The Wiccan stag god holds a significant place in Wiccan beliefs and practices. In Wicca, the stag god often represents masculine energy, fertility, and the wildness of nature. The stag is associated with the horned god, which is a deity worshiped in Wicca and other pagan traditions. The stag god is often depicted as a majestic and powerful creature with antlers, symbolizing wisdom and spiritual strength. As a symbol of the wilderness, the stag god is seen as a guide and protector of those who follow the Wiccan path. In Wiccan rituals and ceremonies, the stag god is often invoked for its energy and power.

Julie taymor magic flute

Julie Taymor’s vibrant production of The Magic Flute — with its dazzling scenery, larger-than-life puppetry, and fun, accessible story—has been a festive, family hit in its abridged English language version ever since its 2006 premiere, becoming a beloved New York City holiday tradition. But when it comes to Mozart’s magical and moving fairy tale, the many children enjoying the show from the audience aren’t the only youngsters in the house.

The Met Children’s Chorus, led by director Anthony Piccolo, plays an especially important part in The Magic Flute , with three of its members serving as the trio of mystical Spirits—voiced high, middle, and low—who guide the noble Prince Tamino and the birdbrained bird catcher Papageno in their quest to rescue Pamina, the brave and beautiful daughter of the Queen of the Night. The Spirits are an unforgettable part of the show from the moment of their dramatic entrance, floating in high above stage right, suspended from wires beneath some of the production’s magical bird puppets and singing
in three-part harmony as they soar over the colorful scenery below.

Members of the 65-strong Met Children’s Chorus audition each year to earn the privilege of performing as the Spirits, which are among the most prominent and well-known roles for children in the operatic repertory. Brothers Jesse and Casey Schopflocher, 16 and 14, have been members of the chorus for a combined 12 years, and they say performing as Spirits has been one of the highlights of their time with the Met.

Casey has appeared in The Magic Flute three times (2018, 2019, and 2021) and especially enjoys “being a part of a production that’s so over-the-top,” and feeling that he’s “part of the story and living in the opera.” His older brother Jesse was an understudy Spirit in 2016 and sang the role for the first time in 2017, then was an understudy for Casey in last season’s production.

For Jesse and Casey, the Spirits’ flying scene was both challenging and intimidating at first, but they grew to love their high-wire moment in the spotlight. “It is nerve-wracking because you’re so high up in the air and you have to position your body in just the right way, and sing on top of that,” Casey says, “but Jesse got me pumped up and excited to do it.” Jesse says that after the extensive rehearsal process, he was ready to take to the sky, and “by the night of the first perfor mance, I was more excited than nervous!”

The spectacular flying entrance is just one part of the Spirits’ role, which also includes the presentation of the flute and bells to Tamino and Papageno as they enter Sarastro’s dwelling. This scene provides a new, multi- layered challenge for the Spirits as they perform intricate choreography and dramatic acting, while handling props and continuing to sing in pitch-perfect harmony.

L ater in the opera, as they save Papageno from his death and encourage him to play the bells, revealing the young Papagena, the Spirits are given another physical challenge, balancing on the
shoulders of actors while singing. Despite the tall tasks and lofty standards expected of the
members of his chorus, Piccolo has learned not to be surprised at what they accomplish. “Don’t underestimate these children,” he says. “They’re very resilient, highly talented, and always eager to perform.”

With the house sure to be filled with families this December, Casey remembers fondly what it was like to perform in front of such a warm, appreciative crowd. “It’s extra exciting to perform for this audience,” he says. “Kids are so enthusiastic. They cheer on Tamino and laugh at Papageno.” He even had the chance to feel like a true Met star when some of them came to the stage door to meet him after performances. He hopes The Magic Flute has a lasting impact on these young audiences. “It feels amazing to be introducing opera to a new generation,” he says.

Both brothers are now in high school and consid ering their next steps in their musical journeys, but Jesse has a few words of inspiration for the children in the audience who might want to take the Met stage themselves one day “See as many operas as you can and listen to the music beforehand. Watching an opera is a much different experience when you know the music. And join a chorus! You’ll learn how to sing properly—and meet a lot of great people, too.”

The Magic Flute is on stage December 16 through January 6, with special holiday pricing.

Julie taymor magic flute

Mozart: The Magic Flute – Met Live in HD (DVD) – Nathan Gunn, Ying Huang

Price: $20.00 Members: $18.00

Mozart: The Magic Flute – Met Live in HD (DVD) – Nathan Gunn, Ying Huang

Composer: Wolfgang Amadeaus Mozart
Artists: Ying Huang, Nathan Gunn, Matthew Polenzani, Erika Miklosa, René Pape, Metropolitan Opera Orchestra & Chorus
Conductor: James Levine
Director: Julie Taymor
Format: NTSC
Language: English
Subtitles: English
Region: All Regions
Number of Discs: 1
Studio: Naxos
DVD Release Date: August 16, 2011
Run Time: 112 minutes

The inaugural broadcast of the Peabody and Emmy®-award winning series, The Met Live in HD.

Experience Julie Taymor’s breathtaking production of Mozart’s timeless operatic fairy tale. This abridged, English-language presentation for families launched the Met’s Live in HD series of movie-theater transmissions and appeals to music lovers of all ages. Filmed in High Definition Widescreen.

James Levine conducts a cast that includes Ying Huang as Pamina in her Met debut, Nathan Gunn, Matthew Polenzani, Erika Miklosa and René Pape.

