An online anthology on the history of witchcraft has emerged as a comprehensive resource for those interested in exploring the cultural and societal significance of this ancient phenomenon. This collection delves into the various aspects of witchcraft throughout history, aiming to shed light on the complexities and misconceptions surrounding witchcraft practices and beliefs. Covering a wide range of historical periods and regions, the anthology offers a multidimensional perspective on the evolution of witchcraft, examining its origins, progression, and impact on society. With contributions from renowned scholars and experts in the field, readers can expect to find a wealth of information, analysis, and narratives that challenge preconceived notions and foster a deeper understanding of this fascinating subject. One of the main objectives of the anthology is to dispel common myths and stereotypes associated with witchcraft. By presenting carefully researched and documented accounts, it aims to rectify historical inaccuracies and misconceptions that have perpetuated harmful narratives surrounding witchcraft.
Skateboarding is an activity that Willow and her dad have been able to share and bond over. Malcolm learned to skate as a kid, but says Willow is a thousand times better than he was at her age. “I kind of wanted skateboarding to be something we would do together, and keep doing,” he says. “I think she got good at it early on because she was so young and didn’t appreciate how much she could get hurt, so there’s a kind of ignorance in it that makes you pretty fearless.” Malcolm has built a mini-ramp in their garage for them to skate on. He’s even taped a pool noodle to the roof of the garage to protect their heads from the beams when they drop in on the ramp.
She ll get ready to go and then someone else will take a turn, and I ve seen that frustrate her, because she just needs a few more seconds to make sure she won t be in the way. It can be a deterrent for women, if you re already reluctant to go out and skate and then there s not even proper facilities for you to use or change your tampon or clean yourself up.
By presenting carefully researched and documented accounts, it aims to rectify historical inaccuracies and misconceptions that have perpetuated harmful narratives surrounding witchcraft. By exploring primary sources and incorporating diverse perspectives, the anthology aims to paint a more nuanced picture of this often misunderstood practice. In addition to debunking myths, the anthology highlights the social and cultural impact of witchcraft throughout history.
'Rebel' Skateboarding Is Ready For Its Olympic Debut in Tokyo
The U.K.'s Sky Brown is one of the youngest athletes who will compete at the Tokyo Olympics.
Skateboarding is ready for its time to shine at the Tokyo Olympics. Competitors will show off the skills they developed in the streets and skateparks around the world, and the hope is that they attract younger fans to watch the Games.
It's been an interesting ride for the sport that has rebel roots in southern California.
The skatepark on the beach in Venice, Calif., is a mecca for the sport. For decades, the area was known as "Dogtown," with skateboarders coming there to show off their skills, doing acrobatic flips and tricks.
"They would build homemade ramps and just do sort of like hard-core shredding, and it was just their getaway," says Ruby Molina, whose family owns a nearby skate shop. "And all the kids would just come, and like it was their getaway."
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Back in the day, skateboarding was an offshoot of surfing, another sport making its Olympic debut. In fact, it was first known as "sidewalk surfing" — with kids on long wooden boards with metal wheels, riding on cement as though they were riding waves.
Skateboarding has deep rebel roots
The pioneering 1970s skateboard crew Zephyr, known as the "Z Boys" from Dogtown, boasted of sneaking into and draining backyard swimming pools to skate inside them. Skateboarders looking for off-limits locations would get stopped by police. Sometimes they still do.
Legendary skateboarder Tony Hawk told NPR in 2006 that skateboarding always had a bit of an outlaw street culture with a bad reputation. And it received a lot of negative labels: "It was a kid's fad, a waste of time, a dangerous pursuit, a crime," he recalled.
Tony Hawk, shown here during a competition in 2003, helped popularize the sport of skateboarding. Chris Polk/AP hide caption
toggle caption Chris Polk/APSkateboarding became popular around the world and Hawk turned his childhood hobby into a career. He's always talked about how the Olympics need skateboarding to attract young fans. Now that day is here, and Hawk, now 53, is in Tokyo as an official Olympics commentator.
"We used to see ourselves as a family of misfits," Hawk said in a promotional video. "But now the world will call us Olympians."
At the Games, street skaters will compete on a course that includes stairs, handrails, curbs, ledges, and benches. Park skaters will try to outdo each other's mid-air tricks on a course with steep slopes and deep valleys.
