Art Blakey, also known as "The Witch Doctor," was a highly influential American jazz drummer and bandleader. Born on October 11, 1919, in Pittsburgh, Pennsylvania, Blakey's career spanned several decades, and he is considered one of the great figures in the history of jazz. Blakey's nickname, "The Witch Doctor," was given to him due to his unique and powerful style of drumming. Known for his thunderous and energetic playing, Blakey's rhythmic innovations had a profound impact on jazz music. His playing style was often characterized by his ability to create a driving and propulsive beat, which propelled his bands to new heights. In addition to his exceptional drumming skills, Blakey was also a skilled bandleader.
The next day, Sarah wants to go canoeing. According to the camp's rules, she will need to find a "buddy" to go with her. Sarah asks Jan if she would like to be partners, but Jan declines. Sarah complains to Liz, and Liz forces Jan to partner with Sarah. While canoeing, Sarah begins to lose control of the canoe. During this time, Jan reveals that — because everyone knows about her asthma — she won't be allowed to go on the six-day canoeing trip that she had wanted to go on. Jan jumps off the boat and swims back to shore. Jan's jump flips the canoe. When Jan gets back to shore, she tells Liz that Sarah intentionally flipped the boat.
While Stine tends to farm dated stereotypes in writing exotic locations and he does here, no doubt Jaclyn can scale the neighboring mountain and be home all in five minutes. There are no mermaids here simply large animals who grow larger by eating genetically-engineered plankton, created in secret by a mad scientist working alone in the high sees, with visions of solving world hunger via illegal research and conspiring to murder children.
In addition to his exceptional drumming skills, Blakey was also a skilled bandleader. He formed the Jazz Messengers, a collective of young and talented musicians who would go on to become some of the most important figures in jazz. The Jazz Messengers served as a platform for showcasing Blakey's powerful drumming, as well as a training ground for young musicians.
Goosebumps #56: The Curse of Camp Cold Lake
They're baa-ack! Make way for the bestselling children's series of all time! With a fresh new look, GOOSEBUMPS is set to scare a whole new generation of kids. So reader beware--you're in for a scare!
Camp is supposed to be fun, but Sarah hates Camp Cold Lake. The lake is gross and slimy. And she's having a little trouble with her bunkmates. They hate her.
So Sarah comes up with a plan. She'll pretend to drown -- then everyone will feel sorry for her.
But things don't go exactly the way Sarah planned. Because down by the cold, dark lake someone is watching her. Stalking her. Someone with pale blue eyes. And a see-through body. . . .
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Genres HorrorChildrensFictionMiddle GradeYoung AdultFantasyMystery
144 pages, Mass Market Paperback
First published June 1, 1997
Book details & editions Loading interface. Loading interface.About the author
R.L. Stine 1,682 books 16.2k followersRobert Lawrence Stine known as R. L. Stine and Jovial Bob Stine, is an American novelist and writer, well known for targeting younger audiences. Stine, who is often called the Stephen King of children's literature, is the author of dozens of popular horror fiction novellas, including the books in the Goosebumps, Rotten School, Mostly Ghostly, The Nightmare Room and Fear Street series.
R. L. Stine began his writing career when he was nine years old, and today he has achieved the position of the bestselling children's author in history. In the early 1990s, Stine was catapulted to fame when he wrote the unprecedented, bestselling Goosebumps® series, which sold more than 250 million copies and became a worldwide multimedia phenomenon. His other major series, Fear Street, has over 80 million copies sold.
Stine has received numerous awards of recognition, including several Nickelodeon Kids' Choice Awards and Disney Adventures Kids' Choice Awards, and he has been selected by kids as one of their favorite authors in the NEA's Read Across America program. He lives in New York, NY.
Like many of the later Goosebumps stories, Don’t Go to Sleep! is largely forgettable. In a story ripped straight from the Twilight Zone or Star Trek: Voyager, 12-year-old Matt Amsterdam spends a night enjoying the spaciousness of his family’s guestroom (riveting!), only to wake up in another reality. In fact, every time he naps he finds himself awakening to a new world — he and his family will be older; younger; monsters; squirrels; carnies (huh…); unrelated by blood; and cetera.
Throughout his career, Blakey recorded numerous albums and collaborated with some of the biggest names in jazz, including Miles Davis, Thelonious Monk, and Lee Morgan, among others. He also played a crucial role in the development of hard bop, a subgenre of jazz characterized by its emphasis on groove and rhythm. Blakey's influence extended beyond his music. He was known for his mentorship and support of young musicians, and many of his protégés went on to become successful artists in their own right. His dedication to nurturing talent and pushing the boundaries of jazz made him a beloved figure in the jazz community. Art Blakey passed away on October 16, 1990, but his legacy continues to live on. His powerful drumming and innovative approach to jazz continue to inspire and influence generations of musicians. Today, he is remembered as one of the greatest drummers in the history of jazz and remains an icon in the world of music..
Reviews for "The Artistic Vision of Art Blakey: The Witch Doctor's Approach to Jazz"
1. John Doe - 2 stars
I really wanted to like "Art Blakey & The Witch Doctor", as I am a fan of jazz music, but I found this album to be quite disappointing. The whole album feels disjointed and lacks coherence. The compositions are chaotic and lack structure, making it difficult to connect with the music. Additionally, the performances feel uninspired and lack the energy that I usually associate with Art Blakey's work. Overall, I was left feeling unsatisfied and would not recommend this album to fellow jazz enthusiasts.
2. Jane Smith - 2 stars
"Art Blakey & The Witch Doctor" failed to capture my attention and interest throughout the entire album. The songs lacked memorable melodies and failed to evoke any strong emotions. The solos felt aimless and lacked creativity, making it difficult to stay engaged with the music. The overall production quality also left much to be desired, with the instruments sounding muddy and indistinct. I appreciate the experimentation in this album, but unfortunately, it did not resonate with me.
3. Michael Johnson - 1 star
I found "Art Blakey & The Witch Doctor" to be a complete mess. The rhythm section feels completely out of sync, making it almost painful to listen to. The excessive use of percussions and drums felt overwhelming and detracted from any enjoyment I might have derived from the music. I also found the compositions to be lackluster, with no memorable melodies or hooks. Overall, this album was a disappointment and not representative of Art Blakey's usual high standards. I would not recommend it to anyone.
4. Emily Thompson - 3 stars
While "Art Blakey & The Witch Doctor" had its moments, overall, it failed to leave a lasting impact on me. The album lacked consistency, with some tracks sounding promising while others felt uninspired. The musicianship was there, but the arrangements felt cluttered and disorganized at times. It felt like the artists were trying too hard to be innovative, resulting in a mix of conflicting styles and ideas that didn't quite come together. While I appreciate the effort to push boundaries, this album fell short of my expectations.