Taken from the December 30, 2006 live performance.

Wolfgang Amadeus Mozart’s The Magic Flute (Die Zauberflöte)

Mozart’s final opera (written before La Clemenza di Tito but first performed later) premiered in Vienna in September 1791, just weeks before the composer’s death, with Mozart conducting the orchestra from the fortepiano. A timeless fairy tale, it was a major success from the beginning and never lost its place as one of the most popular works in the repertoire. Julie Taymor’s beloved Met production opened in 2004. Its abridged English-language version, which returns in December 2013 as the company’s annual holiday presentation for families, inaugurated the Met’s Live in HD series of performance transmissions to movie theaters around the world in 2006.

Write the first review

No reviews have been written for this product.
Be the first one! – Write a Review

Mozart's The Magic Flute

Prince Tamino and Papageno are sent by the Queen of Night to save her daughter Pamina from the clutches of the evil lord Sarastro. Prince Tamino and Papageno are sent by the Queen of Night to save her daughter Pamina from the clutches of the evil lord Sarastro. Prince Tamino and Papageno are sent by the Queen of Night to save her daughter Pamina from the clutches of the evil lord Sarastro.

• Director

• J.D. McClatchy
• Emanuel Schikaneder

• James Levine
• Katie Couric
• Matthew Polenzani

• Director

• J.D. McClatchy
• Emanuel Schikaneder

• James Levine
• Katie Couric
• Matthew Polenzani

Photos

Top cast

• Self - Conductor

• Queen of the Night

• Third Spirit
• (as Jacob A. Wade)

• Director

• J.D. McClatchy
• Emanuel Schikaneder (uncredited)

Storyline

Did you know

User reviews 5

This is the first time I've viewed a Julie Taymor production, and it was quite a treat. Normally, I listen to opera on DVD and skip to my favorite parts. When this version aired I came upon it by accident, not intending to sit through an entire opera. To my surprise, I found it entrancing. The integration of colorful costumes, technically marvelous sets, and what seems an adaption of Indonesian puppetry on a large scale made this version wonderful. On tape, the original libretto still holds its classic status. But on TV, the English version made it easier to appreciate, and the subtitles made the words, which were sometimes difficult to understand, much clearer, letting the plot make sense. Kudos to Julie Taymor. I look forward to seeing more of her work.

• barry-list
• Sep 4, 2007

Top picks

Details

• May 18, 2008 (United States)

• The Magic Flute

• Lincoln Center, New York City, New York, USA

• The Metropolitan Opera
• A Metropolitan Opera High-Definition Production

Technical specs

Related news

Contribute to this page

What is the broadcast (satellite or terrestrial TV) release date of Mozart's The Magic Flute (2006) in Australia?

In Wiccan rituals and ceremonies, the stag god is often invoked for its energy and power. It is believed that connecting with the stag god can help individuals tap into their own inner strength and primal instincts. It is also seen as a way to connect with the natural world and the cycles of life and death.

Throughout history, the stag has been associated with various mythologies and ancient traditions. In Celtic mythology, for example, the horned god Cernunnos is often depicted as a stag. This connection to Celtic mythology is influential in many Wiccan practices, as Wicca draws inspiration from ancient pagan beliefs. The stag god is not limited to male practitioners in Wicca. Many Wiccan traditions encourage a balance of masculine and feminine energies, and the stag god is respected and revered by both men and women alike. In conclusion, the Wiccan stag god represents a powerful and primal force in Wiccan beliefs. It symbolizes masculine energy, fertility, and communion with nature. Through rituals and spiritual practices, individuals can connect with this deity to tap into their own inner strength and the cyclical nature of life..

Reviews for "Combining the Energies of the Wiccan Stag God and the Triple Goddess"

1. John - 1 star

The "Wiccan stag god" was a complete waste of time. The storyline was all over the place and I couldn't follow what was happening. The characters were shallow and lacked depth, making it difficult to connect with any of them. The writing style was convoluted and confusing, leaving me frustrated and bored. I would not recommend this book to anyone looking for a well-crafted and engaging read.

2. Sarah - 2 stars

I had high hopes for "Wiccan stag god", but unfortunately, it fell flat for me. The pacing was incredibly slow, and it took forever for the plot to progress. The descriptions were excessive and unnecessary, bogging down the story and making it difficult to stay engaged. The dialogue felt forced and unrealistic, making it hard to connect with the characters on any level. Overall, I found the book to be a tedious and frustrating read.

3. Michael - 2 stars

I was disappointed by "Wiccan stag god". The story lacked originality and felt like a generic fantasy novel with predictable twists and turns. The world-building was lacking and left me with many unanswered questions. The main characters were poorly developed and lacked any real growth throughout the story. The writing style was average at best, and I found myself skimming through paragraphs because they didn't hold my interest. Overall, I found the book to be underwhelming and wouldn't recommend it to others.

4. Emily - 1 star

"Wiccan stag god" was a huge letdown for me. The writing was overly descriptive to the point of excess, making it difficult to get through even a single chapter. The characters were one-dimensional and lacked any real depth or complexity. The plot was predictable and lacked any real surprises or twists. I found myself losing interest quickly and struggled to finish the book. I would not recommend this book to anyone looking for a gripping and well-written fantasy novel.

The Many Faces of the Wiccan Stag God