In the world of magic and folklore, the term "adjoining witch j" refers to a witch who possesses unique and extraordinary powers. While witches are commonly associated with dark magic and malevolence, an adjoining witch j is considered to be a force of good. These witches are bestowed with extraordinary abilities and are often seen as protectors of nature and defenders of justice. Adjoining witch j is known to have a deep connection with the natural world, and their powers often revolve around harnessing the elements and communicating with animals. One of the most distinguishing characteristics of an adjoining witch j is their ability to manipulate energy. They can tap into the universal energy that flows through everything and redirect it for various purposes.

L.A.’s storied Magic Castle shaken by allegations of sexual misconduct, racism

As a boy growing up in Seoul, Ed Kwon collected books about magic. The craft became an obsession, and he pored over literature illuminating mysterious tricks of master illusionists.

One of the first things he noticed was that many of the volumes referenced the same place: a private club in Hollywood where the world’s top magicians congregated.

The Magic Castle.

He began to dream about performing at the venue, envisioning himself as a conquering neophyte who could captivate a room of bejeweled guests with the flash of his playing cards.

For years, Kwon fixated on the Castle, the mansion that serves as the clubhouse of the Academy of Magical Arts, a group of about 5,000 magicians and enthusiasts dedicated to the celebration and preservation of the performing art. Eventually, he visited the facility in 2015 for a paid workshop, and a tour afterward reduced him to tears. His deep reverence for the venue — which devotees regard as something of a cross between Carnegie Hall and Hogwarts Castle — quickly won him supporters within the club.

Before long, his hard work earned him a chance to perform on the stages he’d read about as a boy. But not long after his Magic Castle debut in 2017, an ugly encounter forced Kwon to reconcile his childhood fantasy with a different reality.

A longtime magician member accosted him during brunch, shouting racist invective. “He used his hands to make slanted eyes and [said] the stereotypical Chinese — something along the lines of, ‘Ching hong chong,’” said Kwon, 24. “What he did and said was so out of place, it hit me at a surreal level.”

Ed Kwon, photographed in Seoul, dreamed as a child of joining the ranks of magicians at L.A.’s Magic Castle.

Kwon didn’t speak up at the time in part because he thought it was an isolated incident. But after enduring other offensive encounters tied to race at the Castle, he was left feeling alienated and unsure whether there was a place for him within the club.

Kwon wasn’t alone in his disillusionment. This L.A. icon — home to arguably the most prestigious and exclusive magic club in the world — isn’t quite what it appears to be.

In interviews with The Times, 12 people — among them guests and former employees — accused Magic Castle management, staff, performers and academy members of a variety of abuses, including sexual assault, sexual harassment and discrimination on the basis of race or gender. Some of these people, including a handful who have sued the academy, alleged that when they voiced complaints to management, their concerns were not addressed or they suffered retaliatory actions, including loss of employment.

The Times asked the academy more than 40 detailed questions about the reporting in this article. In a written response, Randy Sinnott Jr., the president of the organization’s board of directors, did not address the substance of any of the allegations, nor did he directly respond to any of The Times’ questions. Sinnott declined interview requests.

“The Academy of Magical Arts and its Board work to provide a safe and welcoming environment and experience,” Sinnott said in his statement, noting that he spoke for the academy and the Magic Castle. “All claims brought to the attention of the Board or management are treated seriously and professionally.”

The Castle is now wrestling with these allegations as it remains temporarily closed because of the COVID-19 pandemic. A fractious summer dialogue on Facebook about the claims pushed the academy’s board of directors to engage a law firm to conduct an investigation into “alleged inappropriate workplace conduct” — one that members said scrutinized the organization’s general manager, Joseph Furlow.

The board issued a statement to members Oct. 14 announcing completion of the months-long inquiry, saying that “the findings were serious and broad-spanning, covering management, culture, human resources, operational systems and processes, and the need for systemic change.” It did not disclose the details of the law firm’s report. Sinnott said the organization is working with a management consulting firm to assist “in implementing the resulting recommendations.”

One of the accusers, Stephanie Carpentieri, attributes her experience at the Magic Castle to a “corrosive corporate culture” there. A former waitress at the Castle’s restaurant, Carpentieri alleged in a 2019 lawsuit that while at work, she was sexually assaulted by a busboy who groped her breasts on multiple occasions and grabbed her vagina and buttocks in one instance. According to the complaint, she pleaded with management to reassign the alleged offender, but her superiors never took action. She claimed she was fired in retaliation for raising the issue. The academy, the busboy and Carpentieri’s boss denied her allegations in a court filing.

