Magic Tree House is a popular series of children's books written by Mary Pope Osborne. The series follows the adventures of a brother and sister named Jack and Annie who discover a magical treehouse filled with books. The treehouse has the ability to transport them to different places and times in history. In addition to the original chapter books, there are also Magic Tree House graphic novels. These graphic novels bring the same exciting stories to life in a new format. They are illustrated by various artists and add a visual element to the stories that can captivate young readers.
Dream House invites us to contemplate notions of home and nourishment—safety and emotional comfort, the work of mental and spiritual growth, as well as abundance and fullness—through unique displays of ceramic s , textile s , sculpture s , paintings, and Simpson’s first-ever works in video, all created in collaboration with the FWM Studio team specifically for this exhibition.
Art Bainbridge is made possible through the generous support of the Virginia and Bagley Wright, Class of 1946, Program Fund for Modern and Contemporary Art; the Kathleen C. The installation included the use of ceramic, textile, sculpture, and the artist s first-ever works in video, all created in collaboration with the FWM studio team.
They are illustrated by various artists and add a visual element to the stories that can captivate young readers. The graphic novels follow the same overall plot as the chapter books but present it in a more visual way. The illustrations help to bring the characters, settings, and action to life, allowing readers to better imagine the world of Jack and Annie.
Art@Bainbridge | Witness / Rose B. Simpson
The sculptural figures in Rose B. Simpson’s installation Witness invite visitors to reflect on fundamental aspects of being human—as sentient, reactive, and impactful. Simpson’s work interrogates the human condition as an accumulation of lived experiences, distilling specific aspects of such moments in her own life into each sculpture. Through her work, Simpson seeks the tools to heal the damages she has experienced as a human being—issues such as objectification, stereotyping, and the disempowering detachment of our creative selves through modern technology . Traces of such experiences attach to the sculptures’ bodies or heads, where humans absorb and process information, while their accoutrements and upright posture, with heads held high, confirm the dignity of individuals who accept these experiences. The sculptures seek empathetic responses from those who witness them; they look back at us, demanding introspection and acknowledgment of our actions. Simultaneously, Simpson’s slap-slab clay construction method preserves impressions of her hands and fingerprints; she accepts these imperfections as inevitable. The resulting works are—like all people—the sum of their experiences. Curated by Bryan R. Just, Peter Jay Sharp, Class of 1952, Curator and Lecturer of Art of the Ancient Americas.
Art@Bainbridge is made possible through the generous support of the Virginia and Bagley Wright, Class of 1946, Program Fund for Modern and Contemporary Art; the Kathleen C. Sherrerd Program Fund for American Art; Joshua R. Slocum, Class of 1998, and Sara Slocum; Barbara and Gerald Essig; and Rachelle Belfer Malkin, Class of 1986, and Anthony E. Malkin. Additional support is provided by Sueyun and Gene Locks, Class of 1959; the Humanities Council; and The Native American and Indigenous Studies Initiative at Princeton (NAISIP).
Virtual exhibition tours are made possible through a partnership with MASK Consortium and a Humanities Council Magic Grant.
The graphic novels also include dialogue and text, making them accessible to readers of all levels. The Magic Tree House graphic novels cover a wide range of historical eras and events. From the Wild West to ancient Egypt, there is something for every young reader to enjoy. The stories often include elements of mystery and suspense, as Jack and Annie must solve a problem or complete a mission before they can return home. These graphic novels are a great way to introduce children to the world of reading and storytelling. The combination of words and pictures helps to engage young readers and make the stories more accessible. They can also be a valuable resource for teachers and parents who want to encourage a love of reading in their children. In conclusion, the Magic Tree House graphic novels offer a visual and exciting way to experience the adventures of Jack and Annie. They bring the stories to life through captivating illustrations and provide a gateway to the world of reading for young audiences. Whether you're a fan of the original chapter books or new to the series, the graphic novels are a delightful addition to the Magic Tree House universe..
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