Witch bells, also known as jingle bells or bewitching bells, are small bells that are used in various magical practices and folk traditions. They are said to have the power to ward off evil spirits, negative energy, and malevolent forces. The sound of the bells is believed to repel these negative forces by creating a harmonious and protective vibration. In many cultures, witch bells are hung on doors, windows, and gates as a form of protection against evil spirits and the evil eye. The bell's gentle ringing is believed to cleanse and purify the space, creating a barrier that prevents negative energies from entering. Witch bells are often used in spellwork and ritual practices as well.
Witch bells are often used in spellwork and ritual practices as well. For example, they may be included in a spell or charm bag to enhance its protective properties. They can also be used in divination practices, where the sound of the bell can signify communication with the spirit world or provide insight into a situation.
University of Virginia Library
I never was a favourite,
My mother never smiled
On me, with half the tenderness
That bless'd her fairer child.
I've seen her kiss my sister's cheek,
While fondled on her knee;
I've turn'd away to hide my tears—
There was no kiss for me!
II
And yet I strove to please, with all
My little store of sense;
I strove to please, and infancy
Can rarely give offence;
But when my artless efforts met
A cold, ungentle check,
I did not dare to throw myself
In tears upon her neck.
III
How blessed are the beautiful!
Love watches o'er their birth;
Oh, beauty! in my nursery
I learn'd to know thy worth;
For even there, I often felt
Forsaken and forlorn,
And wish'd—for others wish'd it too—
I never had been born!
IV
I'm sure I was affectionate—
But in my sister's face
There was a look of love, that claim'd
A smile or an embrace!
But when I raised my lip, to meet
The pressure children prize,
None knew the feelings of my heart—
They spoke not in my eyes.
V
But, oh! that heart too keenly felt
The anguish of neglect;
I saw my sister's lovely form
With gems and roses deck'd;
I did not covet them—but oft,
When wantonly reproved,
I envied her the privilege
Of being so beloved.
VI
But soon a time of triumph came,
A time of sorrow too;
For sickness o'er my sister's form
Her venom'd mantle threw;
The features, once so beautiful,
Now wore the hue of death,
And former friends shrank fearfully
From her infectious breath.
VII
'Twas then, unwearied, day and night,
I watch'd beside her bed,
And fearlessly upon my breast
I pillow'd her poor head.
She lived—she loved me for my care!
My grief was at an end;
I was a lonely being once,
But now I have a friend!
| Songs, Ballads, and Other Poems |
This article examines Frederick Sandys’ and J.W. Waterhouse’s depictions of sorceresses, through the objects surrounding the subjects. It argues that these objects can tell us something important not only about the figure of the witch, but about female roles and men’s perception of them in Victorian Britain. Through exploration of myth and the occult, male gaze turns to female agency, an agency expressed through objects. Furthermore, the symbolism integral to the paintings invites us to explore similar gender relations in the ancient world. This article traces the witches back through their myths to the Greek texts in which they appear, and asks to what extent these objects, and their implications for female agency and male responses to it, have their roots in the Greek tradition. Women in Greek epic are treated as objects, caught up in a male-controlled network of exchange. They are characters with limited agency, in that they are not the conventionally spotlighted protagonists. This does not mean, however, that they do nothing behind the scenes. ‘As much as men may define women as exchange objects, there is always the possibility that women will find a way to express their own agency’ (Lyons 2012:19). That this female agency is often expressed through objects is therefore a subversion of the male viewpoint, as women enact their agency through the very form they themselves are thought by men to represent. In focusing in on the Pre-Raphaelites’ presentation of objects, this article begins to peel away layers of reception and interpretation, showing that the eclectic clutter with which the artists surround their witches reflects the eclectic sources of the Victorian imagination.
The tradition of using bells for protection and spiritual purposes dates back centuries. In ancient times, bells were believed to chase away demons and evil spirits. They were also used to mark the presence of a sacred or holy space. In the medieval period, churches began using bells to ward off thunderstorms and evil spirits, further solidifying the association between bells and protection. Today, witch bells continue to be used by practitioners of various magical traditions, including witchcraft, folk magic, and spiritualism. They are considered a powerful tool for cleansing and protection, both in physical spaces and energetic fields. The sound of the bells is believed to create a sense of calm and tranquility, while also repelling negative energies. In conclusion, witch bells are small bells that are used in magical practices and traditions for protection and the repelling of negative energies. They have been used for centuries and hold significant symbolic and spiritual value. Their gentle ringing is believed to cleanse and purify spaces, creating a barrier against evil spirits and malevolent forces. Witch bells continue to be a widely used tool in various forms of spiritual and magical work..
Reviews for "The Definition and Use of Witch Bells in Warding and Banishing Rituals"
- Emma - 1/5 - I was really disappointed with "Witch bells definition". The storyline was confusing and lacked depth. The characters felt one-dimensional and I couldn't connect with any of them. The pacing was also off, with slow parts dragging on and exciting moments feeling rushed. Overall, it was a frustrating reading experience that I wouldn't recommend.
- Mark - 2/5 - I had heard great things about "Witch bells definition", but it just didn't live up to the hype for me. The writing style was choppy and awkward, making it hard to follow the narrative. There were also too many unnecessary subplots that took away from the main story. While there were a few interesting ideas, they weren't fully developed and left me feeling unsatisfied. Unfortunately, this book just didn't resonate with me.
- Sarah - 2/5 - I struggled to finish "Witch bells definition". The plot was convoluted and difficult to understand, with many loose ends left unresolved. The dialogue between characters felt forced and unnatural, making it hard to connect with any of them. Additionally, the pacing was slow and it took a long time for anything significant to happen. Overall, it was a disappointing read that I wouldn't recommend to others.
- Jason - 3/5 - "Witch bells definition" had an interesting concept, but it fell flat for me. The execution of the story felt rushed and some plot points were left unexplained. The characters lacked depth and their actions often felt inconsistent. While there were a few intriguing twists, they weren't enough to save the overall experience. It had potential, but it didn't quite deliver on its promises.
- Rachel - 2/5 - I was really looking forward to "Witch bells definition" but it left me feeling underwhelmed. The writing style was overly descriptive and bogged down the story. The pacing was slow and it took a long time for anything to happen. The world-building was also lacking, leaving me confused about the rules and lore of the magical elements. Sadly, this book just didn't grab my attention like I had hoped.