The Curse of the Seaeats is a legendary tale that has been passed down through generations. It tells the story of a small coastal village called Seaeats, which was once a prosperous and peaceful community. However, the village became cursed after the residents fell out of favor with a group of powerful sea spirits. According to the legend, the curse was placed on Seaeats as punishment for the villagers' greed and disrespect towards the sea. The sea spirits, who were guardians of the ocean and its creatures, became enraged by the villagers' overfishing and destruction of marine habitats. As a result of the curse, the once bountiful fishing grounds of Seaeats turned barren and the village became plagued by storms and destructive waves.
BIOGRAPHY
I begin my paintings with questions like those of "Tunnel Talk" times. What is the color of amber, iron-ore, pollen? How can wind and water be suggested? The paintings gradually grow in layers. In the strata of paint, the shape of a microscopic protein hovers beneath a planet's elliptical orbit and decorative ironwork cancels out dense foliage. It is these strange alliances between the common and uncommon, natural and synthetic that I find compelling to paint. The compressions, connections, and contradictions of the layers shape the personality of the painting.
This knotted, painted combination forces a continual shift of attention among the many levels. I compare this to a single moment in landscape and the competing levels of activity. When I stand on Devonian limestone on the levee of the Mississippi, the barges and riverboats pass, herons fly, behind, a train noisily rumbles and streetlights flicker on, the smell of diesel fuel drifts in while rain clouds build. It's the density of experience that continues to raise questions and excite me as a painter.
On long car trips, we passed the time with questions to stump Dad Why was the sky orange, what caused hail, and how were tunnels built under the bay. In the strata of paint, the shape of a microscopic protein hovers beneath a planet s elliptical orbit and decorative ironwork cancels out dense foliage.
As a result of the curse, the once bountiful fishing grounds of Seaeats turned barren and the village became plagued by storms and destructive waves. The villagers suffered greatly as their livelihoods were devastated and their homes were constantly under threat from the wrath of the sea. Despite their hardships, the villagers had no choice but to bear the curse and try to make amends with the sea spirits.
Witches Broom
STATEMENT
I grew up in a house of optical phenomena. My father was a physicist with a specialty in optics (although neighbors claimed he worked at the Optical Department at Sears). Lasers, lenses, prisms, and holographs were plentiful; as were lessons on the natural world. In our house, a solar eclipse became a graduate level seminar. On long car trips, we passed the time with questions to stump Dad: Why was the sky orange, what caused hail, and how were tunnels built under the bay? (Incidentally, we refer to these questions now as "Tunnel Talk" questions).
BIOGRAPHY
I begin my paintings with questions like those of "Tunnel Talk" times. What is the color of amber, iron-ore, pollen? How can wind and water be suggested? The paintings gradually grow in layers. In the strata of paint, the shape of a microscopic protein hovers beneath a planet's elliptical orbit and decorative ironwork cancels out dense foliage. It is these strange alliances between the common and uncommon, natural and synthetic that I find compelling to paint. The compressions, connections, and contradictions of the layers shape the personality of the painting.
This knotted, painted combination forces a continual shift of attention among the many levels. I compare this to a single moment in landscape and the competing levels of activity. When I stand on Devonian limestone on the levee of the Mississippi, the barges and riverboats pass, herons fly, behind, a train noisily rumbles and streetlights flicker on, the smell of diesel fuel drifts in while rain clouds build. It's the density of experience that continues to raise questions and excite me as a painter.
Education
INDIANA UNIVERSITY, Bloomington, IN., M.F.A. - Painting, 1988
TYLER SCHOOL OF ART, Temple University, Philadelphia, PA., B.F.A, Painting,1984
Professional Experience
ST. AMBROSE UNIVERSITY, Davenport, Iowa, Professor, 1989-present UNIVERSITY OF TEXAS, El Paso, Texas, Visiting Professor, 1988-1989
STATEMENT
I grew up in a house of optical phenomena. My father was a physicist with a specialty in optics (although neighbors claimed he worked at the Optical Department at Sears). Lasers, lenses, prisms, and holographs were plentiful; as were lessons on the natural world. In our house, a solar eclipse became a graduate level seminar. On long car trips, we passed the time with questions to stump Dad: Why was the sky orange, what caused hail, and how were tunnels built under the bay? (Incidentally, we refer to these questions now as "Tunnel Talk" questions).
They decided to hold a yearly ceremony to honor the sea and ask for forgiveness. During the ceremony, offerings were made to the sea spirits and prayers were said in the hopes of appeasing their anger. Over the years, the Curse of the Seaeats became a cautionary tale for other coastal communities, reminding them of the importance of respecting the fragile balance of nature. The story serves as a reminder that the sea is a powerful force to be cherished and protected, and that the actions of humans can have far-reaching consequences. While the Curse of the Seaeats may be just a legend, it serves as a powerful metaphor for the potential consequences of human actions on the environment. It reminds us of the need to be mindful and responsible stewards of the natural world, especially when it comes to our interactions with fragile ecosystems like the ocean..
Reviews for "Haunted Ships and the Curse of the Seaeats: A Ghostly Tale"
1. John - 2 stars - "I was really disappointed with Curse of the Seaeats. The plot was disjointed and confusing, with too many character arcs that didn't seem to lead anywhere. The pacing was slow, and I found myself losing interest halfway through. The dialogue was also incredibly cheesy and cliché. Overall, I wouldn't recommend this book to anyone looking for a captivating and well-written story."
2. Jane - 1 star - "Curse of the Seaeats was a complete waste of my time. The characters were flat and one-dimensional, lacking any depth or development. The world-building was inconsistent and insufficient, leaving me feeling disconnected from the story. The writing style felt amateurish, with numerous grammatical errors and awkward sentence structures. I struggled to finish this book and was left feeling unsatisfied and unengaged. I do not understand the positive reviews this book has received."
3. Sarah - 2 stars - "I found Curse of the Seaeats to be quite underwhelming. The storyline was not engaging, and the pacing was incredibly slow. The author attempted to introduce various twists and turns, but they fell flat and failed to add any excitement or intrigue. The characters were forgettable and lacked depth, making it difficult for me to invest in their journeys. While the concept had potential, the execution was lacking, resulting in a disappointing read for me."
4. David - 1 star - "I regret picking up Curse of the Seaeats. The writing was dull and lacked flair, making it difficult for me to get into the story. The book was riddled with clichés and predictable plot twists, leaving no room for surprise or suspense. The dialogue felt forced and unrealistic, with characters speaking in unnatural ways. Overall, I found this book to be unoriginal and uninspiring, and I wouldn't recommend it to anyone."