn’t Know, Oct 8)
• Review: Mickey O’Hara – Bituminous Concrete Curb Detail (Ayurvedic Tapes, Oct 8)
• Mix: Campfire Tales
• Review: Selving – Miniscula (Fusty, Oct 5)
• Review: Unknown Artist – Birdbath I (Everyday Samething, Oct. 5)
• Review: Connor Camburn – 00U0U_akhnQkunEcw_0CI0pI_600x450 (Pentiments, Sep 15)
• Review: Darksmith of California – End of Life (Second Sleep, Sep 13)
• Review: Luciano Maggiore – self-talk (Edizioni Luma, Sep 10)
• Review: Gianfranco Piombo – Route des Sources (La République des Granges, Sep 4)
• Review: Blackout – Lost in the Underground Pt. 1 (Trill Hill Tapes / Snubnoze Muzik, Aug 19)
• Review: T. Jervell – 2nd Two (Moonside Tapes, Aug 20)
• Mix: Robo-Pop
• Review: Luigi Bilodo – Luigi Bilodo (Vacancy, Aug 8)
• Review: Them Teeth – Illfänas (Works ov Cauldron, Aug 4)
• Review: Met Glas & THRTDSPLY – Out and Out and in Favour of Anythiing (Bent Window, Jul 28)
• Review: Hazel Cline – Spell Song (Sweet Wreath, Jul 28)
• Reviews: Kino – Recent installments in Playing series (self-released, July)
• Review: Casa di Caccia – Grand Totàl (Absurd Exposition, Jul 21)
• Review: Francisco Meirino & Jérôme Noetinger – Drainage, in Six Parts (Klanggalerie, Jul 21)
• Review: Farrah Faucet – Pain Body (Cleaner Tapes, Jul 7)
• Mix: US Walled Harsh Heavylution
• Review: Bryan Day & Dereck Higgins – Woven Territories (Public Eyesore, Jul 7)
• Review: Bulk Carrier – Derbyshire (Turgid Vermin, Jun 30)
• List: Favorites from the First Half of 2023
• Review: Trombe – Déluge (STNT, Jun 21)
• Review: Quintron / NYZ – Weather Music (Important, Jun 13)
• Review: Conal Blake, Regan Bowering & Li Song – Music for Snare Drums and Portable Speakers (Infant Tree, May 30)
• Review: S27E152 – A.D.T.F. (Minimal Impact, May 21)
• Review: R. Pierre – Canyon (Los Angeles) (Here Free Press, May 20)
• Review: Aya Metwalli & Calamita – Al Saher (Zehra, May 19)
• Mix: Drumless Duos
• Review: Cyess Afxzs – No Bull One Left Behind (Krim Kram, May 5)
• Review: John Collins McCormick plays World War I Fighter Jets in Action (Garbage Strike, May 4)
• Review: Andrew Coltrane – Self-Amputation (Oxidation, May 1)
• Review: Ermes Marana – Ransom Note (self-released, Apr 26)
• Review: Klaysstarr Nets – Fifty-One Aural Selfies // Real Time (pan y rosas discos, Apr 17)
• Review: 281-330-8004 – May Your Days Be Few (SLVR, Apr 21)
• Review: Max Nordile – Copper in the Arts (Gilgongo, Apr 14)
• Review: Pentode – Ambiens (Djezmusic, Apr 4)

Calendar

Instagram: @noisenotmusic_ (now playing. sorta)

Virginia Aveline – The Enthronement to the Sacred Heart and the Immaculate Heart of Sister Mary and Her Seven Dead Swans (Mouth of Heaven Recording Collective / Pressing of Tongues, 2019)

Some believe that they can communicate with animals and have a deep connection with the natural world. Pixie magic is not limited to their control over nature. They are also known for their enchanting spells and tricks. Pixies are said to be skilled at casting spells that bring luck, protection, or love to those they favor. They can also use their magic to create illusions or play harmless pranks on unsuspecting humans. In literature and popular culture, pixies have become symbols of whimsy and magic. They are often portrayed as cute and endearing creatures, adored by children and adults alike. Their presence in stories and movies adds a touch of fantasy and wonder to the narrative. While pixies may be fictional, their charm and allure continue to captivate our imagination. They represent a realm of magic and possibility that allows us to escape the constraints of reality for a brief moment. Whether you believe in their existence or not, pixie magic remains a captivating and enchanting concept..

Reviews for "Pixie Magic for Everyday Life: Incorporating Pixie Rituals into Your Routine"

1. Emily - 2 stars - I was really excited to read "Pixie magic pixies" because I love fantasy books, but I was really disappointed. The plot was all over the place and it felt like the author was just throwing random magical elements in without any explanation. The characters were one-dimensional and the dialogue was cheesy. Overall, it was a letdown and I wouldn't recommend it.

2. Mark - 1 star - I couldn't even finish "Pixie magic pixies" because it was so poorly written. The grammar and punctuation errors were distracting and it felt like the book hadn't been properly edited. The story didn't make sense and the pacing was off. I found myself not caring about any of the characters and their motivations were unclear. It was a waste of time and I would advise others to stay away from it.

3. Sarah - 2 stars - "Pixie magic pixies" had an interesting premise, but it failed to live up to its potential. The writing style was bland and lacked originality. The world-building felt rushed and underdeveloped. The characters lacked depth and were difficult to connect with. The romantic subplot was forced and unrealistic. Overall, I found the book to be forgettable and wouldn't recommend it to others.

4. Eric - 2 stars - I found "Pixie magic pixies" to be cliche and predictable. The plot twists were telegraphed from a mile away and I was left feeling unsatisfied. The dialogue was awkward and the attempts at humor fell flat. The author relied too heavily on tropes and didn't bring anything new to the genre. The pacing was slow and I struggled to stay engaged. I wouldn't recommend this book to anyone looking for a fresh and original fantasy read.

5. Rachel - 1 star - "Pixie magic pixies" was a complete waste of time. The writing was amateurish and unpolished. The plot was convoluted and made no sense. The characters were shallow and lacked any development. The book attempted to be whimsical and enchanting, but it came across as cheesy and forced. I struggled to finish it and regretted wasting my time on such a poorly written book.

Pixie Magic in Popular Culture: From Tinker Bell to the Pukwudgie