I do have hope that shining a light on this stuff will make a change, because the Magic Castle . should not be tarnished by this atmosphere of violence and harassment.

Carpentieri, 38, told The Times that the culture that permeates the Castle is one of “not believing women.” Academy members said the organization’s leadership often demonstrates an old boys’ club mentality by not addressing people’s concerns about claimed misconduct and not holding alleged wrongdoers accountable. And several lawsuits filed by former employees allege that no action was taken by management after they brought complaints to their superiors, managers or human resources workers.

From 2011 to 2019, the academy was sued four times by former employees, including Carpentieri, alleging violations of the Fair Employment and Housing Act, which protects against sexual harassment, discrimination and retaliation. Settlements of undisclosed terms were reached in three of the cases; Carpentieri’s matter is ongoing in L.A. County Superior Court.

“I just felt betrayed,” Carpentieri said. “I worked there for six years — I did my job well. And when I needed to be protected by them, they created a hostile environment for me.”

They can tap into the universal energy that flows through everything and redirect it for various purposes. This skill allows them to heal, perform acts of kindness, and bring balance to the world around them. Moreover, an adjoining witch j possesses the power of telekinesis, enabling them to move objects using their mind.

A beloved venue unmasked

The turreted mansion that’s home to the Academy of Magical Arts is an imposing Chateauesque structure looming over Franklin Avenue.

It was built as a private home in 1909 for businessman Rollin B. Lane, and around 1960, screenwriter Milt Larsen set his sights on turning the building — by then run-down — into a private clubhouse for magicians.

Larsen’s brother Bill incorporated the academy in 1962, and a year later, their family opened the Magic Castle. Since then, the academy, a nonprofit public benefit corporation, has become a lucrative enterprise: In 2019, it generated revenue of $21 million and net income of $1.39 million, according to its annual report.

Magicians must audition for admittance to the group, members said, and pay about $800 in annual dues to the academy, which describes itself as a “social order dedicated to the advancement of magic.” Among the membership benefits: the opportunity to perform in the venue’s “impromptu” areas. Non-magicians pay more than $1,000 a year for associate memberships with fewer perks.

The Castle, which the academy leases, is a popular tourist attraction, though getting in isn’t so simple for non-members, who almost always need an invitation from a member. Part of the club’s appeal has long been its celebrity members, among them Cary Grant, Johnny Carson and Neil Patrick Harris, the last of whom served as president of the board of directors from 2011 to 2014. In 2016, Ridley Scott’s production company signed on to produce a yet-to-be-made narrative film about the Castle, and the venue’s appearances on TV shows such as “The Magician” and movies including “Lord of Illusions” have further burnished its reputation.

But the Castle also has been depicted as stodgy and out of step with the times. A 2016 episode of Netflix’s “Love” poked fun at the self-serious nature of performance magic and the venue’s strict dress code, which requires that men wear ties in the evening and suggests women bring along “elegant sweaters or shawls” due to the air-conditioning. And the magician ranks of the roughly 5,000-person academy, which members say is largely white, also are dominated by men: A 2019 study by one member found that female magician membership in the organization was 12% at the time.

In a 1970 photo, Dai Vernon performs a levitation illusion with Magic Castle co-founder Irene Larsen.

The academy’s embrace of tradition is, for some, part of its charm. However, the way it has long operated has been called into question by lawsuits from former employees.

This ability comes in handy during their tasks of protecting others and fighting against darker forces. They can also use their telepathic skills to communicate with both humans and animals. Another unique aspect of these witches is their capacity to travel between different dimensions or realms. This power allows them to access hidden knowledge or seek guidance from ancient beings. They can visit the past or future, gaining insights that aid them in their pursuit of justice. Despite possessing such extraordinary powers, an adjoining witch j is often portrayed as humble and selfless. They do not seek personal gain or recognition for their actions and are driven by a genuine desire to make the world a better place for all. Their kindness and wisdom earn them the respect and admiration of those around them. While witches have long been depicted as symbols of fear and darkness, the concept of the adjoining witch j provides a different perspective. These witches serve as a reminder that magic can be used for good and that there are forces in the world dedicated to ensuring harmony and justice. In conclusion, an adjoining witch j represents a unique type of witch with exceptional powers and a strong connection to nature. Their abilities to manipulate energy, communicate with animals, and traverse different realms make them powerful protectors and defenders. Yet, they remain humble and selfless in their pursuit of justice, embodying the notion that magic can be a force for good..

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Unmasking Adjoining Witch J: Separating the Real from the Mythical