Norse runic spells are a form of magic that was practiced by the ancient Norse people. The Norse runes, also known as the Elder Futhark, are a set of 24 symbols that were used for writing and divination. Each rune not only had a phonetic value but also represented a specific concept or power. In Norse mythology, the runes were believed to have been created by the god Odin, who sacrificed himself by hanging from the world tree Yggdrasil for nine nights in order to gain wisdom and knowledge. As a result of this sacrifice, Odin discovered the runes and their magical properties. Norse runic spells were typically used for various purposes such as protection, healing, love, and divination.
Full of symbols and inscriptions, it was built during the early 1600s by the Roman marquis Massimiliano Palombara, a member of a group of people known as “The Alchemists of Palazzo Riario” who congregated around the Roman court of Christina, the Queen Regent of Sweden. Christina was an ardent supporter of alchemy and science, and thinkers and science luminaries like Rene Descartes and Athanasius Kircher were often found in her Italian court along with alchemy enthusiasts like Palombara.
Reading from bottom to top on the right, to drop down to the left, this signs follow the sequence of the planets to which is assigned a motto in Latin. Whatever the true story of the door is, it still feeds legends of ancient charm, which every day bring many curious people to visit the door and try to understand its hidden message.
Norse runic spells were typically used for various purposes such as protection, healing, love, and divination. These spells involved inscribing the appropriate runes onto objects such as amulets, weapons, or even human skin. The combination of the symbols was believed to harness the specific powers associated with each rune, allowing the practitioner to manipulate the forces of the universe to their advantage.
"Porta Magica" (Magic Door), alchemy and mystery in the heart of Rome
Rome eternal city, Rome open city, Rome cosmopolitan city. From whatever angle you look at it and whatever definition you want to give it, Rome never ceases to amaze. Its two thousand years of history, imprinted in the urban texture of the city, are mixed with myths and legends, mysteries and curiosities. Such as the "Porta Magica", one of the few alchemical monuments in the world set in a wall of the gardens in Piazza Vittorio, in the Esquilino district, a few steps from Termini station.
Porta Magica (Magic Door), also known as Porta Alchemica (Alchemic Door) or Porta dei Cieli (Door of the Skies), is the only remaining part of the ancient Villa Palombara. To understand its charm, we must go back in time, more precisely to the second half of 1600, when the villa was built by the Marquis of Pietraforte, Massimiliano Palombara, a lover of alchemy and a frequent visitor to the Roman court of Queen Christina of Sweden, also a lover of esotericism.
The legend, narrated by Francesco Girolamo Cancellieri, tells of a pilgrim (today identifiable with Francesco Giuseppe Borri) who, guest of the marquis, searched in the gardens of the villa for an herb able to produce gold. The morning after this search, the pilgrim was seen disappearing through a door, leaving behind some golden straws and alchemical formulas. The Marquis tried for a long time to decipher and understand the content of the formulas, but his efforts were in vain. So, powerless, he decided to publish the formulas by engraving them on the five doors of Villa Palombara, in the hope that one day someone would be able to understand the instructions to create the philosopher's stone.
According to another legend, the door was created by the Marquis Palombara as an access to his esoteric laboratory: in fact, it would have been him who engraved the alchemic symbols on the door in order to make the place gloomy and frightening farmers and curious travelers. Of the five doors, only one has survived the implacable action of time, and it is still visible today almost in perfect condition.
Originally positioned about 100 meters away from the current location, in 1800 the door was actually disassembled and then reassembled in the gardens of Piazza Vittorio, and it was supported by two statues of the god Bes, ancient Egyptian deity of war.
The alchemical symbols, engraved in the marble, belong to the category of classical illustrations of alchemy books dating back to the seventeenth century, of which the Marquis certainly had knowledge. Moreover, the symbols along the door represent the sequence of the planets and their association with the corresponding metals: Saturn-lead, Jupiter-tin, Mars-iron etc.
On the threshold of the door, what is most striking is the palindrome phrase Si Sedes Non Is (if you sit down you don't go) that read in the other verse becomes Si Non Sedes Is (if you don't sit down you go).
The meaning of the symbols and epigraphs engraved on the door are still a mystery, an inexhaustible source of curiosity and interest. Whatever the true story of the door is, it still feeds legends of ancient charm, which every day bring many curious people to visit the door and try to understand its hidden message. Will someone be able to do it sooner or later?
Today I want to tell the story of La Porta Magica (The Magic Door) Rome is an universe made up of many small and big things. The Colosseum, the Trevi Fountain and all the other attractions that have made it famous; but also many details, stories and legends that not many people know. La Porta […]
Runic spells were often accompanied by spoken incantations or rituals, which were used to activate the magic contained within the runes. These incantations were typically spoken in Old Norse and were believed to invoke the aid of the gods or other supernatural beings. It is important to note that Norse runic spells were not solely used for positive purposes. In the Norse tradition, there was a concept known as "seidr," which was a form of magic associated with the manipulation of fate and destiny. Seidr practitioners were known as "seidmen" or "seidwomen" and were often viewed with suspicion or fear. In conclusion, Norse runic spells were a powerful form of magic used by the ancient Norse people. These spells involved the use of the Elder Futhark runes and were used for a variety of purposes, both positive and negative. Today, the runes continue to be used for divination and spiritual practices by those interested in Norse mythology and magic..
Reviews for "Calling upon the Norse Gods with Runic Spells: Building a Connection to Deities"
1. Sarah - 2 stars
I was really disappointed with "Norse runic spells". The book promised to provide authentic and powerful spells, but the content was extremely limited and lacking in substance. I expected more detailed explanations and guidance on how to properly use runic spells, but instead, I found shallow and generic information. It felt like the author didn't put much effort into researching or creating meaningful content. Overall, I would not recommend "Norse runic spells" for anyone looking for a comprehensive and effective guide.
2. Mark - 1 star
This book was a complete waste of my time. The spells mentioned in "Norse runic spells" were nothing but a bunch of hocus pocus gibberish. I tried some of them, and they had absolutely no impact or result. I regret spending my hard-earned money on this nonsense. Save yourself from disappointment and avoid this book at all costs.
3. Roberta - 2 stars
I was initially excited to explore the realm of Norse runic spells, but "Norse runic spells" left me unsatisfied. The book lacked practical examples and case studies to support its claims. Furthermore, the author's writing style was convoluted and confusing, making it difficult to understand the concepts and apply them effectively. It felt like the book was written for someone already well-versed in runic practices, leaving beginners like me struggling to grasp the content. I would recommend looking for more reputable sources if you're genuinely interested in learning about Norse runic spells.
4. James - 1 star
I found "Norse runic spells" to be nothing more than a collection of basic information that could easily be found online for free. The author did not bring anything new or insightful to the table. It felt like a rushed and poorly researched attempt to capitalize on the popularity of Norse mythology and runic practices. As an avid enthusiast of Norse mysticism, I was deeply disappointed by this book's lackluster content and lack of depth. Don't waste your money on this shallow guide; there are better resources available.