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Magic in Motion Elsa Doll is a popular toy based on the character Elsa from the Disney movie Frozen. This doll is designed to bring the magic of the movie to life through motion and sound. The doll is approximately 14 inches tall and is dressed in Elsa's signature icy blue dress with sparkly snowflake details. One of the most unique features of the doll is her ability to move and dance. When turned on, Elsa will sway and twirl in a graceful and captivating manner. This motion is accompanied by a soft and enchanting melody, adding to the magical experience.

The biggest hurdle in terms of wardrobe was the purple gown with the gold snake Hathaway wears in the film's climax, that is also featured on the poster. But not because of the construction.

I ve wanted to costume as the Grand High Witch from Roald Dahl s The Witches for a few years, so when I finally had the resources to make it she was the first costume I put together. I ve wanted to costume as the Grand High Witch from Roald Dahl s The Witches for a few years, so when I finally had the resources to make it she was the first costume I put together.

This motion is accompanied by a soft and enchanting melody, adding to the magical experience. In addition to her dancing, the doll also has other interactive features. By pressing a button on her necklace, children can activate Elsa's magical snowflake powers.

Inside Anne Hathaway's Wickedly Awesome Wardrobe for The Witches

Because this adaptation of The Witches was set in the 1960s, costume designer Joanna Johnston told E! News said she looked to "glamorous women" from that time period, including Faye Dunaway and Marilyn Monroe for inspiration.

Changing the decade the film took place in helped Johnston and Anne Hathaway establish their own unique look for the character, different from Anjelica Huston's iconic turn in the original film, which took place in the 1980s.

"I mean I did look at the film and I did really enjoy it and I love Anjelica Huston," Johnston explained. "So I just thought it needed to have its own platform and not really have anything to do with the old one. It's a new take. The dial is turned right up. But the great thing about witches is they can be anybody you know. They come in all sorts of different guises. You know, it's fun because you can go a bit over the top, really."

While Huston rocked a blunt, too-perfect long brunette bob and fringe in the original, The Witches remake subverted expectations by having Hathaway don a chic coiffed blonde 'do, reminiscent of Marilyn Monroe.

"When I was doing my research, we looked at these blonde icons and we looked at Anne blonde as well," Johnston explained of the hue choice, "she had done a couple of things with blonde hair, you know, but she's got brown eyes which is kind of interesting because it's a sort of odd look."

Because all of the witches wear wigs, the Grand High Witch needed to have a "more bombshell" look because "everything about her is a higher quality than all the other witches," she reasoned. "They don't have such good wigs."

Hoping to snag one of the Grand High Witch's covetable pieces? "It was all designed," Johnston revealed. "Everything of hers was designed and made."

The impressive task was as exhausting was it was exhilarating for Johnston's team.

"It's complex and I managed to make it particularly complicated in the design for the construction," she admitted. "It was very challenging for the Brennan's Ian Fraser Wallace, who was my main cutter. And, you know, the printing and dyeing departments—everything was difficult. But it's good because it's nice to have to create challenges and things you've never done before."

The biggest hurdle in terms of wardrobe was the purple gown with the gold snake Hathaway wears in the film's climax, that is also featured on the poster. But not because of the construction.

"Anne Hathaway became pregnant halfway through filming," Johnston said. "The results of the pregnancy became apparent halfway through. So the body clinging design with a snake wrapping round it was pretty challenging. It's funny now but it was. It was definitely quite taxing."

As for the slinky dress' main accessory, Johnston wanted to create a versatile reptile.

"It was a snake wrapped around the dress, and it comes into a jeweled head around the collar. So it's sort of partial jewelry and partial on other materials," she explained, "and the idea was that it had its own character and then it could be slightly animated. The idea that it had its own sort of character."

As previously mentioned, Hathaway became pregnant with her second child midway through production, with Johnston admitting, "I didn't know she was pregnant I thought she was just eating lots of pasta. Bad period or something."

Because Hathaway wanted to keep the information quiet, Johnston didn't learn about the pregnancy until toward the end of shooting, which meant it was "too late to change the design, so we just had to accommodate with what we could and with camera angles and what not."

Before production kicked off, Johnston and Hathaway spoke over the phone about the Grand High Witch's overall look.

"I gave some general ideas of what I was thinking and I had done some designs. Anne was really game for the super overdramatic, she was really into that," Johnston detailed. "She sent me a self-made video clip with her clacking around in mules with a dress and gown."

After receiving the tape, the costume designer knew she would "get on really well" with the star because "she just wanted it to be as dramatic as I did," Johnston said. "She was wonderful to work with."

"It's complex and I managed to make it particularly complicated in the design for the construction," she admitted. "It was very challenging for the Brennan's Ian Fraser Wallace, who was my main cutter. And, you know, the printing and dyeing departments—everything was difficult. But it's good because it's nice to have to create challenges and things you've never done before."

The doll will light up and emit a glowing snowflake from her hand. This feature adds an element of imagination and role-play to playtime with the doll. The Magic in Motion Elsa Doll is battery-operated and requires three AAA batteries to function. It is recommended for children ages 3 and up. The doll's realistic movements and attention to detail make it a favorite among Frozen fans of all ages. It provides a unique and interactive way for children to engage with the beloved character of Elsa and explore their own creativity and imagination. Overall, the Magic in Motion Elsa Doll is a magical toy that brings the beloved character of Elsa to life through motion, sound, and light. It offers a captivating and enchanting play experience for Frozen fans of all ages..

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