Magical ice cream is a fascinating concept that combines the joy of eating ice cream with the wonder of magic. This unique treat adds an element of surprise and enchantment to the already delightful experience of enjoying a cone or a bowl of ice cream. Imagine going to an ice cream shop and being presented with a menu of flavors that go beyond the traditional chocolate, vanilla, and strawberry. Instead, you are greeted with names like "Unicorn Dreams," "Mystical Mint," and "Spellbinding Sorbet." Each flavor promises a magical experience, offering a taste that is out of this world. But what makes magical ice cream truly enchanting is not just the flavor - it's the way it is served.
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An audio reviewer's mandate is to seek out the new, the innovative, the cutting-edge, and to write about it, preferably while it's still new and innovative and cutting-edge. As a scribe for Positive Feedback, I've certainly done my share of chasing the newest and most revolutionary products for evaluation. But, in assembling my reference system for reviewing purposes, and, just as importantly, for musical pleasure, I have gravitated to a few manufacturers whose products I've consistently admired and owned: Simaudio for electronics, Marantz and Esoteric for digital, and Focal for loudspeakers. When it comes to cabling, I've been a long-term proponent of Audience products, having utilized various Audience powerChords in my system for the past two decades.
Like many audiophiles, I've dabbled with interconnect and speaker-cable offerings from numerous manufacturers, but I recall fondly the years I spent with Audience's Au24 and Au24e products. When John McDonald, owner and chief designer of Audience AV, and I reconnected recently, it seemed fated that I give a listen to Audience's newest cable line, the Studio ONE.
Audience AV is an adherent of trickle-down technology, and the advances made in support of the flagship Front Row cables have been incorporated into the Studio ONE offerings. Replacing the venerable Au24SE cable line, the Studio ONE products start with the Au24SE foundational principles and build upon them with improved materials, including higher-quality oxygen-free copper (OFC) and an improved XLPE (cross-linked polyethylene) dielectric material. Audience has also endowed the Studio ONE cables with higher-quality connectors, and subjects each Studio ONE cable to its proprietary Extreme High-Voltage Process (EHVP), which applies high voltage to the conductors in specific combinations to align the crystalline structure of the various metals, so as to enable more efficient signal transfer. In addition to employing the EHVP process, Audience uses a cable cooker to further burn in each cable for a minimum of 96 hours prior to shipment.
The Studio ONE interconnect is engineered like its pricier Au24SX stablemate and is similarly a low-mass design, eschewing heavy jacketing materials and overbuilt connectors. The Studio ONE is offered in both unbalanced (RCA) and balanced (XLR) versions. The Studio ONE speaker cable is even more low-mass in construction than the interconnect, and for those of us audiophiles who have become accustomed to cables as thick as stairwell banisters, the relative diminutive diameter of the Studio ONE speaker cable can be initially disconcerting. John McDonald states that this design is deliberate; per McDonald, the lack of mass and profligate material contributes to a reduction of eddy currents and energy storage. As with all of its cable products, Audience provides a lifetime warranty on the Studio ONE line.
The Audience Studio ONE cables arrived well-packed and, like all Audience product offerings, included samples of Deoxit for cleaning cable connectors. Given the Studio ONE cables' slim size and flexibility, installation was uneventful.
During the course of the review period, my system comprised the Esoteric Grandioso K1 and Marantz SA-10 SACD players, Simaudio MOON 600i v2 integrated amplifier, Focal Sopra 1 loudspeakers, Nordost Heimdall 2 interconnects, Nordost Heimdall 2 speaker cables, Audience aR2p-T4 power conditioner, Audience Au24 SE-i powerChords, and Audience Hidden Treasure AC outlet. All components were placed on a SolidSteel 6.2 Audio Table, with Symposium Acoustics Rollerblock Jr HDSE footers. Acoustic treatments were by GIK Acoustics.
Users should be aware that, despite having been subjected to Audience's EHVP process and subsequent burn-in via cable cooker, the Studio ONE cables nevertheless benefitted from additional run-in. Out of the box, the Studio ONE cables sounded pinched and closed-in tonally, with a discernible lack of spatial dimensionality and dynamism. After 100 hours of routine playing, the Studio ONEs relaxed and opened up.
