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The Throne of Magical Sracana is a mystical artifact that holds immense power and is said to be the seat of the most powerful sorcerers in the realm. Legend has it that the throne was created by the ancient sorcerer, Zephyr, who sought to consolidate his power and establish himself as the supreme ruler of the magical world. According to the tales, the throne is made of an otherworldly material that glistens with a radiant glow and is adorned with enchanting symbols and intricate carvings. It is said to have been crafted using a combination of arcane spellcasting and ancient rituals, thereby imbuing it with an extraordinary amount of magical energy. The Throne of Magical Sracana is believed to grant its occupant unparalleled control over various aspects of magic, allowing them to tap into limitless power and wield it to their advantage. It is said that those who sit upon the throne possess the ability to manipulate the elements, bend the fabric of reality, and even alter the course of destiny itself.

According to a 2009 interview with Wirkola, "it's an action-adventure horror movie that finds Hansel and Gretel fifteen years after their first witch incident and they've grown up to become merciless witch hunters. Blood and gore and action, all the stuff that I love. It's definitely an R-rated movie, the first draft has a lot of blood and guts. First and foremost, it's an action movie, I think, with horror elements. And of course some dark humor as well. But the action and horror are the most import feelings I want." According to Adam McKay in 2010, "the idea is, they’ve grown up and they hunt witches. It’s a hybrid sort of old-timey feeling, yet there’s pump-action shotguns. Modern technology but in an old style. We heard it and we were just like, ‘That’s a freakin’ franchise! You could make three of those!'" McKey added, "the witches are awesome in it. Nasty, mean witches, and we'll get some great actresses for them as well." Filming began in March 2011 and is taking place in Potsdam Babelsberg and in the city of Braunschweig, Germany. On December 3, 2011, Entertainment Weekly released the first publicity photo of the film. Initially slated for a March 2, 2012 release, Paramount Pictures pushed it to a ten month delay for January 11, 2013. The first trailer for the film was released on September 5, 2012. The film was then delayed by two weeks to January 25, 2013 to avoid competition with Gangster Squad.

However, all but one of the party are killed that night by the powerful grand witch Muriel, who sends the surviving member back to the town tavern to explode as a warning to the locals. I was, of course, disappointed then, but actually it helped because we came in under budget and so the delay enabled him to re-add and shoot an additional scene that is set in the desert and which was cut from his original screenplay.

It is said that those who sit upon the throne possess the ability to manipulate the elements, bend the fabric of reality, and even alter the course of destiny itself. Legends also speak of a prophecy surrounding the throne, stating that only a truly worthy sorcerer can ascend to its power and unlock its full potential. It is said that whoever possesses the throne must prove themselves through a series of trials and challenges, testing both their magical prowess and their moral integrity.

Hansel & Gretel: Witch Hunters – review

T hese are dark days. The Oscars are over, and now morale doesn't get any lower, as the very worst films are dumped ignominiously into cinemas like a vanload of cook-chill equine lasagnes delivered to schools and hospitals. This movie is a case in point. It's a film which is so demeaningly bad, so utterly without merit, that there is a kind of purity in its awfulness. There is a Zen mastery in producing a film which nullifies the concept of pleasure.

The idea is that Hansel and Gretel, having evaded a horrible fate as children in the witch's candy cottage in the woods, are now all grown up, and they have become super-cool kick-ass witch hunters – in a weirdly regressive sibling partnership – roaming the vaguely Germanic countryside armed with steampunky shotguns for the purposes of blasting witches with maximum violence. They are played with very little discernible talent by Jeremy Renner and Gemma Arterton. Peter Stormare phones in a bad-guy performance as some sort of a tyrannical mayor, and Famke Janssen plays an evil witch whose face is always turning into that of a hyper-real crone, a digital effect that succeeds in being uninteresting and depressing at the same time.

