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Sarah Silverman: Jesus Is Magic
"Sarah Silverman: Jesus Is Magic" showcases the comic-actress in her familiar on-stage persona as a blithely self-involved Jewish American Princess whose penchant for perky vulgarity can be explosively funny or unnervingly shocking. Pic should please longtime fans, and may impress viewers who know Silverman only as a quirky character actress.
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Coming across like the love child of Lenny Bruce and Sandra Bernhard, Sarah Silverman has something to offend everyone in the film rendition of her live performance at North Hollywood’s El Portal Theater. “Sarah Silverman: Jesus Is Magic” showcases the comic-actress in her familiar on-stage persona as a blithely self-involved Jewish American Princess whose penchant for perky vulgarity can be explosively funny or unnervingly shocking (and sometimes both, simultaneously). Pic should please longtime fans, and may impress viewers who know Silverman only as a quirky character actress (“The School of Rock,” TV’s “Greg the Bunny”).
Despite occasional cutaways to off-stage skits (featuring, among others, fellow comics Brian Posehn and Bob Odenkirk) and a few deliberately cheesy production numbers, pic remains mostly stagebound as Silverman sounds off on various topics in a freewheeling monologue punctuated with songs. As she comments on the absurdities of a world in which she, and she alone, always should be the center of attention, no subject — not even 9/11 or the Holocaust — is off limits.
From the start, Silverman indicates everything and everyone, including herself, is fair game during her unflinching pursuit of big laughs. (“I was raped by a doctor — which is so bittersweet for a Jewish girl.”) In fact, she’s rarely more hilarious than when she makes herself the punchline of her nastiest cracks. Rail-thin yet full-bosomed, she’s sufficiently attractive to infuse her talk of sexual misadventures with none-too-subtle erotic charge.
For some viewers, Silverman’s iconoclastic envelope-pushing will be genuinely discomforting, if not completely off-putting. She skates on perilously thin ice as she unapologetically rationalizes her use of language that is, at best, racially insensitive — and at worst, just plain racist. On the other hand, she diminishes the sting of her tasteless slanguage by reminding the audience that, what the hell, her on-stage persona isn’t exactly the sharpest knife in the drawer: “I don’t care if you think I’m racist. I just want you to think I’m thin.”
Helmer Liam Lynch does a respectable job of using off-stage elements as bridges and counterpoints. To her credit, though, Silverman doesn’t cheat during these in-between bits: She remains “in character” even when she’s being a backstage prima donna. Her refusal to be easily likable is perversely adorable.
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Reviews for "The Art of Distilling Zhbrick Maic Thwater Ticketx"
1. Sam - 1 star
I was extremely disappointed with "Zhbrick maic thwater ticketx". The entire show was poorly organized and lacking in substance. The plot felt disjointed and confusing, making it difficult to follow along. Additionally, the performances of the actors were subpar, with stilted dialogue and lackluster delivery. Overall, I found the experience to be a complete waste of time and money.
2. Emily - 2 stars
I had high hopes for "Zhbrick maic thwater ticketx", but unfortunately, it fell far short of my expectations. The production value was lacking, with poorly designed sets and minimal effort put into creating an immersive atmosphere. The story itself was weak and failed to engage me as an audience member. Moreover, the pacing was off, with certain scenes dragging on while others felt rushed. I left the show feeling unsatisfied and wishing I had chosen another play to attend.
3. Alex - 2 stars
I regret purchasing tickets to "Zhbrick maic thwater ticketx". The entire performance felt like a chaotic mess, with no clear direction or purpose. The actors seemed disinterested in their roles, giving lackluster performances that failed to captivate the audience. The dialogue was confusing and at times nonsensical, making it difficult to understand the intended message of the play. I would not recommend this show to anyone looking for a meaningful theater experience.
4. Sarah - 1 star
"Zhbrick maic thwater ticketx" was a complete disaster. The plot lacked coherence and the characters were poorly developed. I struggled to connect with any of the actors, as their performances felt forced and unnatural. The technical aspects of the show were also problematic, with sound issues and awkward scene transitions. Overall, I found the play to be a confusing and frustrating experience. I would not recommend it to anyone seeking quality theater.