Yellow Magic Orchestra (YMO) is a Japanese electronic music band formed in 1978. They are considered pioneers of the techno and synth-pop genres. The band comprised of three members: Haruomi Hosono, Yukihiro Takahashi, and Ryuichi Sakamoto. YMO's music incorporated various genres, including pop, jazz, funk, and traditional Japanese music. They were known for their innovative use of electronic instruments and synthesizers, which set them apart from other bands of the time. One of YMO's most famous songs is "Technopolis," which was released in 1979.
155 Plymouth Street
Brooklyn , NY 11201 United States
Lardieri and Turner see these photographs as an ongoing cumulative portrait project and a Wall of Witches will be included in Lardieri s solo show which opens on April 22, 2023 and closes on May 21, 2023. Lardieri collaborated with Turner to create photo documentation of Turner s ritual through which participants embrace the power of the Witch s Nose and through this embrace reverse its negative connotations.
One of YMO's most famous songs is "Technopolis," which was released in 1979. The song reflects the band's fascination with technology and the future. It features catchy melodies, robotic vocals, and pulsating electronic beats, making it a staple in the techno genre.
“Before and After, What the Witches Nose Knows that Andy Warhol’s Nose Doesn’t Know”
“Before and After” is Part 6 of an ongoing performance and writing project, created by Kay Turner and begun in 2012, with a lecture performance series on fairy-tale witches at A.I.R Gallery in Brooklyn. Turner’s What a Witch series expands witch pedagogy to include witch embodiment performativity. Her performances expose the witch’s negative, abject history as fabricated by men and use communal ritual to reverse its effects.
“Before and After” was first performed by Turner at A.I.R. in 2017. Lardieri collaborated with Turner to create photo documentation of Turner’s ritual through which participants embrace the power of the Witch’s Nose and through this embrace reverse its negative connotations. In 2021, they made an artist book collecting some of the nose portraits made by Lardieri during the performance.
Lardieri and Turner see these photographs as an ongoing cumulative portrait project and a “Wall of Witches” will be included in Lardieri’s solo show which opens on April 22, 2023 and closes on May 21, 2023.
On May 6, 2023 Turner will reprise portions of her 2017 “Before and After, What the Witches Nose Knows” performance and initiate new witch nose takers into the coven of reversed effects. Lardieri will document this transformation and the new portraits will be printed and added to the show the following week. The Witch Portrait Booth will be open from 3-4, there will be a peformance at 4, and the portrait booth will be open again from 5-6.
155 Plymouth Street
Brooklyn , NY 11201 United States
YMO's music had a significant impact on the development of electronic music worldwide. Their fusion of Western and Eastern sounds inspired many artists and influenced the future direction of electronic music. Despite disbanding in 1984, YMO's legacy continues to live on. Their music has been sampled by numerous artists, and their influence is still felt in the electronic music scene today. In conclusion, Yellow Magic Orchestra's innovative and futuristic approach to music paved the way for the techno and synth-pop genres. Their use of electronic instruments and unique sound continue to inspire artists and make them a legendary group in the history of electronic music..
Reviews for "Yellow Magic Orchestra: From the Studio to the Cityscape, the Soundtrack of a Technological Era"
1. John - 2/5 - I was really disappointed with "Yellow Magic Orchestra Technopop". I had heard so many great things about the band and their music, but this album just didn't live up to the hype for me. The songs felt repetitive and lacked depth or originality. I was expecting a more innovative and dynamic sound, but instead I found myself bored and uninterested. Overall, "Yellow Magic Orchestra Technopop" was a letdown and I wouldn't recommend it to others.
2. Megan - 1/5 - I have to say that I absolutely hated "Yellow Magic Orchestra Technopop". The entire album just sounded like a repetitive and monotonous mess. The electronic beats and synth sounds were overly simplistic and lacked any sort of creativity. I found myself struggling to even finish listening to the album as it felt like a total waste of my time. I'm baffled as to how this music has gained such a dedicated and loyal following because to me, it's just a bunch of noise.
3. David - 2/5 - As someone who generally enjoys electronic music, "Yellow Magic Orchestra Technopop" did not meet my expectations. The tracks on this album lacked the complexity and production value that I look for in electronic music. It felt like the songs were repetitive and didn't evolve or progress, which made for a tedious listening experience. I was also hoping for more unique and interesting melodies, but everything seemed quite generic and uninspiring. Overall, I was disappointed with this album and wouldn't recommend it to anyone looking for quality electronic music.
4. Samantha - 2/5 - "Yellow Magic Orchestra Technopop" was a huge miss for me. The songs all blended together and I couldn't distinguish one track from another. The lack of diversity and variation throughout the album made it incredibly boring to listen to. I was hoping for more experimental and boundary-pushing music from a band like Yellow Magic Orchestra, but instead, I got a collection of unremarkable and forgettable tunes. I wouldn't bother wasting your time with this album.