Watching this film, it is incredible to think that only recently I was raising niggling little objections to some minor things I wasn't sure about in Argo or Beasts of the Southern Wild. I feel like a billionaire who has become poor overnight, remembering when I was not entirely happy with a certain type of champagne. Hansel & Gretel: Witch Hunters is so uncompromisingly rubbish that it is impossible to watch it without your rage and despair doubling with every minute that passes. You'll feel like making all the Hollywood executives responsible stand up, like naughty schoolchildren, while you rage: "Which one of you greenlit this unspeakably bad film? We're not going home until someone owns up."

It manages to be nasty as well as dismal. There is a great deal of brutal violence, and people getting their noses broken and heads squished. Women are punched and kicked all the time. People also have an unpleasant habit of registering their surprise at something by saying things like: "You've gotta be shitting me" in a charmless way I haven't experienced since the Matrix sequels.

How did Hansel & Gretel: Witch Hunters get to be this terrible? I suspect that it may possibly have started life as something rather different. Two of its executive producers are Will Ferrell and Adam McKay, and I wonder if the film was not originally conceived as some sort of high-concept comedy with the grownup witch hunters perenially squabbling among themselves? Oddly, the movie does begin with a halfway-decent gag: bottles of milk have crude line drawings of missing children on them, like milk cartons in modern-day America. It seems to belong to a rather different film. (And I can't help remembering that Owen Wilson's character in Zoolander is called Hansel.) Perhaps the film got changed somewhere along the line, comprehensively rejigged as a humourless fantasy action adventure.

Well, I'm clutching at theoretical straws here. Maybe it was just always like this. Basically, Hansel & Gretel is a film that does not neglect any opportunity to be abysmal. Gemma Arterton – who can be very good in the right part – has to play Gretel with a fantastically irritating, phoney, swaggering American accent, to match Jeremy Renner's; baffling since everyone else has a sort of mittel-Europa-ish peasant voice, given that they live in somewhere called Augsburg. She is someone else who has this sadistic infatuation with violence, smirking at one of her victims that "it won't be an open casket".

The oddest thing about this movie is how it feels it has to give both leads some kind of romantic interest in order to nullify the creepy, incestuous impression. Hansel gets to go nude-bathing with a comely white witch, but all Gretel gets is a bizarre and platonic "beauty-and-the-beast" relationship with an ugly giant called Edward with a huge, misshapen head. Why? It doesn't develop the plot in any interesting way whatsoever.

Well, there is something salutary about a film as appalling as Hansel & Gretel: Witch Hunters: it demonstrates the gravitational pull of terribleness that the good films heroically resist and rise above. The Oscars now seem a very, very long time ago.

• Action and adventure films
• Science fiction and fantasy films
• Gemma Arterton
• reviews

One day, in the town of Augsburg, Hansel and Gretel prevent Sheriff Berringer from executing Mina, a young woman accused of witchcraft. Mayor Englemann has hired the siblings to find and rescue several children abducted by witches. Berringer hires trackers for the same mission, hoping to show up the mayor for hiring Hansel and Gretel and to maintain his power in the town. However, all but one of the party are killed that night by the powerful grand witch Muriel, who sends the surviving member back to the town tavern to explode as a warning to the locals.

Many sorcerers throughout history have sought to claim the Throne of Magical Sracana for themselves, driven by their desire for ultimate power. However, the throne is said to be protected by powerful enchantments, traps, and guardians, making it nearly impossible for anyone unworthy to seize control. As a result, the location of the Throne of Magical Sracana remains a mystery to this day. Some believe that it is hidden deep within a hidden temple, guarded by ancient spells and fierce magical creatures. Others claim that it is transported between different dimensions, shifting its position constantly to prevent anyone from discovering its whereabouts. Despite its elusiveness, the Throne of Magical Sracana continues to captivate the imaginations of sorcerers and seekers of power alike. It is a symbol of ultimate mastery over magic, a dream that some are willing to risk everything to pursue. However, whether the throne is a source of salvation or corruption remains a subject of debate, as its true nature and purpose still remain shrouded in mystery..

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