A witch ball is a glass ornament that has a long history rooted in superstition and folk belief. Traditionally, these balls were hung in windows or doorways to protect the home from evil spirits, negative energy, and witchcraft. The main idea here is that witch balls were believed to have the power to attract and trap evil spirits, preventing them from entering the household. In terms of placement, there is no specific rule or guideline for where one should hang a witch ball. The main idea is to place it in a location where it can effectively ward off evil spirits and negativity. Some people prefer to hang witch balls near windows or doorways, as these are seen as common entry points for negative energies.
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In order to be able to guarantee you an optimal service, we thank you for always giving us a telephone number where you can be contacted in the event of a delivery problem, or to allow the carrier to notify you by SMS of the availability of your package. Campbell s guitar pulses with anger on the 1979 track Over the Top , and a groove forward version of Just Cos You Got the Powe r 1987 highlights the hammer to anvil precision of Dee s drums and Kilmister s bass.
Some people prefer to hang witch balls near windows or doorways, as these are seen as common entry points for negative energies. The idea is that as the spirits or negative energy enter the home, they become attracted to the shiny glass surface of the witch ball and get trapped inside, unable to do harm. Others may choose to hang witch balls in specific areas of the house where they feel negative energy is most prevalent, such as a bedroom or living room.
MOTÖRHEAD – Bad Magic: SERIOUSLY BAD MAGIC – album review
The rerelease of Motörhead’s Bad Magic (including unreleased tracks, an interview with Lemmy, and a live performance) reminds us of what we lost with Kilmister’s death in December of 2015. However, it is more acutely a statement of what we did not lose. Motörhead is still fresh, brutal, and unapologetic. Bad Magic: SERIOUSLY BAD MAGIC, to be released on February 24 th , is a face-to-gravel assault on rock, metal, and punk. How does a band from the 1970s and an album from 2015 have more attitude and cred than any hardcore music today? It’s f-ing Motörhead. That’s how.
Bad Magic is worth a revisit. Late contributions by bands rarely hold up to the best of their early catalog. However, Bad Magic is the pinnacle for a group that has been equally praised and derided in a career exceeding four decades. If you haven’t listened to Bad Magic, this release is your opportunity to correct that wrong. If you have, there are many reasons to fall under the spell of Bad Magic once more.
In retrospect, one would be pressed to hear a hint of Lemmy’s physical decline on this, their final studio release and tour. The opener, Victory or Die, spits vocal fire before slamming into a punk infused burner. Shoot Out All of Your Lights has Mikkey Dee dropping the thunder on double bass, resonant of the late Phil “Philthy Animal” Taylor. Lemmy once said Motörhead had much in common with punk music, and, if we look at punk’s rock roots, it makes sense. Phil Campbell’s searing Les Paul rhythms have more in common with Steve Jones (Sex Pistols) than Eddie Clarke’s Strat’s bell-tone mallet. Bad Magic is classic Motörhead at its core: crushing rock n’ roll injected with punk and metal. It’s a shot with no chaser. Take it straight. Feel the burn. This is not a band in decline. They are at the top of their game.
Two previously unreleased tracks, Bullet in Your Brain and Greedy Bastards, are welcome additions to the original release. Resisting the “throw away song” designation, both are strong contenders for any Motörhead set. Each song is unalike in feel, but both are powerful in their own context. Bullet feels ripped from the liner notes of Overkill—brash and dirty. Everything is overdriven and over-distorted, including Lemmy’s voice.
Greedy Bastards is so rare a Motörhead track, it seems a disservice to have been left off the original album. Biting and politically poignant, Bastards is a moody and cutting treatise against hypocrisy. The spoken intro is a window into the intellectual depths of a man who, too often, was judged simplistic in word and melody. Slower in meter and darker in progression, Bastards is a fitting eulogy for a band that was more connected to the world than any pop group, past or present.
If the unreleased tunes weren’t enough, SERIOUSLY BAD MAGIC delivers a full live set from their 2015 Japan festival tour. The choice to not excessively intervene with remixing, remastering, or overdubbing was the correct one. It’s not daisies and overdubs here. It’s as ugly as it is real. It would have been a betrayal of Motörhead to deliver anything but a raw, from the board, listening experience. From the first song, We are Motörhead (2000), to their perennial closer, Overkill (1979), the performance relives the final act of a band that brought the energy until the final curtain fell. Lemmy growls like a V-8 engine on 1986’s Doctor Rock. Campbell’s guitar pulses with anger on the 1979 track Over the Top, and a groove forward version of Just ‘Cos You Got the Power (1987) highlights the hammer to anvil precision of Dee’s drums and Kilmister’s bass. The Fuji Festival inclusion alone merits a purchase.
Bad Magic: SERIOUSLY BAD MAGIC is a worthy addition to any Motörhead fan’s collection. Motörhead was a band that crashed the perimeters of rock, metal, and punk and in doing so gained respect from all three worlds. Though Bad Magic might have been the band’s last salvo, it is a barrage that is one of Motörhead’s best. There is some seriously good magic to be conjured from SERIOUSLY BAD MAGIC.
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It is important to note that the belief in witch balls and their protective properties is rooted in folklore and personal belief systems. While hanging a witch ball can be seen as a superstitious practice, it can also hold symbolic meaning for those who believe in its power. Ultimately, the decision of where to hang a witch ball is a personal one. It is best to place it in an area where it can be seen and appreciated, but also where it can fulfill its intended purpose of warding off evil spirits. Whether one believes in the power of witch balls or not, they can serve as a decorative and intriguing addition to any home, adding a touch of mystery and folklore to the environment..
Reviews for "Hanging a Witch Ball in Windows: Old Traditions, Modern Style"
1. Emma - 2/5 stars - I was really hoping to enjoy "Where should one hang a witch ball" based on the intriguing premise, but I found myself quite disappointed. The pacing was incredibly slow, and there were long periods of time where nothing seemed to be happening. The characters also felt underdeveloped, and I didn't feel any emotional connection to them. Overall, the story lacked the suspense and tension that I was expecting, and I struggled to stay engaged throughout.
2. Mark - 2/5 stars - "Where should one hang a witch ball" had an interesting concept, but unfortunately, the execution fell flat for me. The writing style was quite dry, and the descriptions of the setting and atmosphere were lackluster. I found myself getting bored and constantly checking how much longer I had to go before finishing the book. The plot also felt predictable, and the twists and turns were not as shocking as I had hoped they would be. Overall, I was left feeling underwhelmed and unsatisfied with this novel.
3. Sarah - 3/5 stars - While "Where should one hang a witch ball" had an intriguing premise, I felt that the story lacked depth. The characters were one-dimensional, and their motivations and actions were often confusing and unrealistic. The plot had potential, but it felt rushed and lacked proper development. Additionally, the writing style was simplistic and didn't captivate me. I was hoping for a chilling and atmospheric read, but unfortunately, this novel fell short of my expectations. While it wasn't terrible, it also wasn't a memorable or enjoyable reading experience for me.
4. Michael - 2/5 stars - I found "Where should one hang a witch ball" to be quite disappointing. The story dragged on with unnecessary details and excessive descriptions, which made it difficult for me to stay engaged. The characters were flat and lacked depth, and I didn't find myself invested in their journey. The supposed suspense and mystery of the plot also fell flat, as the twists and turns were predictable and lacked impact. Overall, I was underwhelmed by this novel and would not recommend it.