La Llorona, also known as the Weeping Woman, is a legendary figure in Hispanic folklore and has been the inspiration behind numerous stories, books, and movies. One notable movie that revolves around this legend is "The Curse of La Llorona," which was released in 2019. The movie tells the tale of a social worker named Anna who finds herself entangled in the curse of La Llorona after investigating a case involving the mysterious disappearance of a mother's children. As the story unfolds, Anna realizes that the curse of La Llorona has now targeted her own children, putting their lives in imminent danger. Throughout the movie, the supernatural entity of La Llorona is portrayed as a vengeful spirit, condemned to wander the Earth after drowning her own children in a fit of rage and despair. Hailed as a cautionary tale for children to behave and not go near bodies of water alone, the legend of La Llorona serves as a haunting reminder of the consequences of one's actions.
Pippin has music and lyrics by Stephen Schwartz, a book by Roger O. Hirson, choreography by Chet Walker, and circus creation by Gypsy Snider.
The Japanese-language production of the Tony-winning revival of Pippin, directed by Tony winner Diane Paulus, reopens August 30 at the Tokyu Theatre Orb, continuing through September 19. It was especially noticeable in the isolations of the hips that looked more like twerking and the movements of the arms that looked more like a bird flapping then a directed movement coming from the back.
Hailed as a cautionary tale for children to behave and not go near bodies of water alone, the legend of La Llorona serves as a haunting reminder of the consequences of one's actions. The film incorporates elements of horror and suspense, relying on jump scares and chilling visuals to captivate its audience. The curse of La Llorona is depicted as a malevolent force, capable of manipulating reality in twisted and terrifying ways.
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Description
In Magic to Do, which celebrates the 50th anniversary of Pippin's opening, two-time Pulitzer Prize jury member Elysa Gardner turns her attention to this innovative show, the musical retelling of the story of Prince Pippin, son of Charlemagne, and his quest for an "extraordinary life." Magic to Do dives deep into the legendary clashes, backstage drama, and incredible artistic synergy that produced one of Broadway's most influential musicals, a show that paved the way for the pop-informed musicals that we know and love today. Full of big personalities, brilliant creative minds, and never-before-told stories, Magic to Do is an intimate look at a moment in history, a time and a place in which popular culture was as defined by conflict--between the young and the old, idealism and cynicism, creation and destruction--as anything else. Gardner draws out this friction through her examination of the creative struggles between Pippin's director/choreographer, the iconic Bob Fosse, for whom the show would mark a massive career resurgence, and its young composer/lyricist, Stephen Schwartz (of Wicked fame), who was making his Broadway debut. Magic to Do, named for the opening song of the musical, clearly marks the lasting cultural significance of Pippin, which derives in large part from the timelessness of the search for self, one that presents itself anew to each succeeding generation, accounting for the show's enduring popularity around the world. Infused with R&B sounds and a universal message, it is fair to say that, without Pippin, there is no Spring Awakening, Dear Evan Hansen, or even Hamilton.
About the Author
Elysa Gardner has written about theater and music for The New York Times, The Los Angeles Times, The New Yorker, The Village Voice, Town & Country, Rolling Stone, Entertainment Weekly, Time Out New York and USA Today, among other publications, and has been a contributor to VH1 and NPR. She is a theater critic for The New York Sun and New York Stage Review and hosts the podcast "Stage Door Sessions" for Broadway Direct. Book contributions include the introduction to U2: The Rolling Stone Files and a chapter on Taylor Swift for Woman Walk the Line: How the Women in Country Music Changed Our Lives. Elysa is a board member of the Drama Desk and has served on the drama jury for the Pulitzer Prize twice, most recently as chair. She lives in New York City with her husband, daughter, and dog.
- Theater - Broadway & Musicals
- Theater - History & Criticism
- Genres & Styles - Musicals
In Magic to Do, which celebrates the 50th anniversary of Pippin's opening, two-time Pulitzer Prize jury member Elysa Gardner turns her attention to this innovative show, the musical retelling of the story of Prince Pippin, son of Charlemagne, and his quest for an "extraordinary life." Magic to Do dives deep into the legendary clashes, backstage drama, and incredible artistic synergy that produced one of Broadway's most influential musicals, a show that paved the way for the pop-informed musicals that we know and love today. Full of big personalities, brilliant creative minds, and never-before-told stories, Magic to Do is an intimate look at a moment in history, a time and a place in which popular culture was as defined by conflict--between the young and the old, idealism and cynicism, creation and destruction--as anything else. Gardner draws out this friction through her examination of the creative struggles between Pippin's director/choreographer, the iconic Bob Fosse, for whom the show would mark a massive career resurgence, and its young composer/lyricist, Stephen Schwartz (of Wicked fame), who was making his Broadway debut. Magic to Do, named for the opening song of the musical, clearly marks the lasting cultural significance of Pippin, which derives in large part from the timelessness of the search for self, one that presents itself anew to each succeeding generation, accounting for the show's enduring popularity around the world. Infused with R&B sounds and a universal message, it is fair to say that, without Pippin, there is no Spring Awakening, Dear Evan Hansen, or even Hamilton.
The movie effectively builds tension and fear, keeping viewers on the edge of their seats as they witness the desperate struggle of Anna and her family to survive the wrath of La Llorona. While "The Curse of La Llorona" is a work of fiction, it draws upon the rich folklore of Latin America and serves as a reminder of the enduring power of legends. These legends provide insight into cultural beliefs and moral lessons that have been passed down through generations. The movie brings this legend to life, immersing audiences in a world of supernatural terror. In conclusion, "The Curse of La Llorona" is a chilling horror movie that brings to light the enduring legend of La Llorona. With its portrayal of a vengeful spirit and its exploration of the consequences of one's actions, the film serves as a reminder of the enduring power of folklore and the importance of cultural storytelling. Whether one believes in the legend of La Llorona or not, this movie is sure to leave a lasting impression and a lingering sense of unease..
Reviews for "The Curse of La Llorona: Bringing Mexican Folklore to the Global Screen"
1. John - 2/5 rating:
As a fan of horror films, I was incredibly disappointed with "The Curse of La Llorona." The movie lacked originality and failed to deliver any scares or suspense. The plot felt predictable, with cliché jump scares and a weak storyline. The characters were underdeveloped, making it difficult to connect or care about their fate. Overall, it felt like a generic horror cash grab rather than a compelling and thrilling film.
2. Emma - 1/5 rating:
I usually enjoy supernatural horror movies, but "The Curse of La Llorona" was a complete letdown. There were no redeeming qualities to this film. The story was shallow and poorly executed, leaving me bored and uninterested throughout the entire duration. The jump scares were predictable, and the attempts at creating tension fell flat. The characters were one-dimensional and lacked depth, making it impossible to empathize with any of them. I regretted wasting my time and money on this disappointing film.
3. David - 2/5 rating:
"The Curse of La Llorona" failed to deliver the scares and dread it promised. The filmmakers relied too heavily on jump scares, which weren't effective and felt cheap. The story lacked coherence, with many unresolved plot points and inconsistencies. The pacing was off, and the attempts at building tension fell short. The visual effects were subpar, making it difficult to immerse oneself in the film's world. Overall, it was a forgettable and mediocre addition to the horror genre.