Finding Hope and Healing through Magical Thinking in "The Year of Magical Thinking

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"The Year of Magical Thinking" is a play based on the memoir of the same name written by Joan Didion. It was adapted for the stage by Didion herself and premiered on Broadway in 2007. The play focuses on the author's personal experiences of grief and loss following the sudden death of her husband, writer John Gregory Dunne. It explores the theme of mourning and the process of coming to terms with a loved one's death. The narrative of the play is non-linear, jumping back and forth in time as Didion reflects on both her past and present. It delves into the depths of her own mind as she struggles to make sense of her husband's death and grapples with the conflicting emotions of grief, denial, and acceptance.


“E.G. Kardos is a soul searcher. He writes from the head and heart, finding true meaning in the vagaries of life.” Dean King, bestselling author of Skeletons on the Zahara

This epic fantasy is a hero s journey in the classic sense and engages young readers who take this adventure with Elias in an uncertain and mystical world. This epic fantasy is a hero s journey in the classic sense and engages young readers who take this adventure with Elias in an uncertain and mystical world.

Amulet of the journey

It delves into the depths of her own mind as she struggles to make sense of her husband's death and grapples with the conflicting emotions of grief, denial, and acceptance. Throughout the play, Didion uses a literary device known as "magical thinking." She explores the idea that certain rituals, superstitions, and beliefs can provide comfort and a sense of control in the face of tragedy.

THE AMULET: Journey to Sirok, Book I in The Elias Chronicles – Now Available


2 November 2017- Richmond, VA: Klatch Books has released THE AMULET: Journey to Sirok a novel by E.G.Kardos.

WHEN TWIN SWORDS COLLIDE, an incredible power is unleashed and a new world opens. Defeating the three-headed dragon is the only way for young Elias to seize his treasure. THE AMULET: Journey to Sirok is a magical adventure as Elias searches to find a sorcerer named Zoltan to reveal clues to his search.

This epic fantasy is a ‘hero’s journey’ in the classic sense and engages young readers who take this adventure with Elias in an uncertain and mystical world. Likewise, it’s a story for the ‘young at heart’ reader who finds the quest personally revealing,” Kardos said about the story. “This is what I’ve been told.”

THE AMULET: Journey to Sirok is Book I of THE ELIAS CHRONICLES. Book II is scheduled for release in 2018.

Here’s what they’re saying:

“E.G. Kardos is a soul searcher. He writes from the head and heart, finding true meaning in the vagaries of life.” Dean King, bestselling author of Skeletons on the Zahara

“Mr. Kardos has delved deep into his own roots, bringing rich Hungarian folklore to life in this fascinating, action-packed tale. Yes, THE AMULET- Journey to Sirok is a fantasy–lovers of sword and sorcery will not be disappointed–but it is at its heart a very human story.” C.S. Marks, author of the Elfhunter trilogy

“… Swords, shape shifters, and sorcerers all confront Elias as he seeks an answer to the most compelling question of all: who am I? Well-crafted and swiftly moving, this fantasy/adventure will easily intrigue readers. Dr. Leila Christenbury, Commonwealth Professor of English Education, Past President of NCTE, former Co-editor of The ALAN Review (Assembly on Literature for Adolescents)

“Elias’s quest is our quest, his journey our journey. You will quickly become ensnared in his grand adventure as Elias tries to answer humanity’s most profound question. ‘Who am I?’ Roy Dimond author of I, Bully.

Edward G. Kardos is the author of several books. Daniel Pink, bestselling author of “A Whole New Mind”, said this about Kardos’ last book, “Zen Master Next Door” (Green Dragon Books)—“What an inspiring way to learn about our very soul. These modern day parables…are compelling and left me wanting more.” Lectures, guest appearances, interviews and review copies are available by contacting the author at [email protected]

Edward G. Kardos is the author of several books. Daniel Pink, bestselling author of “A Whole New Mind”, said this about Kardos’ last book, “Zen Master Next Door” (Green Dragon Books)—“What an inspiring way to learn about our very soul. These modern day parables…are compelling and left me wanting more.” Lectures, guest appearances, interviews and review copies are available by contacting the author at [email protected]
The yesr of magical thinking play

This magical thinking becomes a coping mechanism for her, helping her navigate the difficult journey of grief. "The Year of Magical Thinking" is a deeply emotional and introspective play that offers a raw and honest portrayal of the grieving process. It invites the audience to confront their own feelings of loss and challenges societal norms and expectations surrounding grief. The play received critical acclaim for its powerful storytelling, honest portrayal of grief, and Didion's compelling performance as both the writer and narrator of her own story. It resonated with audiences who have experienced loss and served as a cathartic experience for many. Overall, "The Year of Magical Thinking" is a thought-provoking and moving play that explores the profound impact of loss on an individual's life. It challenges the audience to confront their own feelings of grief and encourages a greater understanding and empathy for those who are mourning..

Reviews for "Exploring the Psychological Mechanisms of Magical Thinking in "The Year of Magical Thinking"

1. John - 2/5 Rating
I was really disappointed with "The Year of Magical Thinking" play. Although I enjoyed Joan Didion's book, the adaptation onto the stage fell flat for me. The dialogue felt stagnant and lacked the emotional depth that the book captured so beautifully. The actors seemed disengaged, and the pacing was incredibly slow. Overall, I found it to be a rather tedious and uninspiring experience.
2. Sarah - 3/5 Rating
I had high expectations going into "The Year of Magical Thinking" play, but unfortunately, it didn't quite live up to them. While the acting was decent, the play seemed to drag on and lacked a clear direction. The transitions between different scenes were abrupt and confusing, making it difficult to follow the storyline. Additionally, the set design felt underwhelming and failed to create a captivating atmosphere. It's a shame because I really wanted to enjoy this play, but it left me feeling somewhat underwhelmed.
3. Emily - 2/5 Rating
"The Year of Magical Thinking" play left me feeling disconnected and unsatisfied. The pacing was incredibly slow, and the dialogue failed to hold my attention. The actors, though talented, seemed to struggle to convey the emotional weight of the story, resulting in a lack of empathy from the audience. The play felt disjointed at times, with scenes that failed to flow seamlessly together. Overall, I left the theater feeling unfulfilled and regretful of my decision to watch this adaptation.

Investigating Joan Didion's Depiction of Magical Thinking in "The Year of Magical Thinking

The Interplay of Rationality and Magical Thinking in