When the Studio ONE cables had fully settled in, the immediate aural impression was one of flow. Musical information arrived at my ears of a piece, spatially and temporally. There was a sense of continuousness to the presentation, with a refined focus. With the Studio ONE cables in my system, experiencing Donald Fagen's The Nightfly on SACD (Warner Bros WPCR-14170) proved to be a revelation. On "Ruby Baby," Fagen's voice hung in space between my speakers, and the piano solo spread cohesively across the soundstage in perfect counterpoint to the propulsive bass line driving the song forward. The audience voices and handclaps at the song's denouement were crisply articulated, but consummately proportionate in their placement relative to the other instruments present in the mix.
Tonally, the Studio ONEs were essentially neutral, with just a hint of upper-bass and lower-midrange bloom. This subtle warmth lent itself well to vocals, imbuing them with a richness and full-bodied density. That sublime sense of continuousness extended to the Studio ONE's handling of dynamic contrasts. Perhaps owing to the cables' low noise floor and black background, micro-dynamic contrasts were remarkably expressive, which served to ameliorate dense and choked mixes, such as the multi-tracked Everybody Loves a Happy Ending Tears for Fears release (New Door Records 0003042-02). Playing "Closest Thing to Heaven," I discerned greater separation between Roland Orzabal's vocal and the layers of accompanying guitar and keyboards. Accompanying this heightened resolution was a coherency in the overall presentation that belied the crafted-in-studio artifice, resulting in a more natural, relaxing listen.
Spatially, the Studio ONE cables presented an open, non-congested soundstage, one in which images were dimensional and fleshed out. The Studio ONEs placed images further back in the soundstage, resulting in an exceptional portrayal of depth. Images were focused, but not etched, flowing into one another seamlessly. Harry Chapin's "Woman Child" from his second album, Sniper and Other Love Songs (Wounded Bird Records WOU 5042), is, for Chapin, an uncharacteristically dark song, a character study that deals with a young girl and abortion. The Studio ONEs presented this song in all its bleakness, and the soundstage portrayal placed Chapin well back behind the speaker plane, enhancing the sense of resigned detachment to Chapin's treatment of the lyrics.
How about shortcomings? The Audience Studio ONE cables were magic when it came to reproduction of the all-too-critical midrange. The Studio ONE cables' portrayal of bass frequencies was likewise superb, but in comparison to premium (and higher-priced) cables from other manufacturers, did not always possess the utmost in hard-hitting forcefulness. Conversely, treble frequencies, while grainless and extended, lacked the last vestiges of air. But, these minor quibbles are, to a large degree, missing the point. The Audience cables are voiced, not for accentuation of leading-edge pyrotechnics, but for tonal purity, cohesion, and musical engagement, and it's in these areas that the Studio ONEs reign supreme.
With the introduction of its Studio ONE line of cables, Audience once again reaffirms its rightful place in the upper echelon of cable manufacturers. Dynamically expressive and possessed of class-leading insight, the Studio ONE cables strike a clever balance, blending resolution and detail retrieval with superior coherency and midrange articulation. The Audience Studio ONEs represent exceptional cables at an exceptional price—what more could an audiophile want?
Studio ONE Interconnect and Speaker Cables
Retail: $1900 - Interconnect (1 Meter XLR); $1800 - Speaker Cable (2.5 Meter)
Audience AV
Sennheiser, al CES 2024 anche gli auricolari che comunicano con l’app Salute di Apple
I nuovi auricolari MOMENTUM True Wireless 4, le cuffie ACCENTUM Plus e gli auricolari True Wireless MOMENTUM Sport fanno il loro debutto al Consumer Electronics Show (CES) di Las Vegas.
MOMENTUM True Wireless 4
Dotato di più di una dozzina di miglioramenti e di un suono più che realistico, MOMENTUM True Wireless 4 è indicato come l’auricolare più potente di Sennheiser. Promette “suono impareggiabile” per gli amanti dell’audio connesso con connettività basata sulla piattaforma Qualcomm S5 Sound Gen 2 e sulla tecnologia Snapdragon Sound per una qualità del suono senza perdite aptX e una latenza bassissima.
