Once upon a time, in a mystical land, there was a large airborne witch with a broom. She was known far and wide for her extraordinary powers and her immense capacity for mischief. The witch, with her long and flowing black cloak, would fly across the night sky, cackling and casting spells upon unsuspecting villagers. Her broom, which was adorned with intricate carvings and enigmatic symbols, was her trusty companion in all her misadventures. With a swift flick of her wrist, the witch could summon the broom to lift her off the ground and carry her through the air. It was with this broom that she performed her most awe-inspiring feats.
I should acknowledge, too, that I couldn’t rule out this plant being a mistletoe. Although when I lifted it up it appeared that it wasn’t secured to anything, I didn’t actually try to remove it. Mistletoes grow above ground in trees as well, but unlike true epiphytic plants, which derive their food from rainwater, mistletoes are parasitic, tapping their host trees for nutrients, sugars and water. I couldn’t find anything conclusive on mistletoes in Ontario, either (photos of the most common mistletoe species for here, Arceuthobium pusillum, don’t seem to match). I’d welcome input from any botanists out there.
If you go for a walk through your local forest, there is a good chance you ll see many epiphytes, albeit small ones older trees often become festooned with lichens and mosses, especially in damp, humid habitats where there is increased moisture in the air. Aside from a few scholarly articles that I couldn t access, the only results that were even remotely applicable were for research done on epiphytic lichens growing on hemlocks in western North America.
It was with this broom that she performed her most awe-inspiring feats. The large airborne witch had an insatiable appetite for chaos and mayhem. She would cause mischief in every town she came across, entering homes uninvited, and leaving spells in her wake.
The plant that lives in the air
Edit: Thanks to several wonderfully knowledgeable readers who left comments, the “plant” has been identified as a “witch’s broom”, which is actually a mutated growth of the tree itself. Normally found high up in the tree canopy, presumably this one was brought down to eye-level by the toppling of the tree. Witch’s brooms can be caused by many factors, including, but not limited to, infections by fungi or mistletoe. One of the fungi that can cause these deformities belongs to the same genus as the Black Knot that infects Black Cherry and Chokecherry. Similar to a cancerous growth, the fungi changes the growth pattern of the affected cells, causing them to form these clusters of thin woody branches. A cutting taken from one of these growths and grafted or rooted will continue to grow in the same form – this has been used to develop a number of the compact cultivars of evergreen often seen growing in gardens. Growths can be malignant or benign, depending on the cause and the tree species involved – some trees can live for decades with a witch’s broom, while others quickly succumb to the infection. I’d never heard of witch’s broom before, thank you to everyone who left comments!
Of course, that doesn’t change the validity of my notes here about epiphytes – just it turns out they don’t actually apply to this “plant”.
A couple of weeks ago, when I was walking through the forest on the adjoining parcel of land belonging to our landlord, I came across this plant growing on the trunk of a fallen hemlock. It is an epiphytic plant, that is, one that grows “in the air”, without its roots buried in soil. In most cases, epiphytes grow on trees, although some grow on rock faces or other similar substrates. They are generally non-parasitic, using the “host” tree or plant solely for support. The most well-known and familiar of epiphytes, the ones that come immediately to mind, are the bromiliads and orchids of the tropical rainforests. Probably most people associate epiphytes with tropical forests as a result, but they are certainly not confined to those habitats.
The group term “epiphyte” actually encompasses a broad range of plants. Anything that grows above the ground without soil as substrate is classified as an epiphyte. This means that many other familiar plants, such as Spanish moss or beard lichen, are in this group. Many ferns, mosses, and flat lichens also qualify. If you go for a walk through your local forest, there is a good chance you’ll see many epiphytes, albeit small ones – older trees often become festooned with lichens and mosses, especially in damp, humid habitats where there is increased moisture in the air.
Because epiphytes don’t have their roots in the soil, they must obtain all of their nutrients through rain water. This is also why they favour moist environments – a high ambient humidity prevents their roots from drying out. As the plant grows larger, fallen leaves and debris that collect at its base and begin to decompose may also provide nutrients.
The majority of research on epiphytes has been done in the tropics, because that’s where their biomass is greatest, where they’re the most common. Some research has been done on epiphytes of North America, as well, but focus has primarily been on the everglades and mangrove forests of the southeast, and the coastal rainforests of the northwest. Some people may also consider the mistletoes of the arid southwest. But elsewhere seems to have received little attention.
I spent hours trying to identify this plant. When I found it in the forest, I expected it to be a simple matter – after all, how could such a large and robust plant have been passed over? An initial search for epiphytes of Ontario yielded nothing useful. I tried changing my search terms, broadening my search area. Temperate epiphytes, vascular epiphytes, epiphytes of eastern North America, epiphytes of boreal forests, epiphytes on eastern hemlock. Aside from a few scholarly articles that I couldn’t access, the only results that were even remotely applicable were for research done on epiphytic lichens growing on hemlocks in western North America. At a loss, I emailed the author of that paper to ask if she might know, or know someone. She wrote back to say she didn’t know much about vascular epiphytes, but perhaps to try the botany department of a local university.
