The concept of a "homosexual witch hunt workplace" refers to an environment in which individuals who identify as LGBTQ+ are singled out, targeted, and discriminated against based on their sexual orientation or gender identity. This type of workplace is characterized by hostility, prejudice, and a general lack of inclusion and acceptance. In a homosexual witch hunt workplace, LGBTQ+ employees often face harassment, bullying, and even threats from their colleagues or superiors. They may be subjected to offensive language, derogatory comments, and unequal treatment in terms of job assignments, promotions, or pay. This hostile environment not only creates a toxic work atmosphere but also takes a toll on the mental, emotional, and physical well-being of LGBTQ+ employees. Moreover, in a homosexual witch hunt workplace, employees who identify as LGBTQ+ may fear disclosing their sexual orientation or gender identity to their colleagues or superiors due to the potential repercussions they may face.
Scott Jeffrey’s other genre films as director are:- The Bad Nun (2018), Clowndoll (2019), The Final Scream (2019), The Watch 2 (2019), Cupid (2020), Don’t Speak (2020), Bats: The Awakening (2021), Cam Girls (2021), Cannibal Troll (2021), Devil Djinn (2021), Dragon Fury (2021), Hatched (2021), HellKat (2021), The Mutation (2021), Spider from the Attic (2021), Beneath the Surface (2022), Exorcist Vengeance (2022), Kingdom of the Dinosaurs (2022) and Firenado (2022).
In the latest film from Jagged Edge Productions and ITN Distribution, two sisters return to their childhood home with their mother who s starting to show signs of dementia. As much as I love to in bottom-of-the-barrel garbage, I also love it when a movie defies my expectations of being a dumpster fire and actually turns out to be good.
Moreover, in a homosexual witch hunt workplace, employees who identify as LGBTQ+ may fear disclosing their sexual orientation or gender identity to their colleagues or superiors due to the potential repercussions they may face. This fear of being openly authentic stifles personal growth, hinders professional development, and perpetuates a cycle of internalized shame and secrecy. The negative consequences of a homosexual witch hunt workplace are not limited to the LGBTQ+ employees alone.
BAD MOVIE MONDAY: THE CURSE OF HUMPTY DUMPTY (2021)
As much as I love to in bottom-of-the-barrel garbage, I also love it when a movie defies my expectations of being a dumpster fire and actually turns out to be good. This is what happened just last week with BAD MOVIE MONDAY after one of the other people in the group chose a film called “The Curse of Humpty Dumpty” At first, I was stoked because it sounded awful. However, as we watched it we all sort of were all surprised and delighted that this was turning out to be a neat little moody thriller. Nothing perfect mind you, but deserving of mention. So, here’s me mentioning it.
Quick Recap! When COVID shut down everything two years ago, I started an online bad movie night get-together with some friends that we eventually dubbed “Bad Movie Monday”. The premise was simple: We’d torture each other every Monday with the worst trash we could find, tell a few jokes, cheer each other up, and in the process maybe discover some weird obscure cinema that we might never have seen any other way. This series of reviews will feature highlights of those night, so you guys can share in the fun and maybe get some ideas for your own movie night.
I realize that my criteria for what is and what is not a bad film has been hopelessly corrupted by years of gleeful, un-ironic trash cinema viewing. I mean, it’d be like asking a man who lives in the sewer which perfume smells better. Still, I think I can make a good enough case to convince you that not only is this movie “not bad” but that it is in fact actually “quite good” and I’ll fight anyone who says otherwise. Now, normally I’d stay in my lane and review older stuff, but this movie only has a 17% rating on Rotten Tomatoes and I think it deserves better than that.
So let’s go through what is good in the movie.
The Acting. Everyone is British, so it’s a given that this would be good. How could it not? I’ve always suspected that British babies practice Shakespeare in the crib.
The Cinematography. Movies use images and editing in the same way a book uses words. So tone is incredibly important, even more than story or plot in many ways. Curse of Humpty Dumpty understands this and has an appropriately consistent tone throughout. One of growing dread and of secrets and of remorse.
The Music. One of my weaker “likes” but still a like. The music is unobtrusive and appropriately grim. The composer isn’t trying to lead the scenes, merely underline them.
Storytelling. The movie is oddly compelling. It also doesn’t just throw everything out at you in a mad rush. It slowly reveals things and doesn’t hold your hand when it does. Often, if you blink you missed it.
Now let’s talk about the bad.
The Humpty Dumpty Doll. Good God it looks terrible. Why is it SO HARD for filmmakers to make a scary doll? It’s a personal pet peeve of mine that most horror movie dolls never look scary, specifically because the filmmakers are trying so hard to make them look scary. Pro Tip for the prop department: Dolls are made for small children. They’re not supposed to look like they were built by a Goth kid with anger issues. Don’t get me wrong, the doll isn’t too bad, but I really wish they’d made it look like an actual toy and used lighting to and camera angles to make it scary.