Gli auricolari Bluetooth 5.4 offrono anche il supporto Auracast e un design dell’antenna rinnovato per una continuità del segnale anche in viaggio. Il produttore riferisce di Adaptive ANC migliorato, sintonizzazione evoluta e sistema di batterie potenziato. Le cuffie MOMENTUM di quarta generazione vantano 7,5 ore di ascolto continuo di ispirazione audiofila, una custodia di ricarica Qi e la ricarica rapida tramite USB-C.
Le MOMENTUM True Wireless 4 saranno disponibili in tre varianti di colore: nero rame, argento metallizzato e grafite e saranno disponibili per il pre-ordine il 15 febbraio al prezzo di 299,99 euro
Immagine di Sennheiser
ACCENTUM Plus
Le nuove Sennheiser ACCENTUM Plus promettono “un’esperienza di ascolto in cuffia di qualità superiore” a un prezzo inferiore. Queste cuffie Bluetooth 5.2 vantano durata della batteria (50 ore di autonomia per carica) e connettività versatile: supportano tutti i codec più diffusi, compreso aptX Adaptive
Il padiglione auricolare touch-enabled, utilizzato anche nella serie di punta MOMENTUM, consente il controllo delle funzioni senza dover cercare pulsanti o immergersi nei menu.
Per gli utenti più esigenti, di rilievo la connettività multipoint, la riduzione del vento e la tonalità laterale regolabile. L’Adaptive ANC ottimizza il target per adattarsi alle variazioni del rumore ambientale intorno a chi lo indossa, riducendo le distrazioni. Per i momenti in cui l’ascolto wireless non è consentito, è incluso un cavo audio per collegarsi ai sistemi di intrattenimento in volo o ad altre uscite per cuffie; il tutto può essere riposto nella custodia da viaggio inclusa.
Le cuffie Sennheiser ACCENTUM Plus saranno disponibile nei colori bianco e nero e in vendita dal 20 febbraio al prezzo di 229,99 euro.
Immagine di Sennheiser
MOMENTUM Sport
L’audio pulsante di Sennheiser viene potenziato con un feedback biometrico in tempo reale nelle nuove MOMENTUM Sport di Sennheiser, un nuovo auricolare true wireless ottimizzato per il fitness che integra un sensore di frequenza cardiaca fotopletismografico (PPG) e un sensore di temperatura corporea, ciascuno in grado di fornire dati critici alle applicazioni e ai dispositivi di fitness più diffusi.
I dati sulla frequenza cardiaca rilevati dalle nuove MOMENTUM Sport, si collegano e si integrano con molti dispositivi e app sportive popolari, come Salute di Apple Watch, Garmin Watch/Connect, Strava, Peloton e altri. Per la prima volta in un prodotto non Polar, gli utenti possono avere accesso completo alle capacità di biosensing e di analisi dei dati d’élite di Polar, compresa la temperatura corporea, che offre approfondimenti in tempo reale durante l’allenamento e un’analisi più dettagliata offline tramite l’ecosistema di app Polar Flow.
Per ridurre al minimo il rumore dei passi, della respirazione e di altre distrazioni trasmesse dal corpo, gli auricolari vantano un canale di attenuazione acustica e di un design semi-aperto per “la naturale consapevolezza dell’ambiente”. La modalità di trasparenza regolabile, la modalità anti-vento e la modalità di cancellazione adattiva del rumore consentono a chi li indossa di adattarsi ai cambiamenti dell’ambiente circostante. Il sistema acustico è dotato di un trasduttore che promette “la migliore qualità del suono in un auricolare sportivo Sennheiser”. Da evidenziare la resistenza al sudore e all’acqua IP55, il telaio a prova d’urto e gli auricolari anti-intasamento, elementi che permettono di resistere ai rigori di qualsiasi allenamento. La custodia per il trasporto, altrettanto resistente, con grado di protezione IP54 e abilitata alla tecnologia Qi, consente di ricaricare fino a tre auricolari supplementari, estendendo il tempo di riproduzione da 6 ore a 24 ore totali. La funzione di ricarica rapida offre fino a 45 minuti di riproduzione dopo soli 10 minuti di ricarica USB-C.
