Keely Smith was an American jazz and popular music singer. Born on March 9, 1928, in Norfolk, Virginia, she rose to fame in the 1950s and 1960s as a vocalist for the renowned musician Louis Prima. Smith had a unique vocal style that combined elements of jazz, swing, and pop. Her deep and sultry voice captivated audiences and earned her numerous accolades throughout her career. She was often praised for her precise and controlled delivery, which showcased her exceptional range and versatility as a singer. One of Smith's most well-known songs is "That Old Black Magic," which was released in 1958.
That Old Black Magic is a english song released in 2016.
HANSEN Louis Prima s music is heard on the soundtrack to the movie Swingers and he was the invisible character in the movie Big Night, which was a movie about an Italian restaurant and the. And people found themselves drawn to that strange, odd sexual dynamic between the two of them where Louis was trying to do everything he could to get a response out of Keely.
One of Smith's most well-known songs is "That Old Black Magic," which was released in 1958. This song became her signature tune and remained a fan favorite throughout her career. Smith's rendition of "That Old Black Magic" showcased her powerful voice and dynamic range, cementing her status as one of the premier vocalists of her time.
That Old Black Magic: Louis Prima, Keely Smith, and the Golden Age of Las Vegas
Title: That Old Black Magic: Louis Prima, Keely .
Publisher: Chicago Review Press
Publication Date: 2010
Binding: Hardcover
Condition: New
About this title
Synopsis:In 1948, New Orleans veteran trumpeter and singer Louis Prima stumbled into a young girl named Keely Smith. She was barely a performer at all, almost half his age, destined for a relatively quiet life; their encounter was pure coincidence. But they went on to invent “The Wildest,” the most exciting and successful lounge act Las Vegas has ever seen, an act that became one of the hottest in the U.S. in the late 1950s and early 1960s. Their records were hugely popular, and they were courted by Frank Sinatra, Ed Sullivan, Robert Mitchum, and other well-known entertainers of the day. Their professional success helped bring about the rise of Las Vegas as a mecca of American entertainment. Their love story ended soon after they helped usher in John F. Kennedy’s presidency--singing “That Old Black Magic” for him at his inauguration--but their influence is still evident. And Keely still draws SRO audiences to her nightclub appearances.
Now, on the occasion of Louis Prima’s 100th birthday, comes the first book on this duo, illustrating not only one of show business’s greatest love stories but also the Vegas milieu in which they reached the pinnacle of their success.
About the Author:Tom Clavin is the author/coauthor of ten books, including Roger Maris, The Last Stand of Fox Company, and Halsey’s Typhoon. His articles have appeared in Cosmopolitan, Family Circle, Men’s Journal, Parade, Reader’s Digest, and others. He was a contributing reporter for the New York Times for 15 years.
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HANSEN: "Analyze This"?
In addition to her collaborations with Louis Prima, Keely Smith also had a successful solo career. She released several albums and singles, earning critical acclaim and commercial success. Some of her other notable songs include "I Wish You Love" and "You're Breaking My Heart." Despite her success, Smith faced personal challenges throughout her life, including a tumultuous marriage and struggles with drug addiction. However, she remained committed to her music and continued performing until her retirement in the early 2000s. Keely Smith's contribution to the world of jazz and popular music is significant. Her unique vocal style and powerful performances have left a lasting impact on the genre. She will always be remembered as a talented and influential artist who brought joy and magic through her music..
Reviews for "Discovering the Magic Behind Keely Smith's "That Old Black Magic"
1. Sarah - 2/5
I found "Keely Smith That Old Black Magic" to be quite disappointing. While I appreciate Keely Smith's vocal talent, I was hoping for more variety in the songs and arrangements. Most of the tracks felt too similar, and the album lacked the energy and excitement that I was expecting. It also didn't help that many of the songs were covers of well-known classics, which made the album feel unoriginal and uninspiring. Overall, I felt let down by this release.
2. Mike - 1/5
I couldn't get through more than a few tracks of "Keely Smith That Old Black Magic" before feeling completely bored. The album lacked any sort of originality and felt like a cheap attempt to cash in on nostalgia. Keely Smith's voice is certainly impressive, but the arrangements and production were lackluster, making it difficult to stay engaged. I would not recommend this album to anyone looking for something fresh or exciting.
3. Jessica - 2/5
"Keely Smith That Old Black Magic" didn't live up to my expectations. While Keely Smith has a beautiful voice, the album felt repetitive and monotonous. Many of the songs blended together, and there wasn't enough variation in the arrangements to keep me interested. Additionally, the production quality felt dated, which further took away from the overall experience. I was hoping for more from this album, but unfortunately, it fell short for me.
4. Mark - 3/5
I had mixed feelings about "Keely Smith That Old Black Magic." While I appreciate Keely Smith's vocal talents, I felt that the album lacked a certain spark or uniqueness. The song choices were predictable, and the arrangements felt safe and conventional. There were moments where Smith's voice shined, but overall, the album failed to leave a lasting impression. It's worth a listen for fans of traditional jazz, but it may not appeal to those looking for something more innovative or boundary-pushing.
5. Emily - 2/5
"Keely Smith That Old Black Magic" didn't resonate with me. While I can acknowledge the vocal abilities of Keely Smith, the album felt outdated and uninspiring. The song choices were uninspired, and the arrangements lacked creativity. It felt like a rehash of familiar jazz standards without adding anything new or exciting. Unfortunately, I found myself losing interest quickly and longing for something more dynamic. Overall, I was disappointed with this release.