Before coming to Tokyo, Team USA skateboarders rode in formation past American flags in downtown Los Angeles. Among them was street skater Nyjah Huston. The tattooed 26-year-old from Laguna Beach, California is already the top-ranked, highest-paid skateboarder in the world. He's been a pro since he was 10.
"I love skateboarding because it's the funnest thing on Earth," he told friends and fans at the L.A. event introducing the team. "That goes for not only if you're one of us, about to skate the Olympics, or just a kid out there skating in a skate park, just having fun. It's the freedom, the love it brings us all together and the non-stop challenge and the progression."
Nyjah Huston is a medal contender for the U.S. in the men's street skateboarding event. Charlie Neibergall/AP hide caption
toggle caption Charlie Neibergall/APNyjah Huston is a medal contender for the U.S. in the men's street skateboarding event.
The sport moves from the street to the world stage
It's that free spirit that first attracted 34-year-old Olympian Alexis Sablone. She's a New Yorker, an artist and architect with a masters from MIT who grew up skating in Connecticut.
"You didn't call skateboarding a sport," she recalls. "It was like the anti-jock thing to do."
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Sablone says skateboarding for fun has always been about self expression, creativity and style — not the pressure of winning an Olympic medal.
And she says skating on the street has a different vibe than high-stakes competition.
"You only get one try, you know it's like you're almost a machine in a way," she says.
Alexis Sablone of the U.S., shown here in 2018, will compete in the Olympic debut of skateboarding. Speed Media /Icon Sportswire via Getty Images hide caption
toggle caption Speed Media /Icon Sportswire via Getty ImagesAlexis Sablone of the U.S., shown here in 2018, will compete in the Olympic debut of skateboarding.
Speed Media /Icon Sportswire via Getty Images
"At the end of the day, it's still skateboarding, but there's the nostalgic younger part of me that kind of wants to rebel against this new format of skateboarding," Sablone added. "The thought that people will grow up skateboarding in the future with an Olympic gold medal in mind is so foreign to me, you know?"
As strange as it feels to her, Sablone says it's still an honor to be competing at the Olympics. Here in Tokyo, Sablone and her U.S. teammates face rivals from Brazil, Japan and the U.K — including young star Sky Brown. The 13-year-old X-Games champ is here to grinds rails and do kickflips with the best of them.
- Tokyo Olympics
- Skateboarding
By examining the power dynamics, gender roles, and socio-political implications of witchcraft trials and persecutions, it seeks to provide insight into the broader contexts in which these practices took place. Furthermore, it explores the ways in which witchcraft intersected with religious, medical, and legal systems, shedding light on the influence these systems had on shaping popular beliefs and understandings of witchcraft. With its accessible and user-friendly online format, the anthology aims to reach a wide audience, including scholars, students, and individuals with a general interest in history and the occult. By providing a curated selection of texts, images, and supplementary materials, the anthology offers a comprehensive learning experience that encourages exploration and critical engagement. In conclusion, the online anthology on the history of witchcraft offers a unique and invaluable resource for those seeking to deepen their understanding of this complex and often misunderstood phenomenon. By debunking myths and contextualizing historical events, it aims to promote a more nuanced and accurate portrayal of witchcraft, highlighting its cultural, social, and historical significance..
Reviews for "The Witch's Familiar: An Online Anthology on the Connection between Witches and Animals"
1. John - 2 stars
I was really excited to dive into this online anthology on the history of witchcraft, but unfortunately, it fell short of my expectations. The content was poorly organized, with no clear structure to follow. It felt like a collection of random articles thrown together without any coherence. The lack of proper citations or references made it difficult to take anything seriously. Overall, I found it to be a disorganized and unreliable source of information on the topic.
2. Sarah - 1 star
I was extremely disappointed with this online anthology on the history of witchcraft. It lacked depth and didn't provide any new insights into the subject. The articles were superficial and only scratched the surface of the topic. Furthermore, the writing style was dry and dull, making it hard to stay engaged. I would not recommend this anthology to anyone looking for a comprehensive understanding of the history of witchcraft.
3. Michael - 2.5 stars
While the online anthology on the history of witchcraft had some interesting articles, it was let down by its outdated design and lack of user-friendly features. The website was clunky and difficult to navigate, making it a frustrating experience to explore the content. Additionally, I found several typos and grammatical errors throughout the articles, which suggested a lack of attention to detail. Although the anthology had some potential, it needs significant improvements in terms of usability and quality control.