MOMENTUM Sport sarà disponibile dal 9 aprile ad un prezzo di listino di 329,99 euro, offerta in tre varianti di colore: Polar Black, Burned Olive e Metallic Graphite.
Emisoras Colombianas en Vivo
¡Bienvenidos a Emisoras Colombianas en Vivo! Estamos dedicados a brindarte la mejor experiencia de la radio colombiana, directamente a tus oídos, donde quiera que estés. Nuestra plataforma reúne a las emisoras de radio más populares de toda Colombia, desde Bogotá hasta Cartagena, Medellín hasta Cali y más allá.
But what makes magical ice cream truly enchanting is not just the flavor - it's the way it is served. Picture a server behind a counter, wearing a wizard's hat and a cape, waving a wand as they create your ice cream masterpiece. You might witness the ice cream being magically scooped from thin air or watch as toppings materialize right before your eyes.
Nuestras Características
- Variedad: Ofrecemos una variedad impresionante de estaciones de radio que abarcan todos los géneros musicales. Desde Salsa hasta Vallenato, Reguetón hasta Rock, tenemos algo para todos.
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- Gratis: Radio Colombia en Vivo es completamente gratis. Solo necesitas una conexión a Internet y estarás listo para disfrutar de la mejor música colombiana.
- En Vivo: Escucha la radio en tiempo real, tal como se transmite en Colombia. No te pierdas un solo segundo de tus programas de radio favoritos.
Siéntete libre para explorar nuestra página y descubrir nuevas emisoras. ¡Estamos seguros de que encontrarás algo que te encantará!
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¡Disfruta de la música y siente el ritmo de Colombia!
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As you take your first bite, you can feel the magic coursing through your veins. It's as if the ice cream has the power to transport you into a magical realm, filled with whimsy and wonder. With each lick or spoonful, you might even experience a burst of colors or hear a faint melody playing in your ears. Although magical ice cream may sound like something out of a fairy tale, it's not just a figment of the imagination. Many ice cream parlors around the world have embraced this idea, creating unique and innovative flavors that tickle your taste buds while capturing your imagination. They have turned the simple act of eating ice cream into a truly enchanting experience. So, the next time you find yourself craving some sweet icy goodness, consider seeking out a place that offers magical ice cream. Give in to the allure of flavors that defy logic and enjoy the enchantment that comes with every bite. After all, life is a little more exciting when you can bring a touch of magic to even the simplest of pleasures..
Reviews for "Unlocking the Secrets of Magical Ice Cream: Where Fantasy Meets Flavors"
1. John - 2 stars - I had high hopes for "Magical Ice Cream", but unfortunately, it didn't live up to the hype. The flavors were bland and lacked creativity. I was expecting a magical experience with unique combinations, but instead, I got ordinary ice cream flavors that I could find at any regular ice cream shop. The texture was also disappointing, as it was icy and not as creamy as I had anticipated. Overall, I was left feeling underwhelmed and wouldn't recommend it to others.
2. Sarah - 1 star - I was incredibly disappointed with "Magical Ice Cream". The pricing was exorbitant for what you actually got. The portions were small, and there was no option for toppings or mix-ins. The flavors were nothing out of the ordinary, and I could even say they were quite bland. Additionally, the service was slow and not attentive. I didn't feel valued as a customer, and I definitely won't be returning to this establishment.
3. Tom - 2 stars - I had heard great things about "Magical Ice Cream", so I decided to give it a try. However, I was left unimpressed. The flavors were okay, but not as exceptional as I had anticipated. The concept of the store was intriguing, but the execution fell short. The interior was lacking in ambiance, and the seating options were limited. The pricing was also on the higher side, which I found unjustified considering the overall experience. Overall, "Magical Ice Cream" didn't leave a lasting impression, and I can't say I would recommend it to others.