Nathan for You: Magical Performance In the world of unconventional and innovative business ideas, Nathan Fielder's television series "Nathan for You" stands out as a hidden gem. Known for his deadpan humor and unique approach to entrepreneurship, Nathan consistently delivers laugh-out-loud moments while helping struggling small businesses find success. One notable episode, "The Hero," showcases Nathan's knack for creating magical performances that leave both customers and viewers in awe. "The Hero" begins with Nathan meeting a struggling magician named Brian Wolfe who dreams of becoming a sensation. Nathan, always willing to lend a helping hand, decides to use his unconventional strategies to transform Brian's failing career. He concocts an elaborate plan to stage a risky escape from a straightjacket in front of a live audience, promising Brian a chance to become a legitimate hero.
Midnight Magic (Remastered) Commodores
Lots of 'Midnight Magic' from The Commdores – still nice and funky at the start of the evening, but also chilling out in the wee hours too – really finding a great way to follow the trajectory of the night with the tracks in this set! The album sparkles with strong arrangements and production from James Carmichael – who furthers the vibe perfected on Natural High, yet continues to avoid most of the cliches that would slow down the group in later years. Lionel Richie's given room to step forth on the ballads 'Still' and 'Sail On' – but the group feel is still nicely maintained on the rest of the record – which also features the tracks 'Getting It', 'You're Special', 'Wonderland', 'Sexy Lady', and 'Might Magic'.
'Midnight Magic' by the Commodores, featured three hit singles: Still, Sail On, and Wonderland and reached #3 in the US charts and #1 in rhythm and blues charts. One of the album's it singles, Still, written by Lionel Richie, reached the top of both the pop and R&B charts and is one of the group's most popular singles. The song is also notable for being their last R&B #1 before Lionel Richie went solo. The Commodores originally came together from two former groups the Mystics and the Jays, but wanted to change the name. To choose a new name William 'WAK' King opened a dictionary and randomly picked a word. 'We lucked out,' he remarked with a laugh when telling this story to People magazine. 'We almost became The Commodes!'.
Label: Universal Music GmbH
Genre: R&B
Label: Universal Music / Motown
Genre: R&B
Hot On The Tracks
Label: Universal Music / Motown
Genre: R&B
Caught In The Act
Label: Universal Music / Motown
Genre: R&B
Label: Universal Music / Motown
Genre: R&B
Label: Universal Music / Motown
Genre: R&B
Label: Universal Music / Motown
Genre: R&B
Label: Universal Music / Motown
Genre: R&B
Label: Universal Music / Motown
Genre: R&B
Label: Universal Music / Motown
Genre: R&B
Label: Universal Music / Motown
Genre: Pop
Label: UNI-MOTOWN
Genre: R&B
Midnight Magic (Remastered)
The Commodores
Renowned for the R&B hits "Just to Be Close to You," "Easy," and "Brickhouse," to name but a few, Commodores were one of the top bands during their long tenure at Motown. The group is credited with seven number one songs and a host of other Top Ten hits on the Billboard charts, and their vast catalog includes more than 50 albums.
The members of Commodores, all of whom attended Tuskegee Institute in Alabama, came together as a result of two groups disbanding: the Mystics and the Jays. Initially formed to simply play music as a pastime and to meet girls, the lineup consisted of William King (trumpet), Thomas McClary (guitar), Ronald LaPread (bass), Walter "Clyde" Orange (drums), Lionel Richie (saxophone), and Milan Williams (keyboards). The members nearly went stir-crazy trying to pick a name for the group, but with no success. As a last resort, Orange gave King a dictionary and told him to pick a name — that name was the Commodores. With Clyde Orange the only learned musician in the group, Commodores began spreading their music throughout their base, which included Tuskegee, Montgomery, and Birmingham, AL.
After success securing dates in their own backyard, the band ventured to New York City for a gig at Smalls Paradise. Told, in so many words by the club owner, that their sound was not happening, the self-contained band was nevertheless called back to the club to fill in for a last-minute cancellation. That night the Tuskegee alumni performed before a standing-room-only crowd — most of which were friends and family of the band. Unaware of the planned crowd, the owner booked the band for two more weeks.
Commodores' long association with Motown began as a result of a tour opening for the Jackson 5. That opportunity occurred in 1971, when the group auditioned in New York City for an unknown yet high-profile gig. Two weeks later, they made their first appearance in the prized support slot, and didn't give it up for more than two years. Their excellent shows naturally led to a deal with Motown, and they debuted with the up-tempo instrumental dance cut "Machine Gun." Written by Milan Williams, its Top Ten outing gave the group immediate attention. It was followed by the Top 20 single "I Feel Sanctified," which led to their third single — and first number one record — in "Slippery When Wet." Inside of 17 weeks, the septet was rocking the airwaves with their brand of Southern funk, spiced with an animated vocal delivery courtesy of Lionel Richie and Clyde Orange.