So I still don’t know its identity. It baffles me that something so large and prominent could lack any sort of a presence on the web. We’re not talking mosses or lichens here, we’re talking a woody plant, a foot and a half in diameter. The animal equivalent would be like a large vertebrate such as a rail or a weasel being passed over because they’re rarely seen. I couldn’t even turn up any information on epiphytes for our region/forests in any of the field guides or reference books I had.
All I have to go on is that it’s a vascular epiphyte. Edit: it’s not even that! Although it is vascular. The term “vascular” in animals refers to the blood transport system, the arteries and veins. In plants, it refers to the system that carries nutrients, sugars and water through the plant. In both animals and plants, vascular systems are found only in “higher” organisms, those that have more recent evolutionary lineages. Just like amoebas and insects lack a network of transport vessels for circulation, so do primitive plants such as mosses or fungi. Orchids and bromiliads are vascular epiphytes, having veins and transport tubes. So is whatever this is.
I should acknowledge, too, that I couldn’t rule out this plant being a mistletoe. Although when I lifted it up it appeared that it wasn’t secured to anything, I didn’t actually try to remove it. Mistletoes grow above ground in trees as well, but unlike true epiphytic plants, which derive their food from rainwater, mistletoes are parasitic, tapping their host trees for nutrients, sugars and water. I couldn’t find anything conclusive on mistletoes in Ontario, either (photos of the most common mistletoe species for here, Arceuthobium pusillum, don’t seem to match). I’d welcome input from any botanists out there.
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The group term “epiphyte” actually encompasses a broad range of plants. Anything that grows above the ground without soil as substrate is classified as an epiphyte. This means that many other familiar plants, such as Spanish moss or beard lichen, are in this group. Many ferns, mosses, and flat lichens also qualify. If you go for a walk through your local forest, there is a good chance you’ll see many epiphytes, albeit small ones – older trees often become festooned with lichens and mosses, especially in damp, humid habitats where there is increased moisture in the air.
Villagers would wake up to find their furniture rearranged, their crops withered, and their livestock acting strangely. Despite her mischievous nature, the witch was not entirely cruel. In fact, she occasionally used her powers for good. When the villagers were in dire need, she would lend a helping hand, using her broom to gather medicinal herbs from far-flung places or bring rain to drought-stricken lands. She had a peculiar sense of justice, one that didn't always align with human morals, but nevertheless, it was her own code. Rumors of the large airborne witch spread across the land, and people from far and wide came to witness her mesmerizing flight and enchanting spells. Some feared her and sought protection, while others admired her and yearned to learn her secrets. One day, a brave young woman named Amelia ventured into the witch's lair, determined to confront her and uncover the truth behind her powers. As Amelia entered the dark and mysterious cave, she was greeted by the witch herself, perched atop her broom, ready to cast more spells. Amelia dared to ask the witch about her broom and its extraordinary abilities. The witch, amused by her curiosity, explained that her broom was no ordinary object. It had been passed down through generations of witches, infused with their magic, and imbued with the power of flight. Realizing that the broom was the key to the witch's abilities, Amelia made a proposition. She asked the witch to teach her how to use the broom, promising to use the powers for good, just as the witch had done occasionally. Intrigued by the young woman's courage and determination, the witch agreed. From that day forward, Amelia became the apprentice of the large airborne witch. Together, they soared through the skies, spreading mischief when necessary and using their powers for the betterment of the world. With the broom as their guide, they embarked on countless adventures and became known as a formidable duo. The tale of the large airborne witch and her broom continued to be told for generations to come. The legacy of their unique bond and their extraordinary powers lived on, inspiring new generations to embrace their own magic and find their place in the world..
Reviews for "The portrayal of the large airborne witch with broom in art and literature"
1. Jane - 1/5
The play "Large airborne witch with broom" was a complete disappointment for me. The plot was confusing and lacked coherence. The characters were poorly developed, and I couldn't connect with any of them. Moreover, the acting was subpar, and the dialogue felt forced and unnatural. The stage design was also lackluster and did not contribute to the overall atmosphere of the play. Overall, I was left feeling unsatisfied and regretted spending my money on this production.
2. Mark - 2/5
"Large airborne witch with broom" had some potential but ultimately fell short. The concept was intriguing, but the execution was lacking. The pacing was inconsistent, and the plot seemed to drag on without clear direction. The actors tried their best, but their performances were overshadowed by the weak script. Additionally, the set design appeared cheap and did not live up to the expectations set by the production's promotion. I left the theater feeling underwhelmed and wishing I had chosen a different play to attend.
3. Sarah - 2/5
I was excited to see "Large airborne witch with broom" based on the positive reviews I had read beforehand. However, I was left disappointed by the actual performance. The play lacked depth and failed to engage me emotionally. The jokes felt forced and didn't land with the audience. The overall production felt amateurish and unpolished. While the concept had potential, it fell flat in its execution. I wouldn't recommend this play to others seeking a captivating theater experience.