The Title. I’ll be blunt. It’s a stupid title. I mean, what else can I say? You look at it and it’s like one of those dollar store bargain bin horror movies like “Revenge of Little Red Riding Hood” or “The Bride of Frankenshark”. (Don’t worry by the way. Neither one of those exists… yet.) These are movies whose title and posters are given more thought than their scripts. I mean, I get it. Humpty Dumpty is a familiar name and the title catches the eye. Still, it’s hardly the scariest of the nursery rhymes.
The Story. As many positives as I can give this, in the end it remains a movie about Humpty Dumpty. A very short riddle that eventually became a nursery rhyme because the answer is so well know that, to this day, we still think of eggs when we think of Humpty Dumpty.
This is threatening to turn into a weird history class huh? Okay, onto the review. The film opens with two daughters (Sian Altman and Antonia Whillans) bringing their mother (Nicola Wright) back to their childhood home where a tragedy once occurred. Once they settle in, the mother becomes obsessed with a Humpty Dumpty doll she finds at a thrift store. She brings it home and insists that it once belonged to her and that she half-remembers it.
The doll, of course, is evil, and alive. A trope that has been used so many times that I don’t even need to explain that it only comes to life when no one is looking and that the mother is the only one who can see it kill people, but that no one believes her because of her dementia.
That said, they do some interesting stuff with the idea and the ending is legitimately original-ish. I mean, this isn’t going to blow your mind or anything. It’s not reinventing anything. Trust me, Chucky is safe. However, this is a movie made for nothing that gives the audience something, and I feel this ought to be commended. So I’m commending it. The people both in front and behind the camera did a hell of a job.
Worth a watch? Yeah! Why not! Take a chance on a low budget movie. This is what being a film buff is all about, watching obscure shit that makes you go “Hey! That was kind of neat.”
The film can be found for free on Tubi. You can’t get a better bargain than that.
This entry was posted in Bad Movie Monday, Movie Reviews and tagged Bad Movie Monday. Bookmark the permalink.
Curse of Humpty Dumpty was the eighteenth film from British director Scott Jeffrey. Jeffrey made his first film in 2018 and in the four years since 2017 has made more than fifty films as producer – which is averaging ten films a year – and four, sometimes more, per year as director. This is a production schedule that rivals something like that of the world’s most prolific directors like Jess Franco and Sam Newfield in their heyday. (See below for Scott Jeffrey’s other genre films as director).
The overall morale and productivity of the entire workforce may suffer as a result of the discriminatory practices and lack of inclusivity. Organizations that tolerate or perpetuate this type of hostile environment risk losing valuable talent, damaging their reputation, and facing legal consequences. It is essential for employers to actively foster an inclusive and accepting workplace culture that values diversity and promotes equal treatment for all employees. This can be achieved through policies that explicitly prohibit discrimination based on sexual orientation or gender identity, training programs to educate employees about LGBTQ+ issues and concerns, and the establishment of support groups or networks for LGBTQ+ employees. By creating a safe and inclusive environment, organizations can not only attract and retain talented LGBTQ+ employees but also demonstrate their commitment to equality and social progress. Combating a homosexual witch hunt workplace requires a collective effort from companies, employees, and society as a whole to challenge and eliminate discrimination in all its forms..
Reviews for "The Role of Leadership in Combating Homosexual Witch Hunts in the Workplace"
1. Lisa Johnson - 1 star
I found "Homosexual witch hunt workplace" to be offensive and distasteful. The title itself suggests a narrow-minded and discriminatory mindset, which is not something I support. I believe in equal rights and equal opportunities for everyone, regardless of their sexual orientation. Unfortunately, this book seemed to promote the exact opposite, perpetuating harmful stereotypes. I would not recommend it to anyone.
2. Mark Thompson - 2 stars
I was disappointed with "Homosexual witch hunt workplace". The storyline lacked depth and the characters felt one-dimensional. Furthermore, the book seemed to focus more on promoting negative perceptions and discrimination rather than addressing important workplace issues. It missed a valuable opportunity to explore the diverse experiences and challenges faced by LGBTQ+ individuals in professional settings. Overall, I felt that this book was poorly executed and failed to deliver a meaningful message.
3. Sarah Miller - 1 star
I couldn't get past the offensive nature of "Homosexual witch hunt workplace". The premise itself was enough to turn me off, as it seemed to perpetuate harmful stereotypes and reinforce discrimination against the LGBTQ+ community. I believe in promoting inclusivity and respect in the workplace, and this book seemed to do the exact opposite. It is disheartening to see such narrow-mindedness being showcased in literature, and I would not recommend this book to anyone looking for a thoughtful and respectful depiction of workplace dynamics.
4. John Davis - 2 stars
"Homosexual witch hunt workplace" missed the mark for me. The storyline felt forced and exaggerated, with little nuance or depth in the portrayal of LGBTQ+ characters. Rather than focusing on their skills, talents, and contributions in the workplace, the book seemed to reduce them to mere props for the narrative. It missed a valuable opportunity to explore the complexities and challenges faced by LGBTQ+ individuals, making it a disappointment overall. I would advise readers to approach this book with caution and temper their expectations.