In September of 1976, they released "Just to Be Close to You," their second number one single and a number seven pop hit. The Top Ten hit "Fancy Dancer" followed, and then came "Easy." Different from their other tunes, "Easy" was very serene and not nearly as soulful or funky as the band's other tunes. Nonetheless, it claimed the number one spot on the charts, and it paved the way for the style of ballads the group became known for. One exception to the ballad-heavy approach was "Brickhouse," the song that soon became the group's anthem. The arrangement and candid vocal lead by Clyde Orange was complemented by the evenly saturated percussive and rhythmic attack, and it cracked the Top Ten at number four. Two consecutive number one singles would follow: the dance cut "Too Hot ta Trot" and the placid number "Three Times a Lady." And then there was "Still," the last number one for the group with Richie as a member. In 1981, Richie recorded "Endless Love" with Diana Ross. The song peaked at number one for seven and nine weeks, respectively, on the Billboard R&B and pop charts. Its success was a prelude to what Richie enjoyed upon his 1982 exit from the group.
In the absence of Richie, the group promptly courted tenor J.D. Nicholas (formerly of Heatwave) and ended up recording their biggest hit. Penned by Clyde Orange, "Nightshift" paid tribute to the late soul singers Marvin Gaye and Jackie Wilson. For four consecutive weeks it topped the charts, and it also won the group their only Grammy.
Commodores finally left Motown in 1985. Consequently, the group signed with Polydor the same year and had another swing at the Top Ten with "Goin' to the Bank." During the '90s, the band was reduced to a core of three: Orange, King, and Nicholas. The threesome were nearly as active as they'd ever been, performing around the world and managing their own label, Commodore Records.
This album contains no booklet.
HighRes-Studio Master files are lossless at various sample rates from 44.1 kHz up to 384 kHz or 1-bit (2.8224 MHz) for DSD.
He concocts an elaborate plan to stage a risky escape from a straightjacket in front of a live audience, promising Brian a chance to become a legitimate hero. As the episode progresses, Nathan goes to great lengths to perfect the magical performance. He hires professional escapologists, consults coaches, and even employs contortionists.
Studio Master: FLAC (Free Lossless Audio Codec)
- Widely compatible with Network Streaming players and D/A Converter's (DAC).
- Supported by Windows with software player from Media Monkey, JRiver, JPLAY).
- Supported by Apple OS with software player from Amarra, Audirvana, PureMusic, Songbird.
The attention to detail is astounding, and viewers can't help but be captivated by the dedication shown by both Nathan and Brian. Their teamwork culminates in a jaw-dropping finale that leaves everyone amazed. What sets this episode, and the show in general, apart is Nathan's ability to find humor in the everyday struggles of small businesses. While the primary focus of "The Hero" is the magical performance, Nathan takes full advantage of the opportunity to showcase absurd marketing strategies courtesy of his offbeat sense of humor. He creates advertisements that feature Brian as a petting zoo manager, curates an online viral campaign, and even encourages topless women to flock to Brian's magic show. These tactics might seem outrageous, but they serve a purpose – to generate buzz and attract attention to Brian's act. Ultimately, "Nathan for You" demonstrates that unconventional approaches can yield surprising results. Through his magical performance, Brian receives the exposure he always desired, leading to an increase in bookings and a newfound reputation. Nathan's ability to combine humor, business acumen, and inventive thinking sets the show apart from other comedy series. His willingness to push boundaries showcases just how far individuals can go when they embrace outside-the-box solutions. In conclusion, Nathan Fielder's magical performance on "Nathan for You" highlights the unconventional nature of the show. By turning a struggling magician's act into a heroic escape, Nathan and Brian captivate both viewers and customers. The episode showcases the power of unconventional marketing strategies while also providing plenty of laughs along the way. Nathan's skill in finding humor in everyday situations and his unique approach to business elevates "Nathan for You" into a must-watch experience..
Reviews for "Unlocking the Mysteries: Nathan for You's Guide to Magical Marketing"
James - 2 stars - I was really excited to see "Nathan for you magical performance" because I had heard so many good things about it. However, I was left disappointed. The tricks were predictable and lacked originality. I felt like I was watching a run-of-the-mill magic show, instead of something unique and innovative. I expected more from Nathan Fielder, but sadly, this performance fell flat for me.
Emily - 1 star - I was not impressed with "Nathan for you magical performance" at all. The entire show felt forced and awkward. The jokes didn't land and the magic tricks didn't amaze me. I found myself checking my watch multiple times, counting down the minutes until it was over. It was a complete waste of my time and money.
Samuel - 2 stars - I found "Nathan for you magical performance" to be lackluster. The tricks were mediocre and some of them were even poorly executed. It felt like Nathan Fielder was trying too hard to be funny, but it just came across as awkward. The whole performance lacked the excitement and wonder that I associate with magic shows. I wouldn't recommend it to anyone looking for a memorable and entertaining night out.
Sophie - 3 stars - "Nathan for you magical performance" was okay, but it didn't live up to my expectations. The tricks were decent, but I didn't find them particularly mind-blowing. Some of the humor was funny, but it wasn't consistently entertaining throughout the entire show. It was an average magic performance, but I was hoping for something more impressive and memorable.